What do you get when you mix a lonely girl, a mysterious land full of colors and magic, unusual characters, a missing prince and a dangerous quest? Anna's Adventure! Anna is a young girl faced with a new baby sister and an older brother who tends to ignore her. Anna's loneliness leads her to investigate an unusual appearance of rainbow colored bananas which bring her to The Land Of Zuz. The color is fading from the land with the disappearance of the prince and Anna agrees to help. Along with Odo the Monkey, Hannah the giraffe, the Magic Medallion and many other citizens of Zuz, Anna embarks on a quest that will change her life.

Pamela Thomas-Graham's beguiling and atmospheric Ivy League novels simmer with hot button issues -- and unveil layers of malice and murder inside the life academic. Harvard economics professor Nikki Chase is intent on becoming the first tenured African-American woman in her department. But with her affinity for solving crimes, she may make her name in a place where the highest levels of human intellect can court the lowest impulses of the human heart. PUBLISH OR PERISH A working weekend at a Princeton conference is just what Nikki needs to deflect the pre-holiday pressures -- both professional and personal -- that are closing in on her back in Cambridge. And there will be down time, too, at a party honoring professor Earl Stokes, her old friend and mentor. Rumors abound that Stokes, a Princeton superstar, may depart for Harvard, a change that would stir up as much controversy as his new bestselling book on race issues. When Stokes's body is discovered among the smoldering ruins of the not-yet-completed black-studies building, a shattered Nikki refuses to accept the police findings that the death was accidental. And among the ashes she will uncover a murderous agenda with ominous implications for not only the Princeton campus but Harvard as well.

Popular genre fiction written by Asian American women and featuring Asian American characters gained a market presence in the late twentieth and early twenty-first centuries. These "crossover" books-mother-daughter narratives, chick lit, detective fiction, and food writing-attempt to bridge ethnic audiences and a broader reading public. In Asian American Women's Popular Literature, Pamela Thoma considers how these books both depict contemporary American-ness and contribute critically to public dialogue about national belonging. Novels such as Michelle Yu and Blossom Kan's China Dolls and Sonia Singh's Goddess for Hire, or mysteries including Sujata Massey's Girl in a Box and Suki Kim's The Interpreter, reveal Asian American women's ambivalence about the trappings and prescriptions of mainstream American society. Thoma shows how these writers' works address the various pressures on women to manage their roles in relation to family and finances-reconciling the demands of work, consumer culture, and motherhood-in a neoliberal society. A volume in the American Literatures Initiative.

Structurally innovative and culturally expansive, the works of Karen Tei Yamashita invite readers to rethink conventional paradigms of genres and national traditions. Her novels, plays, and other texts refashion forms like the immigrant tale, the postmodern novel, magical realism, apocalyptic literature, and the picaresque and suggest new transnational, hemispheric, and global frameworks for interpreting Asian American literature. Addressing courses in American studies, contemporary fiction, environmental humanities, and literary theory, the essays in this volume are written by undergraduate and graduate instructors from across the United States and around the globe. Part 1, "Materials," outlines Yamashita's novels and other texts, key works of criticism and theory, and resources for Asian American and Asian Brazilian literature and culture. Part 2, "Approaches," provides options for exploring Yamashita's works through teaching historical debates, outlining principles of environmental justice, mapping geographic boundaries to highlight power dynamics, and drawing personal connections to the texts. Additionally, an essay by Yamashita describes her own approaches to teaching creative writing.

Popular genre fiction written by Asian American women and featuring Asian American characters gained a market presence in the late twentieth and early twenty-first centuries. These "crossover" books-mother-daughter narratives, chick lit, detective fiction, and food writing-attempt to bridge ethnic audiences and a broader reading public. In Asian American Women's Popular Literature, Pamela Thoma considers how these books both depict contemporary American-ness and contribute critically to public dialogue about national belonging. Novels such as Michelle Yu and Blossom Kan's China Dolls and Sonia Singh's Goddess for Hire, or mysteries including Sujata Massey's Girl in a Box and Suki Kim's The Interpreter, reveal Asian American women's ambivalence about the trappings and prescriptions of mainstream American society. Thoma shows how these writers' works address the various pressures on women to manage their roles in relation to family and finances-reconciling the demands of work, consumer culture, and motherhood-in a neoliberal society. A volume in the American Literatures Initiative.

Structurally innovative and culturally expansive, the works of Karen Tei Yamashita invite readers to rethink conventional paradigms of genres and national traditions. Her novels, plays, and other texts refashion forms like the immigrant tale, the postmodern novel, magical realism, apocalyptic literature, and the picaresque and suggest new transnational, hemispheric, and global frameworks for interpreting Asian American literature. Addressing courses in American studies, contemporary fiction, environmental humanities, and literary theory, the essays in this volume are written by undergraduate and graduate instructors from across the United States and around the globe. Part 1, "Materials," outlines Yamashita's novels and other texts, key works of criticism and theory, and resources for Asian American and Asian Brazilian literature and culture. Part 2, "Approaches," provides options for exploring Yamashita's works through teaching historical debates, outlining principles of environmental justice, mapping geographic boundaries to highlight power dynamics, and drawing personal connections to the texts. Additionally, an essay by Yamashita describes her own approaches to teaching creative writing.