The Age of Revolution has traditionally been understood as an era of secularization, giving the transition from monarchy to independent republics through democratic movements a genealogy that assumes hostility to Catholicism. By centering the story on Spanish and Latin American actors, Pamela Voekel argues that at the heart of this nineteenth-century transformation in Spanish America was a transatlantic Catholic civil war. Voekel demonstrates Reform Catholicism's significance to the thought and action of the rebel literati who led decolonization efforts in Mexico and Central America, showing how each side of this religious divide operated from within a self-conscious intercontinental network of like-minded Catholics. For its central protagonists, the era's crisis of sovereignty provided a political stage for a religious struggle. Drawing on ecclesiastical archives, pamphlets, sermons, and tracts, For God and Liberty reveals how the violent struggles of decolonization and the period before and after Independence are more legible in light of the fault lines within the Church.

The Age of Revolution has traditionally been understood as an era of secularization, giving the transition from monarchy to independent republics through democratic movements a genealogy that assumes hostility to Catholicism. By centering the story on Spanish and Latin American actors, Pamela Voekel argues that at the heart of this nineteenth-century transformation in Spanish America was a transatlantic Catholic civil war. Voekel demonstrates Reform Catholicism's significance to the thought and action of the rebel literati who led decolonization efforts in Mexico and Central America, showing how each side of this religious divide operated from within a self-conscious intercontinental network of like-minded Catholics. For its central protagonists, the era's crisis of sovereignty provided a political stage for a religious struggle. Drawing on ecclesiastical archives, pamphlets, sermons, and tracts, For God and Liberty reveals how the violent struggles of decolonization and the period before and after Independence are more legible in light of the fault lines within the Church.

Focusing on cemetery burials in late-eighteenth-century Mexico, "Alone Before God" provides a window onto the contested origins of modernity in Mexico. By investigating the religious and political debates surrounding the initiative to transfer the burials of prominent citizens from urban to suburban cemeteries, Pamela Voekel challenges the characterization of Catholicism in Mexico as an intractable and monolithic institution that had to be forcibly dragged into the modern world.
Drawing on the archival research of wills, public documents, and other texts from late-colonial and early-republican Mexico, Voekel describes the marked scaling-down of the pomp and display that had characterized baroque Catholic burials and the various devices through which citizens sought to safeguard their souls in the afterlife. In lieu of these baroque practices, the new enlightened Catholics, claims Voekel, expressed a spiritually and hygienically motivated preference for extremely simple burial ceremonies, for burial outside the confines of the church building, and for leaving their earthly goods to charity. Claiming that these changes mirrored a larger shift from an external, corporate Catholicism to a more interior piety, she demonstrates how this new form of Catholicism helped to initiate a cultural and epistemic shift that placed the individual at the center of knowledge.
Breaking with the traditional historiography to argue that Mexican liberalism had deeply religious roots, "Alone Before God" will be of interest to specialists in Latin American history, modernity, and religion.

Focusing on cemetery burials in late-eighteenth-century Mexico, "Alone Before God" provides a window onto the contested origins of modernity in Mexico. By investigating the religious and political debates surrounding the initiative to transfer the burials of prominent citizens from urban to suburban cemeteries, Pamela Voekel challenges the characterization of Catholicism in Mexico as an intractable and monolithic institution that had to be forcibly dragged into the modern world.
Drawing on the archival research of wills, public documents, and other texts from late-colonial and early-republican Mexico, Voekel describes the marked scaling-down of the pomp and display that had characterized baroque Catholic burials and the various devices through which citizens sought to safeguard their souls in the afterlife. In lieu of these baroque practices, the new enlightened Catholics, claims Voekel, expressed a spiritually and hygienically motivated preference for extremely simple burial ceremonies, for burial outside the confines of the church building, and for leaving their earthly goods to charity. Claiming that these changes mirrored a larger shift from an external, corporate Catholicism to a more interior piety, she demonstrates how this new form of Catholicism helped to initiate a cultural and epistemic shift that placed the individual at the center of knowledge.
Breaking with the traditional historiography to argue that Mexican liberalism had deeply religious roots, "Alone Before God" will be of interest to specialists in Latin American history, modernity, and religion.