Relocating Identities in Latin American Cultures explores the perpetually changing notion of Latin American identity, particularly as illustrated in literature and other forms of cultural expression. Editor Elizabeth Montes GarcA (c)s has gathered contributions from specialists who examine the effects of such major phenomena as migration, globalization, and gender on the construct of Latin American identities, and, as such, are reshaping the traditional understanding of Latin America's cultural history. The contributors to this volume are experts in Latin American literature and culture. Covering a diverse range of genres from poetry to film, their essays explore themes such as feminism, deconstruction, and postcolonial theory as they are reflected in the Latin American cultural milieu. With contributions by: Nayibe Bermudez Barrios Norman Cheadle Rita De Grandis Elizabeth Montes Garces Paola Hernandez Myriam Osorio Claudine Potvin Mercedes Rowinsky-Guerts Catherine Den Tandt Luis Torres Richard Young

Esta investigacion unicamente propone los pasos a seguir para realizar la estrategia de Marketing Social, por consiguiente no se crearon los pasos posteriores dentro del plan de Marketing Social. Dentro de la investigacion mixta se indaga sobre las percepciones que tienen los universitarios ante el ejercicio y su salud, los habitos de los jovenes universitarios en cuanto a su ejercicio diario, los factores, los motivos y las razones que influyen en la ejecucion del ejercicio y por ultimo se saca a la luz el conocimiento que poseen en tanto a los riesgos latentes de la inactividad fisica. Una vez teniendo los insights de los jovenes universitarios se genera una estrategia de Marketing Social enfocada al fomento de actividad fisica en los jovenes universitarios."

Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty-first-century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro LInea de Sombra, and the Chilean playwright and director Guillermo CalderOn. Paola S. HernAndez demonstrates how material objects and archives-photographs, videos, and documents such as witness reports, legal briefs, and letters-come to life onstage. HernAndez argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects' meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the veracity of the archive. Richly detailed, nuanced, and theoretically wide-ranging, Staging Lives in Latin American Theater reveals a range of interpretations about how documentary theater can conceptualize the idea of self while also proclaiming a new mode of testimony through theatrical practices.