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Relocating Identities in Latin American Cultures explores the
perpetually changing notion of Latin American identity,
particularly as illustrated in literature and other forms of
cultural expression. Editor Elizabeth Montes GarcA (c)s has
gathered contributions from specialists who examine the effects of
such major phenomena as migration, globalization, and gender on the
construct of Latin American identities, and, as such, are reshaping
the traditional understanding of Latin America's cultural history.
The contributors to this volume are experts in Latin American
literature and culture. Covering a diverse range of genres from
poetry to film, their essays explore themes such as feminism,
deconstruction, and postcolonial theory as they are reflected in
the Latin American cultural milieu. With contributions by: Nayibe
Bermudez Barrios Norman Cheadle Rita De Grandis Elizabeth Montes
Garces Paola Hernandez Myriam Osorio Claudine Potvin Mercedes
Rowinsky-Guerts Catherine Den Tandt Luis Torres Richard Young
Esta investigacion unicamente propone los pasos a seguir para
realizar la estrategia de Marketing Social, por consiguiente no se
crearon los pasos posteriores dentro del plan de Marketing Social.
Dentro de la investigacion mixta se indaga sobre las percepciones
que tienen los universitarios ante el ejercicio y su salud, los
habitos de los jovenes universitarios en cuanto a su ejercicio
diario, los factores, los motivos y las razones que influyen en la
ejecucion del ejercicio y por ultimo se saca a la luz el
conocimiento que poseen en tanto a los riesgos latentes de la
inactividad fisica. Una vez teniendo los insights de los jovenes
universitarios se genera una estrategia de Marketing Social
enfocada al fomento de actividad fisica en los jovenes
universitarios."
Staging Lives in Latin American Theater: Bodies, Objects, Archives
examines twenty-first-century documentary theater in Latin America,
focusing on important plays by the Argentine director Vivi Tellas,
the Argentine playwright and director Lola Arias, the Mexican
theater collective Teatro LInea de Sombra, and the Chilean
playwright and director Guillermo CalderOn. Paola S. HernAndez
demonstrates how material objects and archives-photographs, videos,
and documents such as witness reports, legal briefs, and
letters-come to life onstage. HernAndez argues that present-day,
live performances catalog these material archives, expanding and
reinterpreting the objects' meanings. These performances produce an
affective relationship between actor and audience, visualizing
truths long obscured by repressive political regimes and
transforming theatrical spaces into sites of witness. This process
also highlights the liminality between fact and fiction,
questioning the veracity of the archive. Richly detailed, nuanced,
and theoretically wide-ranging, Staging Lives in Latin American
Theater reveals a range of interpretations about how documentary
theater can conceptualize the idea of self while also proclaiming a
new mode of testimony through theatrical practices.
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