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This book systematically examines various factors that shape
graduates' entry into media work, which include the state and its
policies, industrial and organizational practices and cultures, and
media education. However, the book does not take a typical
political economic or even media industries approach to this
exploration. Rather, it innovatively traces how these forces are
operationalized to shape media work from the perspective of the
graduates, their educators and their employers. These varying
perspectives are analyzed to see how graduates experience the
outcomes of policy, education and industry cultures. The book
examines the impact that policy, education and industry have in
redefining what media work means for parts of industry that are
responsible for cultivating new entrants into the creative
industries.
This book traces the turbulent history of queer visibility in the
Irish media to explore the processes by which a regionally based
media system shaped queer identities within a highly conservative
and religious population. The book details the emergence of an
LGBTQ rights movement in Ireland and charts how this burgeoning
movement utilised the media for the liberatory potential of
advancing LGBTQ rights. However, mainstream media institutions also
exploited queer identities for economic purposes, which, coupled
with the eruption of the AIDS pandemic in the 1980s, disrupted the
mainstreaming goals of queer visibility. Drawing on industrial,
societal and production culture determinants, the author identifies
the shifting contours of queer visibility in the Irish media,
uncovering the longstanding relationship between LGBTQ organising
and the Irish media. This book is suitable for students and
scholars in gender studies, media studies, cultural studies and
LGBTQ studies.
This book traces the turbulent history of queer visibility in the
Irish media to explore the processes by which a regionally based
media system shaped queer identities within a highly conservative
and religious population. The book details the emergence of an
LGBTQ rights movement in Ireland and charts how this burgeoning
movement utilised the media for the liberatory potential of
advancing LGBTQ rights. However, mainstream media institutions also
exploited queer identities for economic purposes, which, coupled
with the eruption of the AIDS pandemic in the 1980s, disrupted the
mainstreaming goals of queer visibility. Drawing on industrial,
societal and production culture determinants, the author identifies
the shifting contours of queer visibility in the Irish media,
uncovering the longstanding relationship between LGBTQ organising
and the Irish media. This book is suitable for students and
scholars in gender studies, media studies, cultural studies and
LGBTQ studies.
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