Religion and Orientalism in Asian Studies analyses the role of religion in past and present understandings of Asia. Religion, and the history of its study in the modern academy, has exercised massive influence over Asian Studies fields in the past century. Asian Studies has in turn affected, and is increasingly shaping, the study of religion. Religion and Orientalism in Asian Studies looks into this symbiotic relationship - both in current practice, and in the modern histories of both Orientalism and Area Studies. Each chapter of the book deals with one regional sub-discipline in Asian Studies, covering Chinese Studies, Japanese Studies, Korean Studies, South Asian Studies, Southeast Asian Studies, and Central Eurasian Studies. The chapters are integrated by shared themes that run through the past and present practice of Asian Studies, covering the role of state actors in originating Area Studies, the role of local scholarship in defining and developing it, the interaction between humanities and social science approaches, debates over the dominance of Western and/or modern categories and frameworks, the interaction of past and present and the role of religious actors and religious sensibilities in shaping Asian Studies.

Ideology and Christianity in Japan shows the major role played by Christian-related discourse in the formation of early-modern and modern Japanese political ideology.

The book traces a history development of anti-Christian ideas in Japan from the banning of Christianity by the Tokugawa shogunate in the early 1600s, to the use of Christian and anti-Christian ideology in the construction of modern Japanese state institutions at the end of the 1800s. Kiri Paramore recasts the history of Christian-related discourse in Japan in a new paradigm showing its influence on modern thought and politics and demonstrates the direct links between the development of ideology in the modern Japanese state, and the construction of political thought in the early Tokugawa shogunate.

Demonstrating hitherto ignored links in Japanese history between modern and early-modern, and between religious and political elements this book will appeal to students and scholars of Japanese history, religion and politics.

Ideology and Christianity in Japan shows the major role played by Christian-related discourse in the formation of early-modern and modern Japanese political ideology. The book traces a history development of anti-Christian ideas in Japan from the banning of Christianity by the Tokugawa shogunate in the early 1600s, to the use of Christian and anti-Christian ideology in the construction of modern Japanese state institutions at the end of the 1800s. Kiri Paramore recasts the history of Christian-related discourse in Japan in a new paradigm showing its influence on modern thought and politics and demonstrates the direct links between the development of ideology in the modern Japanese state, and the construction of political thought in the early Tokugawa shogunate. Demonstrating hitherto ignored links in Japanese history between modern and early-modern, and between religious and political elements this book will appeal to students and scholars of Japanese history, religion and politics.

The Victor Ullate Ballet gives a live performance of this new interpretation of Léo Delibes work, choreographed by Eduardo Lao. Sophie Cassegrain dances the eponymous role with the rest of the cast including Leyre Castresana, Yester Mulens, Albia Tapia, Cristian Oliveri and Zara Calero.

For more than 1500 years, Confucianism has played a major role in shaping Japan's history - from the formation of the first Japanese states during the first millennium AD, to Japan's modernization in the nineteenth century, to World War II and its still unresolved legacies across East Asia today. In an illuminating and provocative new study, Kiri Paramore analyses the dynamic history of Japanese Confucianism, revealing its many cultural manifestations, as religion and as a political tool, as social capital and public discourse, as well as its role in international relations and statecraft. The book demonstrates the processes through which Confucianism was historically linked to other phenomenon, such as the rise of modern science and East Asian liberalism. In doing so, it offers new perspectives on the sociology of Confucianism and its impact on society, culture and politics across East Asia, past and present.

For more than 1500 years, Confucianism has played a major role in shaping Japan's history - from the formation of the first Japanese states during the first millennium AD, to Japan's modernization in the nineteenth century, to World War II and its still unresolved legacies across East Asia today. In an illuminating and provocative new study, Kiri Paramore analyses the dynamic history of Japanese Confucianism, revealing its many cultural manifestations, as religion and as a political tool, as social capital and public discourse, as well as its role in international relations and statecraft. The book demonstrates the processes through which Confucianism was historically linked to other phenomenon, such as the rise of modern science and East Asian liberalism. In doing so, it offers new perspectives on the sociology of Confucianism and its impact on society, culture and politics across East Asia, past and present.

The Leipziger Ballett gives a live performance of Mario Schröder's choreography which interprets how Charlie Chaplin's life influenced his work. Among the dancers featured in the performance are Tyler Galster, Amelia Waller, Urania Lobo Garcia and Alexander Teutscher. Matthias Foremny leads the Gewandhausorchester.

Snatched up by Atlantic after their Fueled by Ramen debut, Paramorerises to the challenge of playing in the big leagues with their 2007 sophomore effort, RIOT!Mining a familiar vein of punk-pop with emo overtones, Paramoreisn't always original, but they make up for it with tunes, fire, and the youthful enthusiasm of lead singer Hayley Williams. The band also benefits from big-league production, making RIOT!rock with sparkle and crunch, and giving Parmorea leg up on their punk-pop contemporaries.