Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Originally published in 1992, this is a wide-ranging text concerned with the principles and practice of neuropsychological assessment in adults. It combines a flexible hypothesis testing approach to assessment with information on specialised test batteries. The book covers the major areas of memory, language, perception, attention, and executive dysfunctions, and includes chapters on dementia, alcohol, drug and toxic conditions, stroke and closed head injury. Assessment of dysfunction in cases involving claims for compensation and chapters on specialised assessment techniques, including automated test procedures, are provided. The book presents a sound introduction to this complex area and gives guidelines for the clinician who may need concise information on a specialised topic.

Lincoln Merriweather a toujours été un sale gosse pensant avoir tous les droits, avec une cuillère en argent dans la bouche enfoncée si loin qu'elle aurait pu ne jamais en sortir. Au club BDSM ou dans les affaires, Lincoln est une tempête, déboulant et perturbant la vie de tous ceux qu'il touche, jusqu'au jour où il rencontre un homme qui retire toutes les couches ternies pour exposer un homme bien. Lincoln a trouvé - puis perdu - l'amour. Depuis lors, il essaie d'expier son passé, notamment en s'éloignant de la fortune de sa famille. Il a ouvert un snack, engagé des personnes travaillant pour lui sur lesquelles il aurait craché avant sa révélation. Il a trouvé la paix, qu'il est sur le point de perdre pour un homme aux yeux marron. Noel Simmons s'est retrouvé à la rue quand ses parents ont découvert qu'il était gay. Son chemin le conduit jusqu'au snack de Lincoln, où il demande un travail. Il est ravi quand Lincoln accepte de l'engager, mais trouve son nouveau patron déconcertant. Une personne peut-elle être aussi gentille et honnête ? Ce qui commence comme un simple travail devient quelque chose de plus. Noel découvre qu'il a besoin de Lincoln pour se sentir en sécurité. Lincoln a besoin de Noel pour le compléter. Mais quand le passé de Lincoln se met en travers de son présent, auront-ils tous les deux un futur ?

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Shifter Quinn Adler knew he would live and die as a slave. Quinn's life was filled with pain until he was rescued from an abusive pack. But in Lydon, Quinn can't be sure of anything, so he's terrified of everything. With no one to give him direction, he is lost--until Deke takes control of him. Deke Timmons hates that he has to play the role of master to his mate. Unfortunately, Quinn won't accept his love until Deke can show him what being mates means. Vowing to help Quinn, Deke takes him into the world he's never seen. Though sometimes their relationship is tense, his methods seem to be working. Then a power-mad Alpha swoops in to kidnap Quinn and ends up getting Deke by mistake. Now Deke must play submissive to a wolf complicit in Quinn's abuse. He'll do whatever it takes to get back to his mate--but with Deke in peril, Quinn must find his courage and reclaim the person he was meant to be.

Matt Bowers bisheriges Leben endete mit sechzehn, als ein gemeiner Verrat von jemanden, dem er eigentlich hätte vertrauen können, ihn zum Schatten seiner selbst werden lie . Seit damals hat er mit einer Zwangs- und einer posttraumatischen Belastungsstörung zu kämpfen, lebt in permanenter Angst und läuft vor allem davon. Durch den Kauf eines abgeschiedenen Stück Lands glaubt er, den perfekten Ort gefunden zu haben, um sich vor der Welt zu verstecken und etwas Frieden zu finden. Zehn Jahre lang verspürt er ein gewisses Ma an Geborgenheit, bis eines Tages ein Fremder beginnt, Matts Stra e entlangzulaufen. Er kommt täglich wieder und dringt damit unwillkommen in Matts sorgfältig strukturiertes Leben ein. Matt beschwert sich beim Sheriff, doch der kann ihm nicht helfen, da der Jogger nichts Unrechtes tut. Nachdem zaghaft das Eis gebrochen ist, beginnt Matt, Schritt für Schritt die Anwesenheit des Mannes zu akzeptieren ... Als der Mann dann aber eines Tages nicht auftaucht, gerät Matts Leben ins Wanken und er muss die schwierigste Entscheidung seines Lebens treffen.