The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

Recently discovered as a hand-written document in the Buckingham Smith Collection at the New-York Historical Society, this remarkable first-person narrative traces the life of Sitiki, whose name was changed to Jack Smith after his enslavement in America. Captured and sold into slavery in Africa as a five-year-old, Sitiki travelled to America as a cabin boy. Eventually sold by the ship's captain to Josiah Smith of Savannah, Georgia, he lived there and in Connecticut with his new master. Captured by the British during the War of 1812, he was returned to the Smiths, to be freed only after the Civil War. He went on to become the first black Methodist minister in St. Augustine, Florida where he established his own church. Patricia Griffin does not leave the story at the conclusion of the slave narrative, but explores Sitiki's experiences and places them in clear and valuable context. She presents the narrative unencumbered, allowing Sitiki's authority, compassion, and personality to speak for itself.