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Since the signing of the Good Friday Agreement in 1998, the image
projected of Northern Ireland in the mainstream media is frequently
that of a newly prosperous, modern, post-conflict society - a rare
example of a successful peace process. Promoted as a great place to
live and work, the garden seemed to be getting rosier by the day,
that is until the Stormont Assembly collapsed in 2017. Written to
coincide with the twentieth anniversary of the GFA, this book
argues that the seeds of recent problems were sown in the 1998
agreement. The fiasco of a Renewable Heating Incentive that
overpaid participants, the lingering whiff of corruption,
communities in crisis and growing poverty are all symptoms of the
inherent failings of the supposed settlement. Current difficulties
are more than teething problems arising from the transition from
war to peace and neo-liberalism; they're the first instalment of a
deeper crisis in a northern Irish state and society, which has
never properly addressed the corrosive nature of sectarianism.
Rather than ridding Northern Ireland of sectarianism,
neo-liberalism, operating in the absence of armed conflict, has
been able to accommodate and, in some instances, create a new form
of sectarianism. The GFA has led to a profound democratic deficit.
This book focuses on the nature of the North's new sectarian
political class who are the principal beneficiaries of the GFA, but
attention is also drawn to the labour movement, the plight of
precarious and migrant workers, and the undermining of third sector
autonomy. Behind the latter is the continuing suffering within
communities still impacted by the long period of armed conflict and
the evolution of republicanism and Unionism-Loyalism.
Learn to teach music to children with MUSIC IN CHILDHOOD:
MULTIMEDIA UPDATE, International Edition, an inspirational and
informative text that features practical strategies, imaginative
scenarios, and comprehensive examples to help students prepare for
their careers in music education.
Redefining Music Studies in an Age of Change: Creativity,
Diversity, Integration takes prevailing discourse about change in
music studies to new vistas, as higher education institutions are
at a critical moment of determining just what professional
musicians and teachers need to survive and thrive in public life.
The authors examine how music studies might be redefined through
the lenses of creativity, diversity, and integration. which are the
three pillars of the recent report of The College Music Society
taskforce calling for reform. Focus is on new conceptions for
existent areas-such as studio lessons and ensembles, academic
history and theory, theory and culture courses, and music education
coursework-but also on an exploration of music and human learning,
and an understanding of how organizational change happens.
Examination of progressive programs will celebrate strides in the
direction of the task force vision, as well as extend a critical
eye distinguishing between premature proclamations of "mission
accomplished" and genuine transformation. The overarching theme is
that a foundational, systemic overhaul has the capacity to entirely
revitalize the European classical tradition. Practical steps
applicable to wide-ranging institutions are considered-from small
liberal arts colleges, to conservatory programs, large research
universities, and regional state universities.
Redefining Music Studies in an Age of Change: Creativity,
Diversity, Integration takes prevailing discourse about change in
music studies to new vistas, as higher education institutions are
at a critical moment of determining just what professional
musicians and teachers need to survive and thrive in public life.
The authors examine how music studies might be redefined through
the lenses of creativity, diversity, and integration. which are the
three pillars of the recent report of The College Music Society
taskforce calling for reform. Focus is on new conceptions for
existent areas-such as studio lessons and ensembles, academic
history and theory, theory and culture courses, and music education
coursework-but also on an exploration of music and human learning,
and an understanding of how organizational change happens.
Examination of progressive programs will celebrate strides in the
direction of the task force vision, as well as extend a critical
eye distinguishing between premature proclamations of "mission
accomplished" and genuine transformation. The overarching theme is
that a foundational, systemic overhaul has the capacity to entirely
revitalize the European classical tradition. Practical steps
applicable to wide-ranging institutions are considered-from small
liberal arts colleges, to conservatory programs, large research
universities, and regional state universities.
MUSIC IN CHILDHOOD: FROM PRESCHOOL THROUGH THE ELEMENTARY GRADES,
equips you with the knowledge, tools and confidence to effectively
teach music to children. Its practical strategies, imaginative
scenarios and comprehensive examples prepare students for careers
in music education and help active teachers sharpen their skills.
Combining research and their years of experience, authors Campbell
and Scott-Kassner present strategies for developing pitch, vocal,
rhythmic, instrumental, listening, movement and creative responses
in children. They emphasize contemporary topics like diversity,
technology, incorporating evolving standards and meeting the needs
of exceptional children. Numerous lesson plans and curricular units
provide examples to help you effectively create plans tailored to
your specific classroom needs.
Lush Valley Alternatively Tells The Story Of Katti, Growing Up In
Chimacum Valley, Washington Territory, And Her Rise From Gifted
Church Choir Singer To Notorious San Francisco Entertainer Katrine
Trenholme, On Trial For Murdering Her Husband.
Lush Valley Alternatively Tells The Story Of Katti, Growing Up In
Chimacum Valley, Washington Territory, And Her Rise From Gifted
Church Choir Singer To Notorious San Francisco Entertainer Katrine
Trenholme, On Trial For Murdering Her Husband.
Whether it's "Flashback Friday" or "Throwback Thursday," audiences
are hungry for nostalgic film and television, and the streaming
giant Netflix serves up shows from the past that satisfy this
craving, in addition to producing original contemporary content
with nostalgic flavor. As a part of the series "Reboots, Remakes
and Adaptations" originated by series editors Dr. Carlen Lavigne
and Dr. Paul Booth, this edited volume focuses exclusively on the
intersection between the Netflix platform and the current nostalgia
trend in popular culture. As both a creator and distributor of
media texts, Netflix takes great advantage of a wide variety of
audience nostalgic responses, banking on attracting audiences who
seek out nostalgic content that takes them back in time, as well as
new audiences who discover "old" and reimagined content. The book
aims to interrogate the complex and contradictory notions of
nostalgia through the contemporary lens of Netflix, examining
angles such as the Netflix business model, the impact of streaming
platforms such as Netflix on the consumption of nostalgia, the
ideological nature of nostalgic representation in Netflix series,
and the various ways that Netflix content incorporates nostalgic
content and viewer responses. Many of the contributed chapters
analyze current, ongoing Netflix series, providing very timely and
original analysis by established and emerging scholars in a variety
of disciplines. What can we learn about our selves, our times, our
cultures, in response to an examination of "Netflix and Nostalgia"?
Whether it's "Flashback Friday" or "Throwback Thursday," audiences
are hungry for nostalgic film and television, and the streaming
giant Netflix serves up shows from the past that satisfy this
craving, in addition to producing original contemporary content
with nostalgic flavor. As a part of the series "Reboots, Remakes
and Adaptations" originated by series editors Dr. Carlen Lavigne
and Dr. Paul Booth, this edited volume focuses exclusively on the
intersection between the Netflix platform and the current nostalgia
trend in popular culture. As both a creator and distributor of
media texts, Netflix takes great advantage of a wide variety of
audience nostalgic responses, banking on attracting audiences who
seek out nostalgic content that takes them back in time, as well as
new audiences who discover "old" and reimagined content. The book
aims to interrogate the complex and contradictory notions of
nostalgia through the contemporary lens of Netflix, examining
angles such as the Netflix business model, the impact of streaming
platforms such as Netflix on the consumption of nostalgia, the
ideological nature of nostalgic representation in Netflix series,
and the various ways that Netflix content incorporates nostalgic
content and viewer responses. Many of the contributed chapters
analyze current, ongoing Netflix series, providing very timely and
original analysis by established and emerging scholars in a variety
of disciplines. What can we learn about our selves, our times, our
cultures, in response to an examination of "Netflix and Nostalgia"?
MUSIC IN CHILDHOOD: FROM PRESCHOOL THROUGH THE ELEMENTARY GRADES
presents contemporary theories and practices of music education,
including strategies for developing pitch, vocal, rhythmic,
instrumental, listening, movement, and creative responses in
children. The text uses practical strategies, imaginative
scenarios, and comprehensive examples from worldwide musical
resources, helping to inspire the best possible teaching methods.
Numerous lesson plans and educational materials, review questions,
critical-thinking questions, projects, and references are found
throughout the text to prepare students for their teaching career.
In addition, new video segments show students in actual classroom
settings, providing them with real-life examples of how key
concepts are utilized in class. The text combines research and
practical knowledge to give students an effective overview of
teaching music in a classroom setting.
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