This catalogue introduces the work of Miriam Green Ellis (1879-1964), pioneer woman journalist of Western Canada. Never one to follow a typical path, she steered clear of the "women's page" and society columns; her livelihood was the agricultural beat. Ellis's daring journey by river steamer from Edmonton to Aklavik in 1922-documented with a diary, travelogue, photographs and slides-launched and illustrated her subsequent "Land of the Midnight Sun" lectures, and secured her position as Western Editor for the Family Herald and Weekly Star. The materials she bequeathed to the University of Alberta include published newspaper articles, photographs, coloured glass slides, manuscripts, diaries, and letters; the Collection's cultural and ethnographic value to researchers is unparalleled. Miriam Green Ellis: Champion of the West samples the rich diversity of the Collection, while inviting you to see the way we were as Westerners almost a century ago and demonstrating why the West remained Ellis's emotional home. This Miriam Green Ellis exhibition catalogue won an award of excellence from the University and College Designers Association (UCDA). Once again, Lara Minja's beautiful entry was favourably recognized by a panel of judges for excellence in concept, typography, illustrations, printing, and overall design. Well done!

Demers revives the memory of journalist Miriam Green Ellis, an all-but-forgotten feminist, suffragist, and agricultural reporter who documented the modernist sphere for over four decades and who refused to be confined to the "women's pages." With written material from the University of Alberta's Miriam Green Ellis Collection, accompanied by an excellent selection of photographs, Ellis's inimitable voice and views on Albertans, westerners, and Canadians in the early decades of the twentieth century emerge clearly. Readers interested in Canadian women studies, journalism, or feminism will find Ellis's highly coloured perspective both entertaining and informative.

Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, poetry, song-writing, drama, and non-fiction reveals the tensions of colonial society at the same time as it transforms cultural life in Canada. Women's Writing in Canada resurrects foremothers who were active before and after the mid-century - Ethel Wilson, Gabrielle Roy, Gwen Pharis Ringwood, Dorothy Livesay, and P.K. Page - as well as such forgotten writers as Grace Irwin, Patricia Blondal, and Edna Jaques. Its breadth extends to the contemporary voices and influences of novelists Tracey Lindberg and Heather O'Neill, poets Marilyn Dumont and Leanne Betasamosake Simpson, playwrights Hannah Moscovitch and Anna Chatterton, and filmmakers Sarah Polley and Mina Shum. Writing for children as well as memoirs, autobiographies, comic books, and cookbooks illustrate the wide and impressive range of women's talents.

Text in English & French. Buttressed by a wealth of new, collaborative research methods and technologies, the contributors of this collection examine women's writing in Canada, past and present, with 11 essays in English and 5 in French. Regenerations was born out of the inaugural conference of the Canadian Writing Research Collaboratory held at the Canadian Literature Centre, University of Alberta, and exemplifies the progress of radically interdisciplinary research, collaboration, and publishing efforts surrounding Canadian women's writing. Researchers and students interested in Canadian literature, Quebec literature, womens writing, literary history, feminist theory, and digital humanities scholarship should definitely acquaint themselves with this work. Contributors: Nicole Brossard, Susan Brown, Marie Carriere, Patricia Demers, Louise Dennys, Cinda Gault, Lucie Hotte, Dean Irvine, Gary Kelly, Shauna Lancit, Mary McDonald-Rissanen, Lindsey McMaster, Mary-Jo Romaniuk, Julie Roy, Susan Rudy, Chantal Savoie, Maite Snauwaert, Rosemary Sullivan, and Sheena Wilson.

Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, poetry, song-writing, drama, and non-fiction reveals the tensions of colonial society at the same time as it transforms cultural life in Canada. Women's Writing in Canada resurrects foremothers who were active before and after the mid-century - Ethel Wilson, Gabrielle Roy, Gwen Pharis Ringwood, Dorothy Livesay, and P.K. Page - as well as such forgotten writers as Grace Irwin, Patricia Blondal, and Edna Jaques. Its breadth extends to the contemporary voices and influences of novelists Tracey Lindberg and Heather O'Neill, poets Marilyn Dumont and Leanne Betasamosake Simpson, playwrights Hannah Moscovitch and Anna Chatterton, and filmmakers Sarah Polley and Mina Shum. Writing for children as well as memoirs, autobiographies, comic books, and cookbooks illustrate the wide and impressive range of women's talents.

In this introduction to the diversity and scope of the writing by women in England from the beginning of the sixteenth century to the restoration of the monarchy in 1660, Patricia Demers discusses the creative realities of women writers' accomplishments and the cultural conditions under which they wrote.

There were deep suspicions and restrictions surrounding the education of women during this period, and thus the contributions of women to literature, and to the print industry itself, are largely unknown. This wide-ranging examination of the genres of early modern women's writing embraces translation (from Latin, Greek, and French) in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics. A close study of six major authors - Mary Sidney, Aemilia Lanyer, Elizabeth Tanfield Cary, Lady Mary Wroth, Margaret Cavendish, and Katherine Philips - explores their work as poets, dramatists, and romantic fiction writers. Demers invites readers to savour the subtlety and daring with which these women authors made writing an expressly social craft.

A signal event in the move from oral to print culture for the Cree was Father Grouard's prayer book, written in syllabics and printed in 1883. More than a century later, Demers, McIlwraith, and Thunder reproduce the text, along with a direct English transiation, a transliteration into the Standard Roman Orthography now in use as well as in nineteenth-century SRO. Demers offers an introduction to the work within its cultural framework; the translators together discuss Grouard's use of Cree syllabics, which illuminates the difficulties this missionary-pioneer faced in transferring the nuances of one language to another in which he was an ardent learner. Cree history scholars, linguists, and anyone interested in print history would be well served by adding this influential work to their library.

The papers from the 2000 symposium of the Royal Society of Canada explore the crucial relationship between science and ethics. In the six papers, presented by scholars and practitioners in fields as varied as psychiatry, law, philosophy, and ethics, the contributors address the central place of ethics in scientific policy, research, and practice.

Historic decisions like the place of the 1947 Nuremberg Code, adopted by the International War Crimes Tribunal to establish the foundational ethical principals of research involving human subjects; contemporary policy concerning, and institutional responsibility for, the protection of human subjects; science, technology, and copyright laws in Canada; xenotransplantation (the process of grafting living cells, tissues, and organs from animals to human beings);the privatization of biomedical research; and the relationship between ethics, policies, and research experts: these are the topics under discussion in this timely collection of papers.

" History has not been kind to Hannah More. This once lionized writer and activist -- the most influential female philanthropist of her day -- is now considered by many to be the embodiment of pious morality and reactionary anti-feminism. Largely because of her belief in separate spheres for men and women, More has been vilified by modern-day feminists. The first biography to examine the complete range of her life and work, The World of Hannah More depicts the author as a forceful voice in her own day and one who, from the point of view of plain justice, today deserves a more nuanced treatment. Without denying the problems More presents for modern readers, Patricia Demers has produced a balanced revisionist study of a woman enormously influential in late-eighteenth-and early-nineteenth-century England. By examining the career of this cultural warrior, situating her major texts in relation to contemporaries, and addressing her published writing, philanthropic activities, and voluminous correspondence, Demers anchors The World of Hannah More in the work itself -- an appropriate and just response to a woman who took pride in living to some purpose. Trying to deal justly with More and her female moral imperialism requires admitting both the expansiveness and the limitations of her charity, methodology and vision. Without venerating or trivializing, Demers pursues the doubleness and contradictions of More's largely neglected or superficially mined works, from the determined experiments of the earliest plays to the poignantly revealing essays on practical piety, Christian morals, and Saint Paul.

"Notwithstanding their differing approaches-digital, archival, historical, iterative, critical, creative, reflective-the essays gathered here articulate new ways of seeing, investigating, and apprehending literature and culture." - From the Preface This collection of essays enriches digital humanities research by examining various Canadian cultural works and the advances in technologies that facilitate these interdisciplinary collaborations. Fourteen essays-eleven in English and three in French-survey the helix of place and space. Contributors to Part I chart new archival and storytelling methodologies, while those in Part II venture forth to explore specific cultural and literary texts. Cultural Mapping and the Digital Sphere will serve as an indispensable road map for researchers and those interested in the digital humanities, women's writing, and Canadian culture and literature. Contributors: Jeffery Antoniuk, Susan Brown, Constance Crompton, Ravit H. David, Patricia Demers, Shawn DeSouza-Coelho, Cecily Devereux, Teresa M. Dobson, Sandra Gabriele, Isobel Grundy, Andrea Hasenbank, Paul Hjartarson, Kathleen Kellett, Sasha Kovacs, Vanessa Lent, Margaret Mackey, Breanna Mroczek, Bethany Nowviskie, Ruth Panofsky, Mariana Paredes-Olea, Harvey Quamen, Jennifer Roberts-Smith, Omar Rodriguez-Arenas, Mary-Jo Romaniuk, Stan Ruecker, Lori Saint-Martin, Michelle Schwartz, Stefan Sinclair, Mireille Mai Truong, Stephanie Walsh Matthews, Heather Zwicker.