Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women: Pioneers of Cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry.

Highlighting rising women directors alongside ground-breaking pioneers, this is a one-stop guide to the leading women film directors in the 21st century, and those who inspired them. This collection of essays, by an impressive array of international writers, examines the progress of women film directors around the world, and arrives at some surprising conclusions.
From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. With wide-ranging contributions from countries with mature and nascent film industries, "Celluloid Ceiling" demonstrates that economic and technological changes are creating new opportunities for women film directors everywhere.
With contributions from Africa, Latin America, Europe, USA, Asia and India, chapters on new voices in Japanese and Middle Eastern cinema, the book also covers women directors working in TV, and reminds us of the first woman director, Frenchwoman, Alice Guy Blache. Exploring the rise of the independent film sector including the horror aficionados the Soska Sisters, "Celluloid Ceiling" asks whether economic and technological change will work to the advantage of women in film.
"Celluloid Ceiling" follows in the footsteps of Supernova's "Women Make Noise," which lifted the lid on the widespread and destructive misogyny that still plagues the rock music world.