The legendary writer Patricia Highsmith is best remembered today for her chilling psychological thrillers "The Talented Mr. Ripley" and "Strangers on a Train." A critically acclaimed best seller in Europe, Highsmith has for too long been underappreciated in the United States. Starting in 2011, Grove Press will begin to reissue nine of Highsmith's works. "Eleven" is Highsmith's first collection of short stories, an arresting group of dark masterpieces of obsession and foreboding, violence and instability. Here naturalists meet gruesome ends and unhinged heroes disturb our sympathies. This is a captivating, important collection from "one of the truly brilliant short-story writers of the twentieth century" (Otto Penzler). Includes an introduction by Graham Greene.

Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the "likeable criminal"; going from first draft to final draft; and writing the suspense short story.
Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.

Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.

Tom Ripley is quietly living a life of luxury at his chateau at Villeperce, and, as ever, is keeping one step ahead of the law - he has, after all, a past that would not bear too much close scrutiny...The fifth novel featuring the protagonist Tom Ripley finds the sophisticated and amoral American expatriate being harassed by David Pritchard, a fellow American whose boorishness marks him as something of Ripley's alter-ego. Inexplicably familiar with all the incriminating details of Ripley's past, Pritchard is determined to expose him. He shadows Ripley's every move, first spying on him at home in France and then following him to Morocco. Tensions build on the return to Villeperce as Pritchard sets out to locate a body Ripley would prefer remain hidden in a nearby river.

WITH A NEW FOREWORD BY VAL McDERMID Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to lose...First published pseudonymously in 1952 as The Price of Salt, Carol is a hauntingly atmospheric love story set against the backdrop of fifties' New York.

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'My secrets-the secrets that everyone has-are here, in black and white.' Patricia Highsmith's diaries and notebooks offer an unparalleled, unforgettable insight into the life and mind of one of the 20th century's most talented, complex and fascinating writers. Posthumously discovered in Highsmith's linen cupboard and edited down from 56 thick spiral notebooks by her devoted editor, Anna Von Planta, this one-volume assemblage of her diaries and notebooks traces Highsmith's mesmerising double life. The diaries show Highsmith's unwavering literary ambitions - coming often at huge personal sacrifice. We see her writing the books that would make her name, including the Ripley novels which mark the apotheosis of the psychological thriller, and The Price of Salt (later adapted into the 2015 film Carol), one of the first mainstream novels to depict two women in love. In these pages, we see Highsmith reflecting on good and evil, loneliness and intimacy, sexuality and sacrifice, love and murder. We see her tumultuous romantic relationships play out alongside her acquaintances with other writers. Written in her inimitable and dazzling prose and offering all the pleasures of Highsmith's novels, these are one of the most compulsively readable literary diaries to be published in generations - and yield, at last an unparalleled, unfiltered, unforgettable picture of this enigmatic, iconic, trailblazing author's true self.

Three classic crime novels by a master of the macabre appear here together in
hardcover for the first time.

Suave, agreeable, and completely amoral, Patricia Highsmith's hero, the
inimitable Tom Ripley, stops at nothing--not even murder-- to accomplish his
goals.  In achieving for himself the opulent life that he was denied as a child,
Ripley shows himself to be a master of illusion and manipulation and a
disturbingly sympathetic combination of genius and psychopath.  As Highsmith
navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns
the mystery genre inside out and takes us into the mind of a man utterly
indifferent to evil.

The Talented Mr. Ripley
In a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley.  Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him.  Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal.  Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.

Ripley Under Ground
In this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.

Ripley's Game
Connoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.

**AS SEEN ON WRITE AROUND THE WORLD WITH RICHARD E GRANT** 'The No.1 Greatest Crime Writer' The Times 'Ripley, amoral, hedonistic and charming, is a genuinely original creation' Daily Telegraph 'He is using you for what you are worth' Tom Ripley wants money, success, and the good life - and he's willing to kill for it. Struggling to stay one step ahead of his creditors, and the law, Ripley leaps at the chance to start afresh on a free trip to Europe. But when his new-found happiness is threatened, his response is as swift as it is shocking. This is the first in Highsmith's classic series featuring the character of Tom Ripley. The Talented Mr Ripley also inspired the Academy Award-winning film starring Matt Damon, Gwyneth Paltrow and Jude Law. One of the BBC's 100 Novels That Shaped Our World.

BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY INTRODUCED BY DENISE MINA 'Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM A gripping novel that explores the shifting sands of moral values - is murder still murder when committed in a lawless place? Howard Ingham, an American writer, is in Tunisia working on a screenplay, and feeling stranded. No one has written to him since he arrived - neither the film director who he is supposed to be meeting in Tunis, nor his lover in New York. The erratic mail eventually brings news of the director's suicide. For reasons obscure even to himself, Ingham decides to stay and work on a novel, but a series of events - a hushed-up murder and a vanished corpse - lures him inexorably into the deep, ambivalent shadows of the town; into deceit and away from conventional morality. Ultimately, what is in question is not justice or truth, but the state of his oddly quiet conscience. 'Highsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were asked what it is about I would reply, "apprehension"' GRAHAM GREENE

The classic thriller behind the Hitchcock film, and Highsmith's first novel - soon to be remade by David Fincher, director of Gone Girl, with a screenplay by Gillian Flynn. By the bestselling author of The Talented Mr Ripley and Carol The psychologists would call it folie a deux . . . 'Bruno slammed his palms together. "Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?''' From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities. 'The No.1 Greatest Crime Writer' The Times

Now a major film starring Oscar-winner Ben Affleck and Golden Globe-nominee Ana de Armas. 'If you read crime stories at all or perhaps especially if you don't, you should read Deep Water' SUNDAY TIMES 'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?' To everyone around them, Melinda and Vic Van Allen are the perfect couple - young, wealthy and attractive. But when their love sours, their mind games reach a twisted, dangerous climax. 'If I really don't like somebody, I kill him . . . You remember Malcolm McRae, don't you?' Melinda Van Allen is beautiful, headstrong and sexy. Unfortunately for Vic Van Allen, she is his wife. Their love has soured, and Melinda takes pleasure in flaunting her many affairs to her husband. When one of her lovers is murdered, Vic hints to her latest conquest that he was responsible. As rumours spread about Vic's vicious streak, fiction and reality start to converge. It's only a matter of time before Vic really does have blood on his hands.

By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train Too much love can be a bad thing. 'Highsmith was every bit as deviant and quirky as her mischievous heroes, and didn't seem to mind if everyone knew it' J. G. Ballard, Daily Telegraph David Kelsey has an invincible conviction that life is going to work out just as he has planned it - if he can just fix 'the situation'. His one true love, the brilliant, beautiful Annabelle, has married another man. But that doesn't mean they can't still be friends. And even though she is pregnant with her husband Gerald's baby, that surely doesn't mean she won't one day get back together with David. She still loves him, of that he is certain. David is sure she'll take him back, and, under an alias, is setting up a wonderful home for the two of them in a town close by. And everything is just about going to plan until things take a murderous turn, leaving David a desperate man on the run.

Little Tales of Misogyny is Highsmith's legendary, cultish short-story collection. With an eerie simplicity of style, Highsmith turns our next-door neighbours into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In these darkly satirical, often hilarious, sketches you'll meet seemingly familiar women with the power to destroy both themselves and the men around them. 'The No.1 Greatest Crime Writer' The Times

Craig Warner

Based on a novel by Patricia Highsmith

Full Length, Thriller

Characters: 5 male, 2 female

Unit set

Guy Haines and Charles Bruno meet on a train and, because they are strangers, they think they can say anything while chatting. Bruno suggests that they could get away with murder-he could kill Guy's unfaithful wife while Guy could eliminate his hated father. Guy does not take him seriously, but Bruno is deadly serious. The basis of the classic film by Alfred Hitchcock which starred Farley Granger and Robert Walker.

"Skillfully adapted. A gripping play.''-Daily Telegraph

It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring" (Mark Harris, Entertainment Weekly) The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for self-invention is as unnerving-and unnervingly revealing of the American psyche-as ever.

When a troubled young runaway arrives on Tom Ripley's French estate, he is drawn into a world he thought he'd left behind: the seedy underworld of Berlin, involving kidnapping plots, lies and deception. Ripley becomes the boy's protector as friendship develops between the young man with a guilty conscience and the older one with no conscience at all. The Boy Who Followed Ripley is followed by Ripley Under Water.

The Blunderer was written by Highsmith in between Strangers on a Train and The Talented Mr Ripley. The novel follows the young, successful and handsome, Walter Stackhouse who seems to have it all, that is, until the day his wife's body is found at the bottom of a cliff. Under the intense scrutiny of the investigation he commits one mistake, then another, until - in true Highsmithian fashion - Walter finds his perfect life derailed. Now Walter is running from the obsessions of the murderer, and the suspicions of the lead cop, not to mention his own increasingly life-threatening blunders.

Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).

INTRODUCED BY CARMEN MARIA MACHADO

Patricia Highsmith was one of the great twentieth-century novelists, celebrated for classics The Talented Mr Ripley, Carol and Strangers on a Train, but she was also a masterful and prolific short-story writer. This definitive new collection, featuring two stories that have never been published before, confirms Highsmith as a genius of the genre. Peerlessly disturbing, exhilarating and savagely funny, Highsmith's stories still have the power to startle, presenting a world that is frighteningly familiar and as relevant today as when they were written.

• Includes two newly discovered stories
• This is the only volume of Highsmith's stories to select from a lifetime of short-story writing

Just in time for the centennial celebration of groundbreaking noir fiction writer Patricia Highsmith comes a reissue of her propulsive, engrossing debut, Strangers on a Train, with a new introduction by best-selling author Paula Hawkins. Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he'll murder Haines's wife if Haines will murder Bruno's father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith's perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock's classic 1951 film, Strangers on a Train launched Highsmith's prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train 'Uncomfortable, frightening, compulsive and, worst of all, terribly believable. It's vintage Highsmith' Time Out On a stroll through Greenwich Village, security guard Ralph Linderman finds a wallet on the sidewalk. It belongs to Jack Sutherland, a wealthy aspiring artist, and it is his misfortune to have it returned to him - with all $263 and credit cards untouched. Because now Ralph knows where Jack lives. Elsie Tyler is a beautiful young waitress - an innocent in New York - and Ralph feels he must protect her from 'bad company'. When he sees Elsie leaving Jack's apartment, he is not pleased. Not pleased at all. By the author of The Talented Mr Ripley, Found in the Street is an unsettling thriller that explores the bleakest alleyways of human desire.

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime forgery, extortion, serial murder Ripley still finds his appetite unquenched and longs to get back in the game. In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced particularly memorable for its dark, absurd humor and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance."

Long out of print, this Highsmith classic resurfaces with a vengeance.

The great revival of interest in Patricia Highsmith continues with the publication of this legendary, cultish short story collection. With an eerie simplicity of style, Highsmith turns our next-door neighbors into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In the darkly satiric, often mordantly hilarious sketches that make up Little Tales of Misogyny, Highsmith upsets our conventional notions of female character, revealing the devastating power of these once familiar creatures—"The Dancer," "The Female Novelist," "The Prude"—who destroy both themselves and the men around them. This work attesets to Highsmith's reputation as "the poet of apprehension" (Graham Greene).