Some people hope for the best and prepare for the worst. Follow four couples and their families as they survive the mountains of Arizona while the world around them is collapsing. They experience life off the grid, unplugged from all that they once knew. The United States is in chaos as God leads the Survivor Eight to survive and thrive. The world is moving toward something big. All but one of the eight will experience something no one else has ever seen.

The Lively Audience (1986) studies television from the children’s own point of view. Contrary to most prevailing opinion, it contends that television has much to teach children, and that their relationship with the medium is not one of passive dependency after all. Research shows that what children gain from television depends very much on the child’s age and social experience, and that children ‘see’ television differently from adults. This book examines this issue, and gives us a different understanding of the child audience and the impact of their television viewing.

Severed heads emblemise the vexed relationship between the aesthetic and the atrocious. During the Elizabethan conquest of Ireland, colonisers such as Edmund Spenser, Sir John Harington and Sir George Carew wrote or translated epic romances replete with beheadings even as they countenanced - or conducted - similar deeds on the battlefield. This study juxtaposes the archival record of actual violence with literary depictions of decapitation to explore how violence gets transcribed into art. Patricia Palmer brings the colonial world of Renaissance England face to face with Irish literary culture. She surveys a broad linguistic and geographical range of texts, from translations of Virgil's Aeneid to the Renaissance epics of Ariosto and Ercilla and makes Irish-language responses to conquest and colonisation available in readable translations. In doing so, she offers literary and political historians access not only to colonial brutality but also to its ethical reservations, while providing access to the all-too-rarely heard voices of the dispossessed.

The Elizabethan conquest of Ireland sparked off two linguistic events of enduring importance: it initiated the language shift from Irish to English, which constitutes the great drama of Irish cultural history, and it marked the beginnings of English linguistic expansion. The Elizabethan colonisers in Ireland included some of the leading poets and translators of the day. In Language and Conquest in Early Modern Ireland, Patricia Palmer uses their writings, as well as material from the State Papers, to explore the part that language played in shaping colonial ideology and English national identity. Palmer shows how manoeuvres of linguistic expansion rehearsed in Ireland shaped Englishmen's encounters with the languages of the New World, and frames that analysis within a comparison between English linguistic colonisation and Spanish practice in the New World. This is an ambitious, comparative study, which will interest literary and political historians.

The Elizabethan conquest of Ireland sparked off two linguistic events of enduring importance. It initiated the language shift from Irish to English, which constitutes the great drama of Irish cultural history, and it marked the beginnings of English linguistic expansion. In Language and Conquest in Early Modern Ireland, Patricia Palmer explores the part which language played in shaping colonial ideology and English national identity. The book is an ambitious, comparative study which will interest literary and political historians.

Severed heads emblemise the vexed relationship between the aesthetic and the atrocious. During the Elizabethan conquest of Ireland, colonisers such as Edmund Spenser, Sir John Harington and Sir George Carew wrote or translated epic romances replete with beheadings even as they countenanced - or conducted - similar deeds on the battlefield. This study juxtaposes the archival record of actual violence with literary depictions of decapitation to explore how violence gets transcribed into art. Patricia Palmer brings the colonial world of Renaissance England face to face with Irish literary culture. She surveys a broad linguistic and geographical range of texts, from translations of Virgil's Aeneid to the Renaissance epics of Ariosto and Ercilla and makes Irish-language responses to conquest and colonisation available in readable translations. In doing so, she offers literary and political historians access not only to colonial brutality but also to its ethical reservations, while providing access to the all-too-rarely heard voices of the dispossessed.

One of the most complex relationships we have in life is with our parents. Unfulfilled expectations cause many people to miss out on deeply meaningful life experiences with their parents. Bill and John Kelly are a father and son who struggle throughout their lives with showing how much they love each other. It takes a terminal illness to break down barriers and help them discover that the father is in the son and the son is in the father.

Some people hope for the best and prepare for the worst. Follow four couples and their families as they survive the mountains of Arizona while the world around them is collapsing. They experience life off the grid, unplugged from all that they once knew. The United States is in chaos as God leads the Survivor Eight to survive and thrive. The world is moving toward something big. All but one of the eight will experience something no one else has ever seen.