It is 1878, and Jeremiah and Matilda Dunniff are broke. After the linen industry crumbles, the young Irish couple realizes they have no way to make money. With an eviction notice hanging over their heads, they decide to immigrate to America with hopes of creating a better life. They are unaware that, across the Atlantic, more hardship awaits. When the Dunniff family arrives in New York City, they are forced to move into the tenements, where Jeremiah soon recognizes that the streets in America are not paved with gold. As he becomes angry and turns to the bottle for comfort, Matilda discovers she is pregnant with another child, whom she later names Rose. Unfortunately, Jeremiah is on a path of self-destruction; after Rose enters sixth grade, he dies from alcoholism. Rose, forced to grow up much sooner than normal, falls in love with the theater and begins acting. As Rose begins her own journey through life, it soon becomes evident that each generation born will turn to the previous one for guidance-an act that strengthens the Dunniff family bond forever. Generations of Love is a compelling tale that follows three generations through love, loss, pain, sorrow, and joy as each family attempts to survive all of life's challenges.

"[The BreakBeat Poets is] one of the most diverse and important poetry anthologies of the last 25 years."-Latino Rebels Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys' club, and asserts the truth that the cypher is a feminine form. Poet and vocalist Jamila Woods was raised in Chicago, and graduated from Brown University, where she earned a BA in Africana Studies and Theatre & Performance Studies. Influenced by Lucille Clifton and Gwendolyn Brooks, much of her writing explores blackness, womanhood, and the city of Chicago. Mahogany L. Browne is a Cave Canem and Poets House alumna and the author of several books including Smudge and Redbone. She directs the poetry program of the Nuyorican Poets Cafe. Idrissa Simmonds is a fiction writer and poet. Her work has appeared in Black Renaissance Noire, The Caribbean Writer, Fourteen Hills Press, and elsewhere. She is the 2014 winner of the Crab Creek Review poetry contest, and a New York Foundation for the Arts and Commonwealth Short Story Award Finalist.

New in paperback! Winner of the 1996 G.K. Hall Award and Multicultural Review's 1995 Carey McWilliams Award. Paperback edition available 2002. 'Designed to be used by librarians and teachers exploring works written by and for African Americans...a wonderful professional source to help in choosing literature for school libraries...Recommended.'-THE BOOK REPORT 'This collection will fill an important need for school and public libraries seeking a more scholarly dialogue on African-American literature for young adults.'-VOYA

The history of women's rights has usually been defined in terms of the fight for suffrage. Yet the agenda of the women's rights movement in the mid-nineteenth through early twentieth centuries embraced a broader spectrum of goals, goals that were reflected in the women's rights periodicals of the era. One of the goals--securing women's rights to higher education--has remained virtually unexamined and, consequently, all but unknown. In filling that gap, Butcher links two little-known aspects of the women's rights movement: its press and its struggle to secure for women the advantages of higher education. Eleven of the best-known papers, written by women, for women, are analyzed here in chapters covering the women's rights press, the purpose of women's education, coeducation, women as teachers, and the professional and graduate education of women. In offering this analysis, and in exploring the fight for higher education, Butcher broadens our understanding of the history and the legacy of the women's rights movement.

Incendiary Art confronts the tyranny against the black male body and the tenacious grief of the mothers of murdered African American men. Dynamic sequences, including a compelling chronicle of the devastating murder of Emmett Till, serve as a backdrop for present-day racial calamities and calls for resistance. With impassioned eloquence and a sharpened focus on incidents of national mayhem and mourning, Patricia Smith reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. This phenomenal, visionary book addresses what is frightening, and what is revelatory, about history now. Winner of the 2018 Kingsley Tufts Poetry Award and 2018 NAACP Image Award, Incendiary Art was a finalist for the 2018 Pulitzer Prize and 2018 Los Angeles Times Book Prize.

Selected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton's debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker's awareness of mortality grows even as he improvises an affirming response to life's toughest questions. Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life's joys and griefs.

In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its "scarlet glare fixed on the trembling crescent," to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television.

Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:

"The cowboy grins through the terrible din, "
***
"And in the Ninth, a choking woman wails"
Look like this country done left us for dead.

An unforgettable reminder that poetry can still be "news that stays news," "Blood Dazzler "is a necessary step toward national healing.

Patricia Smith is the author of four previous collections of poetry, including "Teahouse of the Almighty," winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film "Slamnation," on the HBO series "Def Poetry Jam," and is a frequent contributor to "Harriet," the Poetry Foundation's blog. Visit her website at www.wordwoman.ws.

The scope of affirmative obligation is a point of contention among liberals. Some see affirmative obligations required by social justice as incompatible with a strong commitment to individual freedom. The task before the moderate liberal is then to consider what a consistently liberal view of affirmative obligation would have to be in order to accommodate liberal commitments to freedom and justice and also account for long-standing institutions that are central to liberal democratic society.
In this book, Patricia Smith argues that this can be achieved by reconstructing the liberal doctrine of positive and negative duty. She offers a careful consideration of these elements of liberal principles as they relate to affirmative obligation. Through an innovative analysis of the institutions of family and contract, Smith develops the idea of duties of membership as preferable to natural duties (to explain family obligation) and as needed to supplement contractual duties (to explain professional obligation). This idea is then applied to the problem of justifying political obligation. She argues that membership obligations, implied in cooperative endeavor, must supplement obligations of consent that are central to liberal theory. This is deftly illustrated through a state of nature theory that includes community membership, eliminating atomistic individualism while maintaining consonance with what Smith calls cooperative individualism. The resulting view of liberal individualism is consistent, complete, and capable of handling long-standing liberal institutions, while taking seriously the demands of affirmative obligations.
Smiths clear articulation of a liberal view of affirmativeobligation finds a middle ground on this polarized topic, with compelling and reasoned implications for liberal political philosophy. Her discussion will interest students and scholars of legal and political philosophy and political science.

"Expert and instinctive, like a cool Ed Wilkerson sax solo bouncing with lived rhythms. Morton's consummate poems will echo long after they are read." -Booklist Selected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton's debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker's awareness of mortality grows even as he improvises an affirming response to life's toughest questions. Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life's joys and griefs.

Winner of 2013 Wheatley Book Award in Poetry

Finalist for 2013 William Carlos Williams Award

"Patricia Smith is writing some of the best poetry in America today. Ms Smith's new book, "Shoulda Been Jimi Savannah," is just beautiful--and like the America she embodies and represents--dangerously beautiful. "Shoulda Been Jimi Savannah" is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines." --Sapphire
"One of the best poets around and has been for a long time." --Terrance Hayes

"Smith's work is direct, colloquial, inclusive, adventuresome." --Gwendolyn Brooks

In her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals "that soul beneath the vinyl."

Patricia Smith is the author of five volumes of poetry, including "Blood Dazzler," a finalist for the 2008 National Book Award, and "Teahouse of the Almighty," a National Poetry Series selection. She lives in New Jersey.

"The Story of Lynn" is a mother's story of her remarkable daughter, who was killed in a tragic accident. The memories of her daughter's life and how she has dealt with the aftermath will inspire you.

A National Poetry Series winner, chosen by Edward Sanders.

"What power. Smith's poetry is all "poetry." And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster."--Marvin Bell

"I was weeping for the beauty of poetry when I reached the end of the final poem."--Edward Sanders, National Poetry Series judge

From Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation's premier performance poet. Featured in the film "Slamnation" and on the HBO series "Def Poetry Jam, " Smith is back with her first book in over a decade--a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry's liberating power.