The twins, John and Paul, Hegarty, supposedly named after the Pope's visit, but actually after the Beatles, are what is termed 'immature students', that is, having gone to college after being sacked off every bad job there was. In the course of their studies, they feel they can take on the world, and when they land their first job on an archaeological site, under the auspices of Archaeological Research and Sites Excavation Ltd (or ARSE Ltd for short), they are in their element. Even if it is in a backwater called Baile B'stard. They quickly learn that the practice of archaeology is nothing like what they studied at college. The site they are working on is a circular feature called, temporarily, a 'thingfort', with bets being placed as to its true age afoot. They encounter a dystopian mix of disinterested supervisors, interested locals, megalomaniac site assistants, a porn star moonlighting as a finds person, and getting one's rocks off behind the filling station, all under the auspices of menacing giant cow who terrorises anyone that comes in her way. At least they wouldn't be bored...

This book offers an analysis and summary of the uses, abuses and limitations of attachment theory in contemporary child welfare practice. Analysing the primary science and drawing on the authors' original empirical work, the book shows how attachment theory can distort and influence decision-making. It argues that the dominant view of attachment theory may promote a problematic diagnostic mindset, whilst undervaluing the enduring relationships between children and adults. The book concludes that attachment theory can still play an important role in child welfare practice, but the balance of the research agenda needs a radical shift towards a sophisticated understanding of the realities of human experience to inform ethical practice.

This book offers an analysis and summary of the uses, abuses and limitations of attachment theory in contemporary child welfare practice. Analysing the primary science and drawing on the authors' original empirical work, the book shows how attachment theory can distort and influence decision-making. It argues that the dominant view of attachment theory may promote a problematic diagnostic mindset, whilst undervaluing the enduring relationships between children and adults. The book concludes that attachment theory can still play an important role in child welfare practice, but the balance of the research agenda needs a radical shift towards a sophisticated understanding of the realities of human experience to inform ethical practice.

The twins, John and Paul, Hegarty, supposedly named after the Pope's visit, but actually after the Beatles, are what is termed 'immature students', that is, having gone to college after being sacked off every bad job there was. In the course of their studies, they feel they can take on the world, and when they land their first job on an archaeological site, under the auspices of Archaeological Research and Sites Excavation Ltd (or ARSE Ltd for short), they are in their element. Even if it is in a backwater called Baile B'stard. They quickly learn that the practice of archaeology is nothing like what they studied at college. The site they are working on is a circular feature called, temporarily, a 'thingfort', with bets being placed as to its true age afoot. They encounter a dystopian mix of disinterested supervisors, interested locals, megalomaniac site assistants, a porn star moonlighting as a finds person, and getting one's rocks off behind the filling station, all under the auspices of menacing giant cow who terrorises anyone that comes in her way. At least they wouldn't be bored...

An epic adventure, Ships of Song, A Parable of Ascension, explores the holographic nature of humanity, integrating science, religion, philosophy and fantasy into a cinematic view of human existence. It reveals the intricate tapestry of a loving universe which orchestrates the delicate dance of oneness with All That Is, offering hope for a brighter future and the realization that we are not alone in the universe. The setting for the Ships of Song is deep within the North Carolina mountains at a date in the not too distant future. The earth has been experiencing violent environmental changes creating a fragile ecosystem and the collapse of the country's infrastructure. Elizabeth, the main character, is overwhelmed by their lack of food and the pending winter. She struggles between hope and despair wondering what will become of herself, her husband, John, and the hundred-fifty refugees who have gathered in their once tranquil valley. The story occurs in a single day with Elizabeth feeling she is called to "witness" the rising sun from the pinnacle high above the community. During her vigil she is unaware that she is whisked away between heartbeats to a place beyond time and space. She thought-walks and "witnesses" the moment of creation, the exploration of the universe, the inhabitation of Earth, their entrapment in consciousness and the long evolutionary process back to humanity's origins which culminate that night in the evening sky. Her day, which began in the fitful sleep of one unable to resolve their life, emerges into a day interspersed with a sense of mystery, magic and hope. Review In this visionary novel, the human mind has embedded memories of its evolution from a hybrid race of earth-dwellers and extraterrestrials. Tracing the lives of John and Elizabeth, a couple who feel compelled to leave the city to live in the hills, the authors introduce the reader to the possibility that we do have celestial guardians guiding us through our lives. Through ten thousand years of humanity's growth and achievements, Michael, Miriam, and many others hover silently and invisibly above our planet in great ships, observing the ebb and flow of our spiritual unfolding. Once in a while a human remembers, vaguely, the sentinels above, perhaps in a dream or while staring into a fire. And to help people remember, the Ships of Song emanate the great Om into the atmosphere. Occasionally Ship-dwellers are sent into the world of humans, as humans themselves. One comes to John and Elizabeth for a single hour, as their child Rebecca, who has drawn them together in the first place as a part of a grand pattern. As the novel reaches its crescendo and then gently draws to a bittersweet close, the reader is left wanting a sequel. Nicely done. (TJE) New Age Retailer