Dynamite on the Tropic of Cancer is the radical, explosive retelling of the first decade of the 'Father of Modern China' Dr Sun Yatsen's globally shaped formation as a professional revolutionist, and of the impact of the adult Sun's revolutionary relationship with Hawai'i and with his varied communities of supporters there during its own most turbulent political decade, the 1890s, years in which this remote island nation transformed from native monarchy, via sovereign independent republic, to become the USA's first overseas territory. Drawn from neglected primary sources, Dynamite reveals the hitherto untold story of the secret revolutionary alliance forged in Honolulu's backstreets between Sun's Xingzhonghui and the idiosyncratic italophile soldier Robert Wilcox, "Hawai'i's Garibaldi" and leader of the Kanaka/Native Hawaiian counterrevolution of January 1895. This failed uprising to restore Hawai'i's tragic last Queen, witnessed firsthand by Sun Yatsen, became the archetype upon which ten months later Sun would base his own first attempt at armed insurrection in China: the Canton uprising of 26 October 1895. With an epic sweep across the Pacific's Tropic of Cancer, Dynamite is the most important study yet written on the origins of Sun Yatsen's Chinese Revolution and its dynamic interface with Hawaiian history.

Dynamite on the Tropic of Cancer is the radical, explosive retelling of the first decade of the 'Father of Modern China' Dr Sun Yatsen's globally shaped formation as a professional revolutionist, and of the impact of the adult Sun's revolutionary relationship with Hawai'i and with his varied communities of supporters there during its own most turbulent political decade, the 1890s, years in which this remote island nation transformed from native monarchy, via sovereign independent republic, to become the USA's first overseas territory. Drawn from neglected primary sources, Dynamite reveals the hitherto untold story of the secret revolutionary alliance forged in Honolulu's backstreets between Sun's Xingzhonghui and the idiosyncratic italophile soldier Robert Wilcox, "Hawai'i's Garibaldi" and leader of the Kanaka/Native Hawaiian counterrevolution of January 1895. This failed uprising to restore Hawai'i's tragic last Queen, witnessed firsthand by Sun Yatsen, became the archetype upon which ten months later Sun would base his own first attempt at armed insurrection in China: the Canton uprising of 26 October 1895. With an epic sweep across the Pacific's Tropic of Cancer, Dynamite is the most important study yet written on the origins of Sun Yatsen's Chinese Revolution and its dynamic interface with Hawaiian history.

Sun Yatsen (1866-1925) occupies a unique position in modern Chinese history: he is equally venerated as the founding father of the nation by both the mainland Communist government and its Nationalist rival in Taiwan. The first president of the Republic of China in 1911-12, the peasant-born yet Western-trained Dr Sun was also a dedicated political theorist, constantly in search of the ideal political and constitutional blueprint to underpin his incomplete revolution. A decade before the public emergence in Japan of his 'Three Principles of the People', and weeks before even his first slim publication in 1897, Kidnapped in London, Sun was already hard at work in the Reading Room of the British Museum, planning his most ambitious book yet: a comprehensive political treatise in English on the tyrannical misgovernment of the Chinese nation by the Manchus of the Qing Dynasty. Started then abandoned twice over, destined never to be completed, let alone published, we can only conjecture what title this revolutionary book might have had. The Lost Book of Sun Yatsen and Edwin Collins is the first study of this lost work in all scholarship, Western or Chinese. It draws its originality and its themes from three primary sources, all presented here for the first time. The first is a series of interconnected lost writings co-authored by Sun Yatsen between 1896 and 1898. The second is the mass of lost political interviews with, and articles dedicated to, Sun Yatsen and his politics, first published in the British press in the aftermath the dramatic world-famous rescue of Sun from inside the Chinese Legation in London in 1896. The third source is the 'Apostle of the Simple Life for Children', the Anglo-Jewish Rabbi Edwin Collins (1858-1936), a devotee and practitioner of Jean-Jacques Rousseau's Emile and the New Education movement it inspired, who became Sun's writing collaborator of choice during his years of political exile from China. Drawing on this wealth of neglected material, Patrick Anderson's book offers a genuinely fresh perspective on Sun Yatsen and his political motivations and beliefs.

Sun Yatsen (1866-1925) occupies a unique position in modern Chinese history: he is equally venerated as the founding father of the nation by both the mainland Communist government and its Nationalist rival in Taiwan. The first president of the Republic of China in 1911-12, the peasant-born yet Western-trained Dr Sun was also a dedicated political theorist, constantly in search of the ideal political and constitutional blueprint to underpin his incomplete revolution. A decade before the public emergence in Japan of his 'Three Principles of the People', and weeks before even his first slim publication in 1897, Kidnapped in London, Sun was already hard at work in the Reading Room of the British Museum, planning his most ambitious book yet: a comprehensive political treatise in English on the tyrannical misgovernment of the Chinese nation by the Manchus of the Qing Dynasty. Started then abandoned twice over, destined never to be completed, let alone published, we can only conjecture what title this revolutionary book might have had. The Lost Book of Sun Yatsen and Edwin Collins is the first study of this lost work in all scholarship, Western or Chinese. It draws its originality and its themes from three primary sources, all presented here for the first time. The first is a series of interconnected lost writings co-authored by Sun Yatsen between 1896 and 1898. The second is the mass of lost political interviews with, and articles dedicated to, Sun Yatsen and his politics, first published in the British press in the aftermath the dramatic world-famous rescue of Sun from inside the Chinese Legation in London in 1896. The third source is the 'Apostle of the Simple Life for Children', the Anglo-Jewish Rabbi Edwin Collins (1858-1936), a devotee and practitioner of Jean-Jacques Rousseau's Emile and the New Education movement it inspired, who became Sun's writing collaborator of choice during his years of political exile from China. Drawing on this wealth of neglected material, Patrick Anderson's book offers a genuinely fresh perspective on Sun Yatsen and his political motivations and beliefs.

For decades, the market, asset, and income approaches to business valuation have taken center stage in the assessment of the firm. This book brings to light an expanded valuation toolkit, consisting of nine well-defined valuation principles hailing from the fields of economics, finance, accounting, taxation, and management. It ultimately argues that the "value functional" approach to business valuation avoids most of the shortcomings of its competitors, and more correctly matches the actual motivations and information set held by stakeholders. Much of what we know about corporate finance and mathematical finance derives from a narrow subset of firms: publicly traded corporations. The value functional approach can be readily applied to both large firms and companies that do not issue publicly traded stocks and bonds, cannot borrow without constraints, and often rely upon entrepreneurs to both finance and manage their operations. With historical side notes from an international set of sources and real-world exemplars that run throughout the text, this book is a future-facing resource for scholars in economics and finance, as well as the academically minded valuation practitioner.

Autobiography of a Disease documents, in experimental form, the experience of extended life-threatening illness in contemporary US hospitals and clinics. The narrative is based primarily on the author's sudden and catastrophic collapse into a coma and long hospitalization thirteen years ago; but it has also been crafted from twelve years of research on the history of microbiology, literary representations of illness and medical treatment, cultural analysis of MRSA in the popular press, and extended autoethnographic work on medicalization. An experiment in form, the book blends the genres of storytelling, historiography, ethnography, and memoir. Unlike most medical memoirs, told from the perspective of the human patient, Autobiography of a Disease is told from the perspective of a bacterial cluster. This orientation is intended to represent the distribution of perspectives on illness, disability, and pain across subjective centers-from patient to monitoring machine, from body to cell, from caregiver to cared-for-and thus makes sense of illness only in a social context.

Autobiography of a Disease documents, in experimental form, the experience of extended life-threatening illness in contemporary US hospitals and clinics. The narrative is based primarily on the author's sudden and catastrophic collapse into a coma and long hospitalization thirteen years ago; but it has also been crafted from twelve years of research on the history of microbiology, literary representations of illness and medical treatment, cultural analysis of MRSA in the popular press, and extended autoethnographic work on medicalization. An experiment in form, the book blends the genres of storytelling, historiography, ethnography, and memoir. Unlike most medical memoirs, told from the perspective of the human patient, Autobiography of a Disease is told from the perspective of a bacterial cluster. This orientation is intended to represent the distribution of perspectives on illness, disability, and pain across subjective centers-from patient to monitoring machine, from body to cell, from caregiver to cared-for-and thus makes sense of illness only in a social context.

Sean Easton is a twenty-five year old disenchanted college grad who just rediscovered his love for video games, which is only exceeded by his love for weed and alcohol. Lauren Gallo's a twenty-four year old college dropout turned working mother, who's just walked in on her husband (and the father of her two year old son) having sex with another woman in their apartment. Sean meets Lauren. Lauren meets Sean. Then their real stories begin. Together, Sean and Lauren represent a large portion of our society, a generation of individuals entering their mid- and late-twenties in the new millennium. Many of them have been told to dream big and aim high, that the next four years will be the best of their lives (a depressing thought). A few of them fulfill these dreams. Most don't, and in a time when acquiring a college degree has become more an expectation than an accomplishment, Sean Easton and Lauren Gallo must break the mold society's set in front of them if they ever hope to achieve true happiness.

From a psychotic hit-man questioning a priest/mark on the meaning of life, to an abandoned astronaut staring at his lifeless planet, to an Iraq War veteran returning home to find everything he ever knew has changed, the characters in Boiling Point are all teetering on the edge. Originally published in various magazines, including Prick of the Spindle, Sex and Murder Magazine, Ghostlight Magazine, Existere Journal of the Arts, The Washington Pastime, Writes for All Magazine, The Medulla Review, The Washington Pastime, and The Worcester Review (in which "Deserted" was nominated for a Pushcart prize), each of the 10 darkly humorous stories in Boiling Point illuminate the human divide between civilized and barbaric behavior, and prove that-no matter the person-there's only so much we can take before we break. Patrick Anderson Jr. received his MFA in Creative Writing from University of Central Florida. A native of Miami, Patrick currently teaches English courses at Miami Dade College.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm15985448Added t.p. title: The copie of a baron's court. First published in 1686?--Cf. Pref.Edinburgh: D. Webster and Son, 1821. 8 p.; 20 cm.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramovic, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined.