'One of the major fictional achievements of our century' The Times On the edge of Fort de France, the capital of Martinique, squats a shanty town. It goes by the name of Texaco. One dawn, a stranger arrives - an urban planner, bearing news. Texaco is to be razed to the ground. And so he is lead to Marie-Sophie Laborieux, the ancient keeper of Texaco's history, who invites her guest to take a seat and begins the true story of all that is to be lost. Texaco is a creole masterpiece. Told in a newly forged language, it is a riotous collage of indigenous Caribbean and colonial European influences; a kaleidoscopic epic of slavery and revolution, superstition and imagination; a story of human deceits and desires played out to the backdrop of uncontrollable, all powerful History. First published in 1992, it was awarded France's highest literary award, the Prix Goncourt, and remains an unequivocal classic of Caribbean literature.

A profoundly unsettling story of a plantation slave's desperate escape into a rainforest beyond human control, with his master and a ferocious dog on his heels. This flight to freedom takes them on a journey that will transform them all, as the overwhelming physical presence of the forest and its dense primeval wilderness reshapes reality and time itself. In the darkness, the old man grapples with the spirits of all those who have gone before him; the knowledge that the past is always with us, and the injustice that can cry out from beyond the grave. From a Prix Goncourt writer hailed by Milan Kundera as the 'heir of Joyce and Kafka', The Old Slave and the Mastiff fearlessly portrays the demonic cruelties of the slave trade and its human costs - a wise, loving tribute to the Creole culture of Martinique, and a vividly told journey into the heart of Caribbean history and human endurance.

The heart-stopping (The Millions), richly layered (Brooklyn Rail), haunting, beautiful (BuzzFeed) story of an escaped captive and the killer hound that pursues him Slave Old Man is a cloudburst of a novel, swift and compressed--but every page pulses, blood-warm. . . . The prose is so electrifyingly synesthetic that, on more than one occasion, I found myself stopping to rub my eyes in disbelief. --Parul Sehgal, The New York Times Shortlisted for the National Book Critics Circle Award for Fiction, Patrick Chamoiseau's Slave Old Man was published to accolades in hardcover in a brilliant translation by Linda Coverdale, winning the French-American Foundation Translation Prize and chosen as a Publishers WeeklyBest Book of 2018. Now in paperback, Slave Old Man is a gripping, profoundly unsettling story of an elderly enslaved person's daring escape into the wild from a plantation in Martinique, with his enslaver and a fearsome hound on his heels. We follow them into a lush rain forest where nature is beyond all human control: sinister, yet entrancing and even exhilarating, because the old man's flight to freedom will transform them all in truly astonishing--even otherworldly--ways, as the overwhelming physical presence of the forest reshapes reality and time itself. Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the Creole culture of early nineteenth-century Martinique, this novel takes us on a unique and moving journey into the heart of Caribbean history.

Patrick Chamoiseau first became known to the international literary world with Texaco, the vast and demanding novel that won France's prestigious Goncourt Prize in 1992. Less well known is the fact that Chamoiseau has written a number of extraordinary books about his childhood in Martinique. One of these, Creole Folktales, recreates in truly magical language the stories he heard as a child. Folktales with a twist, fairy tales with attitude, these stories are told in a language as savory as the spicy food so lovingly evoked within these pages. The urchins, dowagers, ne'er-do-wells, and gluttons in these tales are filled with longing for the simple things in life: a full plate, a safe journey, a good night's sleep. But their world is haunted, and the material comforts we take for granted are the stuff of dreams for them, for there are always monsters waiting to snatch away their tasty bowl of stew-or even life itself. Some of these monsters are familiar: the wicked hag, the envious neighbor, the deceitful suitor, the devil who gobbles up unwary souls. Others may be surprising, and their casual appearance in these tales makes them all the more frightening-like an unexpected glimpse into a fun-house mirror. But in contrast to these folktales' more fantastic creations, the white plantation owner and the slave ship's captain remind us that these are stories of survival in a colonized land. A marvelous introduction to a world, both real and imaginary, that North Americans have ignored for far too long.

The "heart-stopping" (The Millions), "richly layered" (Brooklyn Rail), "haunting, beautiful" (BuzzFeed) story of an escaped captive and the killer hound that pursues him "Slave Old Man is a cloudburst of a novel, swift and compressed--but every page pulses, blood-warm. . . . The prose is so electrifyingly synesthetic that, on more than one occasion, I found myself stopping to rub my eyes in disbelief." --Parul Sehgal, The New York Times Shortlisted for the National Book Critics Circle Award for Fiction, Patrick Chamoiseau's Slave Old Man was published to accolades in hardcover in a brilliant translation by Linda Coverdale, winning the French-American Foundation Translation Prize and chosen as a Publishers WeeklyBest Book of 2018. Now in paperback, Slave Old Man is a gripping, profoundly unsettling story of an elderly enslaved person's daring escape into the wild from a plantation in Martinique, with his enslaver and a fearsome hound on his heels. We follow them into a lush rain forest where nature is beyond all human control: sinister, yet entrancing and even exhilarating, because the old man's flight to freedom will transform them all in truly astonishing--even otherworldly--ways, as the overwhelming physical presence of the forest reshapes reality and time itself. Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the Creole culture of early nineteenth-century Martinique, this novel takes us on a unique and moving journey into the heart of Caribbean history.

The discovery in Robinson Crusoe of the footprint of a fellow human on an abandoned island is a haunting and iconic moment in world literature. In the hands of Patrick Chamoiseau, one of the most innovative and lauded authors in the French language, this moment of shattered solitude becomes an occasion for Crusoe to reconsider his origins, existence, and humanity and for one of our most acclaimed novelists to craft a powerful meditation on race and history. Chamoiseau's novel contrasts two intertwining narratives-the log entries of a slave ship's captain and the story of a castaway who awakens on a beach and must rebuild his entire world alone. Chamoiseau creates a new perspective on the Crusoe myth, not only injecting the slave trade and Creole history into this previously ahistorical tale but conceiving an intensely original, freeform prose influenced by Creole cadence. This powerful work by a literary master is available in English for the first time in this eloquent and vivid translation.

"If justice had a Jericho trumpet, Chamoiseau would be it."-Junot Diaz As migrants embark on perilous journeys across oceans and deserts in pursuit of sanctuary and improved living conditions, what is the responsibility of those safely ensconced in the nations they seek to enter? Moved by repeated tragedies among immigrants attempting to enter eastern and southern Europe, Patrick Chamoiseau assails the hypocrisy and detachment that allow these events to happen. Migrant Brothers is an urgent declaration of our essential interconnectedness that asserts the necessity to understand one another as part of one human community, regardless of national origin.

NEW YORK TIMES EDITOR'S CHOICE AND BOOKS OF THE YEAR 2018 PUBLISHERS WEEKLY BEST BOOKS OF 2018 CHICAGO REVIEW OF BOOKS 'MOST ANTICIPATED FICTION BOOKS OF 2018' '(A) beautiful book, by a writer who's as original as any I've read all year' Sam Sacks , Wall Street Journal 'My favorite Caribbean writer' Junot Diaz 'A cloudburst of a novel, swift and compressed- but every page pulses, blood-warm. . . . The prose is so electrifying . . . that, on more than one occasion, I found myself stopping to rub my eyes in disbelief' Parul Seghal, The New York Times 'Haunting, beautiful, and necessary' Buzzfeed 'Heir of Joyce and Kafka' Milan Kundera * * * A profoundly unsettling story of a plantation slave's desperate escape into a rainforest beyond human control, with his master and a ferocious dog on his heels. This flight to freedom takes them on a journey that will transform them all, as the overwhelming physical presence of the forest and its dense primeval wilderness reshapes reality and time itself. In the darkness, the old man grapples with the spirits of all those who have gone before him; the knowledge that the past is always with us, and the injustice that can cry out from beyond the grave. From a Prix Goncourt writer hailed by Milan Kundera as the "heir of Joyce and Kafka," The Old Slave and the Mastiff fearlessly portrays the demonic cruelties of the slave trade and its human costs - a wise, loving tribute to the Creole culture of Martinique, and a vividly told journey into the heart of Caribbean history and human endurance.

"School Days" (Chemin-d'Ecole) is a captivating narrative based on Patrick Chamoiseau's childhood in Fort-de-France, Martinique. It is a revelatory account of the colonial world that shaped one of the liveliest and most creative voices in French and Caribbean literature today. Through the eyes of the boy Chamoiseau, we meet his severe, Francophile teacher, a man intent upon banishing all remnants of Creole from his students' speech. This domineering man is succeeded by an equally autocratic teacher, an Africanist and proponent of "Negritude." Along the way we are also introduced to Big Bellybutton, the class scapegoat, whose tales of Creole heroes and heroines, magic, zombies, and fantastic animals provide a fertile contrast to the imported French fairy tales told in school. In prose punctuated by Creolisms and ribald humor, Chamoiseau infuses the universal terrors, joys, and disappointments of a child's early school days with the unique experiences of a Creole boy forced to confront the dominant culture in a colonial school. School Days mixes understanding with laughter, knowledge with entertainment--in ways that will fascinate and delight readers of all ages.

Based loosely on the author's life, this novel recounts the narrator's journey following the footsteps of his Mauritius-born grandfather, Maxime, who abruptly boarded a boat bound for Madagascar in 1922 and never returned. Michael Ferrier tells a tale of discovery as well as the elusive, colorful story of Maxime's life in Madagascar, which included a stint as an acrobat in a traveling circus and, later, as a diver and artist on marine expeditions. Maxime's story is one of adventure but also romance. He falls in love with a refined young Pauline Nunes, Ferrier's grandmother, whose well-to-do family of Indian merchants owns a hotel famous for playing the latest music-including American jazz-and throwing popular dances and parties. Over Seas of Memory weaves these personal stories with the island's history, including its period as a Vichy-governed territory at the center of what was termed "Project Madagascar," the Nazi plan to relocate Europe's Jewish population to the island. As Ferrier interlaces his family's intimate story with the larger story of colonialism's lasting and complicated impact-including the racial and ethnic divisions it fomented-he engages with critical issues in contemporary France concerning national and cultural identity.

Hailed by Milan Kundera as "an heir of Joyce and Kafka," Prix Goncourt winner Patrick Chamoiseau is among the leading Francophone writers today. With most of his novels having appeared in English, this book opens a new window on his oeuvre. A moving poetic essay that bears witness to the forgotten history of the French penal colony in French Guiana, French Guiana: Memory Traces of the Penal Colony (Guyane: Traces-Memoires du bagne) is accompanied by more than sixty evocative color photographs by Rodolphe Hammadi and translated, here for the first time, deftly by Matt Reeck.

The discovery in Robinson Crusoe of the footprint of a fellow human on an abandoned island is a haunting and iconic moment in world literature. In the hands of Patrick Chamoiseau, one of the most innovative and lauded authors in the French language, this moment of shattered solitude becomes an occasion for Crusoe to reconsider his origins, existence, and humanity and for one of our most acclaimed novelists to craft a powerful meditation on race and history. Chamoiseau's novel contrasts two intertwining narratives-the log entries of a slave ship's captain and the story of a castaway who awakens on a beach and must rebuild his entire world alone. Chamoiseau creates a new perspective on the Crusoe myth, not only injecting the slave trade and Creole history into this previously ahistorical tale but conceiving an intensely original, freeform prose influenced by Creole cadence. This powerful work by a literary master is available in English for the first time in this eloquent and vivid translation.

"Chronicle of the Seven Sorrows" traces the rise and fall of Pipi Soleil, "king of the wheelbarrow" at the vegetable market of Fort-de-France, in a tale as lively and magical as the marketplace itself. In a Martinique where creatures from folklore walk the land and cultural traditions cling tenuously to life, Patrick Chamoiseau's characters confront the crippling heritage of colonialism and the overwhelming advance of modernization with touching dignity, hilarious resourcefulness, and truly courageous joie de vivre.