Despite being decorated with a German Service Cross, Willi Wegler is inwardly sickened by both Hitler’s genocidal war and the complicity of his fellow citizens in Third Reich brutalities. Wracked by guilt, he suddenly betrays his country in a profound gesture of protest and self-sacrifice: during the course of an air raid, he fashions an enormous arrow out of hay in an open field, then ignites it as a flaming signal to direct British bombers to the site of the factory where he works – an act that cannot fail to precipitate a series of dramatic events. The Cross and the Arrow – first published in 1944, during the latter stages of the war it describes – portrays a man’s struggle to retain his dignity in defiance of state-sponsored cruelty and explores the role and responsibility of the individual in the face of tragic global events. In its examination of an enemy’s complex heroism, it provides a life-affirming message of humanity’s ultimate capacity for good.

The book analyzes American literature about middle or upper class characters who voluntarily descend the class ranks to experience "vital contact" by living or associating, temporarily, with the poor. The motivations of these characters--and historical figures such as John Reed and Walter Wyckoff--range from straightforward bohemian slumming among the "exotics" to more complex and psychologically wrought investigations of cross-class empathy. The study begins by charting downclasing processes in works of canonical nineteenth-century authors, including Melville, Hawthorne, James, Howells and Jewett. It then undertakes an original analysis of John Reed's involvement with the 1913 Paterson silk workers' strike as a context for understanding Ernest Poole's (now forgotten, but then best-selling) fictionalization of the strike in his novel, "The Harbor," In other richly historicized chapters, it analyzes distillations of class radicalism in several works by Upton Sinclair, in the early drama of Eugene O'Neill, and in feminist novels of the 1910s by Elia Peattie and Clara Laughlin. The concluding chapter looks at sophisticated treatments of "vital contact" in fiction of the 1930s by Dos Passos, Steinbeck and Richard Wright. The book provides Americanists with important new ways of thinking about various forms of class identification as they developed in the nineteenth and early twentieth centuries.

The book analyzes American literature about middle or upper class characters who voluntarily descend the class ranks to experience "vital contact" by living or associating, temporarily, with the poor. The motivations of these characters--and historical figures such as John Reed and Walter Wyckoff--range from straightforward bohemian slumming among the "exotics" to more complex and psychologically wrought investigations of cross-class empathy. The study begins by charting downclasing processes in works of canonical nineteenth-century authors, including Melville, Hawthorne, James, Howells and Jewett. It then undertakes an original analysis of John Reed's involvement with the 1913 Paterson silk workers' strike as a context for understanding Ernest Poole's (now forgotten, but then best-selling) fictionalization of the strike in his novel, The Harbor. In other richly historicized chapters, it analyzes distillations of class radicalism in several works by Upton Sinclair, in the early drama of Eugene O'Neill, and in feminist novels of the 1910s by Elia Peattie and Clara Laughlin. The concluding chapter looks at sophisticated treatments of "vital contact" in fiction of the 1930s by Dos Passos, Steinbeck and Richard Wright. The book provides Americanists with important new ways of thinking about various forms of class identification as they developed in the nineteenth and early twentieth centuries.

Henry David Thoreau, one of America's most prominent environmental writers, supported himself as a land surveyor for much of his life, parcelling land that would be sold off to loggers. In the only study of its kind, Patrick Chura analyses this seeming contradiction to show how the best surveyor in Concord combined civil engineering with civil disobedience. Placing Thoreau's surveying in historical context, Thoreau the Land Surveyor explains the cultural and ideological implications of surveying work in the mid-nineteenth century. Chura explains the ways that Thoreau's environmentalist disposition and philosophical convictions asserted themselves even as he reduced the land to measurable terms and acted as an agent for bringing it under proprietary control. He also describes in detail Thoreau's 1846 survey of Walden Pond. By identifying the origins of Walden in--of all places--surveying data, Chura re-creates a previously lost supporting manuscript of this American classic.