In this acclaimed international bestseller, Claudio Magris tracks the Danube River, setting his finger on the pulse of Central Europe, the crucible of a culture that draws on influences of East and West, Christianity and Islam. In each town he raises the ghosts that inhabit the houses and monuments, from Ovid and Marcus Aurelius to Kafka and Canetti, in "a fascinating blend of anecdote and history" ("San Francisco Examiner").

'Subtle, skillful, and clear. It's so clear, in fact, that you can see a very long way down, into the heart of a flawed but valiant human being, into the sickness of a nation, into the depths of political evil. It's the most impressive novel I've read for years, and one of the very few that feels truly necessary' - Philip Pullman In the sweltering summer of 1938, with Lisbon in the grip of Portugal's dictatorship of Antonio Salazar, a journalist is coming to terms with the rise of fascism around him and its insidious impact on his work. Consumed by the passing of his wife and the child he never had, Pereira lives a quiet and lonely existence. One day, the young and charismatic Monteiro Rossi enters his life, changing everything. A man who once shied away from criticizing Portugal's authoritarian regime finds himself unable to stay quiet any longer, resulting in his political awakening and a devastating act of rebellion. Tabucchi's celebrated masterpiece is an ode to courage and solidarity in the face of political oppression. 'A stunningly good novel, and it goes on getting better in one's head after one has stopped reading it - it works as an experience - something that has happened to one, which is of course the proof of great writing' Diana Athill

Newly awakened interest in Giacomo Leopardi (1798-1837), arguably the greatest Italian poet since the Renaissance, has resulted in this project to translate a major portion of his works. This volume is the first of four which will encompass the great "Canti" (in bilingual text), selections from the poet's correspondence, a substantial portion of his enormous intellectual journal, the "Zibaldone," and the focus of the present volume, the "Operette morali."

Originally planned as a set of dialogues in the manner of Lucian, the "Operette" is a compilation of brief, interrelated works on questions of moral philosphy. By means of numerous characters, and by means of a range of styles, Leopardi grapples with a theory of pleasure, the concepts of fame, the infinite, human happiness, the function of poetry, and other topics. In the poet's own opinion, the "Operette" represented his major philosophical speculation and ranked just below his "Canti."