Triple bill of police thrillers. 'Big Bang' (2011) stars Antonio Banderas as a Los Angeles private detective handed an unusual assignment. When Ned Cruz (Banderas) is approached by a Russian boxer (Robert Maillet) to find his missing girlfriend (Sienna Guillory) and the $30 million worth of diamonds in her possession, it is clear that this will not be an everyday job. Can Cruz make sense of the bizarre circumstances and track down the missing girl? 'Bad Cop' (2010) is an action thriller set in post-Hurricane Katrina New Orleans. Johnny Strong stars as Sean Riley, a beleaguered police detective struggling to cope with the recent death of his young son and the subsequent breakdown of his marriage. After a call goes horribly wrong, Riley looks set to lose his job - unless he can solve a series of brutal murders that have sent the city spiralling into gang warfare. In 'Operation Endgame' (2010) a top-secret facility underneath Washington D.C. finds two competing teams of assassins - code-named according to a deck of Tarot cards - at work. When a new employee known only as The Fool (Joe Anderson) arrives for his first day of work, he is alarmed to find his new boss murdered and the entire building rigged with explosives. The Fool must race against the clock to identify the killer and make his escape. Zach Galifianakis, Brandon T. Jackson and Maggie Q co-star.

Jeremy O'Keefe, a middle-aged Professor, returns to his native New York after a decade teaching at Oxford, and quickly settles into a lonely rhythm of unfulfilling lectures and long, silent evenings. His quiet world is suddenly shaken by a series of encounters with a strange young man who presumes an acquaintance, and the arrival of three mysterious packages. And when a haunting figure starts to linger outside his apartment at night, his chilling conviction that he is being watched is seemingly confirmed. As Jeremy's grip on reality shifts and turns, he fears that he will never know whether he can believe his experiences, or whether his mind is in the grip of an irrational obsession. I Am No One explores the world of surveillance and self-censorship in our post-Snowden lives, where privacy no longer exists and our freedoms are inexorably eroded.

Los Angeles, 1950. Over the course of a single day, two friends grapple with the moral and professional uncertainties of the escalating Communist witch-hunt in Hollywood. Director John Marsh races to convince his actress wife not to turn informant for the House Committee on Un-American Activities, while leftist screenwriter Desmond Frank confronts the possibility of exile to live and work without fear of being blacklisted. As Marsh and Frank struggle to complete shooting on their film She Turned Away, which updates the myth of Orpheus to the gritty noir underworld of post-war Los Angeles, the chaos of their private lives pushes them towards a climactic confrontation with complicity, jealousy, and fear. Night for Day conjures a feverish vision of one of the country's most notorious periods of national crisis, illuminating the eternal dilemma of both art and politics: how to make the world anew. At once a definitively American novel, echoing Philip Roth and Raymond Chandler, it also nods to the mythic landscapes of Dante and the iconoclastic playfulness of James Joyce. With as much to say about the early years of the Cold War as about the political and social divisions that continue to divide the country today, Night for Day is expansive in scope and yet tenderly intimate, exploring the subtleties of belonging and the enormity of exile-not only from one's country but also from one's self.

A feverish vision of McCarthy-era Hollywood... Los Angeles, 1950. Over the course of a single day, two friends grapple with the moral and professional uncertainties of the escalating Communist witch-hunt in Hollywood. Director John Marsh races to convince his actress wife not to turn informant for the House Committee on Un-American Activities, while leftist screenwriter Desmond Frank confronts the possibility of exile to live and work without fear of being blacklisted. As Marsh and Frank struggle to complete shooting on their film She Turned Away, which updates the myth of Orpheus to the gritty noir underworld of post-war Los Angeles, the chaos of their private lives pushes them towards a climactic confrontation with complicity, jealousy, and fear. Night for Day conjures a feverish vision of one of the country's most notorious periods of national crisis, illuminating the eternal dilemma of both art and politics: how to make the world anew. At once a definitively American novel, echoing Philip Roth and Raymond Chandler, it also nods to the mythic landscapes of Dante and the iconoclastic playfulness of James Joyce. With as much to say about the early years of the Cold War as about the political and social divisions that continue to divide the country today, Night for Day is expansive in scope and yet tenderly intimate, exploring the subtleties of belonging and the enormity of exile-not only from one's country but also from one's self.

A raw and heart-wrenching literary memoir about a queer couple's attempt to adopt a child. But would you take a ginger child? a social worker asks Patrick Flanery as he and his husband embark on their four-year odyssey of trying to adopt. This curious question comes to haunt the journey, which Flanery recounts with startling candour as he explores what it means to make a family as a queer couple, to be an outsider in a foreign country, to grapple with the inheritance of intergenerational loss, and to discover that the emotions we feel are sometimes as mysterious to ourselves as to others. This uniquely powerful book moves deftly between heartbreaking memoir and illuminating meditation on parenting, adoption and queerness in contemporary culture, stopping along the way to consider recent science fiction film, camp horror television, fiction and visual art. At the end, which could also be the beginning of a new journey, Flanery asks whether we might all imagine ourselves as ginger children-fragile, sensitive, more easily hurt than we think possible, but with the hope that we are also survivors, with greater powers of resilience than we know.

Poplar Farm has been in Louise's family for generations, inherited by her sharecropping forebear from a white landowner after a lynching. Now, the farm has been carved up, the trees torn down; a mini-massacre replicating the destruction of lives and societies taking place all over America. Architect of this destruction is Paul Krovik, a property developer soon driven insane by the failure of his dream. Julia and Nathaniel arrive from Boston with their son, Copley, and buy up Paul's signature home in a foreclosure sale. They move into the half-finished subdivision and settle in to their brave new world. Yet violence lies just beneath the surface of this land, and simmers deep within Nathaniel. The great trees bear witness, Louise lives on in her beleaguered farmhouse, and as reality shifts, and the edges of what is right and wrong blur and are lost, Copley becomes convinced that someone is living in the house with them.

In her garden, ensconced in the lush vegetation of the Western Cape, Clare Wald, world-renowned author, mother, critic, takes up her pen and confronts her life. Sam Leroux has returned to South Africa to embark upon a project that will establish his reputation - he is to write Clare's biography. But how honest is she prepared to be? Was she complicit in crimes lurking in South Africa's past; is she an accomplice or a victim? Are her crimes against her family real or imagined? In the stories she weaves and the truth just below the surface of her shimmering prose, lie Sam's own ghosts.

A bold and exciting literary novel set in South Africa that contemplates the elusive line between truth and self-perception.
Ambitious and assured, "Absolution "propels the reader to the final page in a drive to discover the secrets and truths at its core. How or why did a young antiapartheid activist disappear twenty years earlier? How does that event link the present-day characters? And how does it explain the choices they have made or the lies they may tell themselves?
"Absolution "is a big-idea novel about the pitfalls of memory, the ramifications of censorship, and the ways we are silently complicit in the problems around us. It's also a devastating, intimate, and stunningly woven story. Told in shifting perspectives, it centers on the mysterious character of Clare Wald, a controversial South African writer of great fame, haunted by the memories of a sister she fears she betrayed to her death and a daughter she fears she abandoned. Clare comes to learn that in this conflict the dead do not stay buried, and the missing return in other forms--such as the child witness of her daughter's last days who has reappeared twenty years later as Clare's official biographer, prompting an unraveling of history and a search for forgiveness. Part literary thriller, part meditation on the responsibility of the individual under totalitarianism, this is a masterpiece of rich, complicated characters and narration that captures the reader and does not let go.

Action thriller starring Sean Patrick Flanery and Joe Pantoliano. Police officer Tom Armstrong (Flannery) retires to Mexico after being targeted by mastermind assassin David 'The Lion' Kaplow (Pantoliano). But Armstrong's troubled past catches up with him when The Lion returns to finish what he started, and he decides to rejoin the force in a final attempt to take down his old enemy once and for all.

The seventh film in the 'Saw' horror franchise, filmed in 3D for theatrical release. When a group of survivors from Jigsaw's previous grisly games form a support group, they enlist the services of self-help guru and fellow survivor Bobby Dagen (Sean Patrick Flanery) to help them come to terms with their experiences. But before long secrets from Bobby's dark past have unleashed a new wave of terror.