'If you're looking for this century's Ulysses, look no further ... a stunningly lyrical novel' Alex Preston, Observer 'Pitched - deliriously - between high modernism and folk magic, between gorgeous free-verse and hilarious Irish vernacular, Poguemahone is a stunning achievement ... profoundly affecting' David Keenan 'A blistering, brilliant ballad of mad tales from rural Ireland to London Town. The characters are electric, the narrative fuelled with a brilliant frenetic energy. McCabe is truly original' Elaine Feeney Dan Fogarty, an Irishman living in England, is looking after his sister Una, now seventy and suffering from dementia in a care home in Margate. From Dan's anarchic account, we gradually piece together the story of the Fogarty family. How the parents are exiled from a small Irish village and end up living the hard immigrant life in England. How Dots, the mother, becomes a call girl in 1950s Soho. How a young and overweight Una finds herself living in a hippie squat in Kilburn in the early 1970s. How the squat appears to be haunted by vindictive ghosts who eat away at the sanity of all who live there. And, finally, how all that survives now of those sex-and-drug-soaked times are Una's unspooling memories as she sits outside in the Margate sunshine, and Dan himself, whose role in the story becomes stranger and more sinister. Poguemahone is a huge, shape-shifting epic from one of modern Ireland's greatest writers. It is a wild, free-verse monologue, steeped in music and folklore, crammed with characters, both real and imagined, on a scale Patrick McCabe has never attempted before.

Dan Fogarty, an Irishman living in England, is looking after his sister Una, now seventy and suffering from dementia in a care home in Margate. From Dan’s anarchic account, we gradually piece together the story of the Fogarty family. How the parents are exiled from a small Irish village and end up living the hard immigrant life in England. How Dots, the mother, becomes a call girl in 1950s Soho. How a young Una finds herself living in a hippie squat haunted by vindictive ghosts in Kilburn in the early 1970s. And, finally, how all that survives now of those sex-and-drug-soaked times are Una’s unspooling memories and Dan himself, whose role in the story becomes stranger and more sinister. Poguemahone is a wild, shape-shifting epic from one of modern Ireland's greatest writers. It is a wild free-verse monologue steeped in music and folklore, crammed with characters, both real and imagined, on a scale Patrick McCabe has never attempted before.

With an introduction by Ross Raisin. A modern classic of Irish fiction, shortlisted for the 1992 Booker prize. When I was a young lad twenty or thirty or forty years ago I lived in a small town where they were all after me on account of what I done on Mrs Nugent. Francie Brady is a small-town rascal who spends his days turning a blind eye to the troubles at home and getting up to mischief with his best friend Joe - hiding in the chicken-house, shouting abuse at fish in the local stream. But after a disagreement with his neighbour Mrs Nugent over her son's missing comic books, Francie's reckless streak spirals out of control and gives rise to a monstrous obsession . . . Fearless, shocking and blackly funny, Patrick McCabe's The Butcher Boy won the 1992 Irish Times Literature Prize and was shortlisted for the 1992 Booker Prize. It is a modern classic of Irish fiction, a portrait of the insidious violence latent in small town life and of a frenzied young man lashing out at everyone, even himself.

"When I was a young lad twenty or thirty or forty years ago I lived in a small town where they were all after me on account of what I done on Mrs. Nugent."

Thus begins Patrick McCabe's shattering novel The Butcher Boy, a powerful and unrelenting journey into the heart of darkness. The bleak, eerie voice belongs to Francie Brady, the "pig boy," the only child of and alcoholic father and a mother driven mad by despair. Growing up in a soul-stifling Irish town, Francie is bright, love-starved, and unhinged, his speech filled with street talk, his heart filled with pain...his actions perfectly monstrous.

Held up for scorn by Mrs. Nugent, a paragon of middle-class values, and dropped by his best friend, Joe, in favor of her mamby-pamby son, Francie finally has a target for his rage--and a focus for his twisted, horrific plan.

Dark, haunting, often screamingly funny, The Butcher Boy chronicles the pig boy's ominous loss of innocence and chilling descent into madness. No writer since James Joyce has had such marvelous control of rhythm and language... and no novel since The Silence Of The Lambs has stunned us with such a macabre, dangerous mind.

Welcome to Hello and Goodbye: two dark tales from two deceased narrators - bottled-lightning treats that will make you gasp, gurn, shiver and squirm. HELLO MR BONES: two damaged souls have, thanks to each other's love, turned their lives around. But as London's weather takes a turn for the worse, so do their fates, when raw evil runs riot the night of the impossible hurricane. GOODBYE MR RAT: an IRA bomber watches over his ex-lover as she takes his ashes back to his rural hometown. This girl from northern Indiana may not be ready for rural Ireland, yet the townsfolk of Iron Valley certainly have plans for her...Stark, blackly humorous and compressed to the point of detonation; McCabe writes like M. R. James took a dread wrong turning on an Irish country road.

With T. S. Eliot's words as his guide, Joey Tallon embarks on a journey toward enlightenment in the troubling psychedelic-gone-wrong atmosphere of the late 1970s. A man deranged by desire, and longing for belonging, Tallon searches for his"place of peace" -- a spiritual landscape located somewhere between his small town in Northern Ireland and Iowa ... and maybe between heaven and hell.

Pat McNab, driven by rage and despair, goes on a rampage after killing his mother and ends up murdering more than fifty people. Or is his whiskey-addled mind merely imagining these murders?

Reality collides with fantasy with dizzying impact as Pat reflects on the long-gone days with Mommy, while fending off the persistent interferences of his small-town neighbors: the puritanical Mrs. Tubridy; that irascible seller of turf, the Turf Man; Sgt. "Kojak" Foley, and other unwanted snoops who could soon come to regret their inquisitive, nose-poking ways....

A startling collection of plays by playwrights working in the north and south of Ireland, all of which have been groundbreaking events in contemporary Irish theatre At The Black Pig's Dyke by Vincent Woods depicts a group of mummers in the borderland between North and South, blending their rituals of death with the all-too-modern assassins going about their awful task; in Hard To Believe by Conall Morrison an army intelligence agent for the British invokes his Protestant preacher grandfather and his turncoat father who married a Catholic and thereafter denied his background; in Disco Pigs by Enda Walsh two friends bonded in their fantasies and shared baby-talk face into Cork city on their seventeenth birthday; Frank Pig Says Hello by Patrick McCabe (Winner of the 1997 George Devine Award) is about the sullen meanness of a village community towards an innocently simple young man; in Language Roulette by Daragh Carville a group of young people in Belfast come together for a reunion and the underlying atmosphere is anger and revenge; Bat The Father, Rabbit The Son by Donal O'Kelly is a powerful personal story about the reversal of a father-son relationship where the son is envious of the father's unambitious expressiveness.Foreword by the award-winning Irish playwright, Sebastian Barry

Welcome to Hello and Goodbye: two dark tales from two deceased narrators - bottled-lightning treats that will make you gasp, gurn, shiver and squirm. HELLO MR BONES: two damaged souls have, thanks to each other's love, turned their lives around. But as London's weather takes a turn for the worse, so do their fates, when raw evil runs riot the night of the impossible hurricane. GOODBYE MR RAT: an IRA bomber watches over his ex-lover as she takes his ashes back to his rural hometown. This girl from northern Indiana may not be ready for rural Ireland, yet the townsfolk of Iron Valley certainly have plans for her...Stark, blackly humorous and compressed to the point of detonation; McCabe writes like M. R. James took a dread wrong turning on an Irish country road.