In a novel capturing an era that seems at once familiar and grotesque, a New York writer lands in Los Angeles in 1994.Originally published in 1997, Resentment was the first in Gary Indiana's now-classic trilogy (followed in 1999 by Three Month Fever: The Andrew Cunanan Story and in 2003 by Depraved Indifference) chronicling the more-or-less permanent state of "depraved indifference" that characterized American life at the millennium's end. In Resentment, Seth, a New York-based writer arrives in Los Angeles (where he has history and friends) in mid-August, 1994, to observe what will become the marathon parricide trial of the wealthy, athletic, and troubled Martinez brothers, broadcast live every day on Court TV. Still reeling from the end of his obsessive courtship of a young SoHo artist/waiter, Seth moves between a room at the Chateau Marmont and a Mount Washington shack owned by his old cab-driving, ex-Marxist friend, Jack, while he writes a profile of Teddy Wade--one of the era's hottest young actors, who has "dared" to star as a gay character in a new Hollywood film. Studded throughout with scathing satirical portraits of media figures, other writers, and the Martinez trial teams, Resentment captures an era that seems, two decades later, at once grotesque, familiar, and a precursor to our own.

An NYRB Original A dead child appears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature in revolt against man's abuse turns a harmless species into a force that threatens humankind; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. In Daphne du Maurier's stories, the stuff of everyday life-grief, the limits of self-knowledge, battles between the sexes, and environmental degradation-burst through the ordinary into the realm of the uncanny.This new selection of du Maurier stories, chosen from the span of her extraordinarily fruitful career, represents the author at her most chilling and most psychologically astute, looking back to the Gothic masterpieces of the Brontes and forward to the work of Angela Carter and Margaret Atwood. Here novelist Patrick McGrath revisits some of the best-known examples of du Maurier's output, like The Birds and Don't Look Now, and unearths hidden gems-many of which have been unavailable for years. This book is an excellent introduction to one of the greatest storytellers of the twentieth century and a deeper exploration of one of its most prodigious imaginations.

___________________________________________ 'An atmospheric novel, with a magnificently unreliable narrator . . . McGrath is a connoisseur of this literary tradition.' Financial Times 'The pleasure in a Patrick McGrath novel is the travelling, not the arrival, and this is a rare novel that has pleasure on every page.' The Times 'Unfailingly deft in his handling of trauma and deceit.' Guardian ___________________________________________ 'Let there be no more of this clucking and wheedling. Oh Pa, are you sure? Or: Oh Francis, is this really a good idea? Let me be clear. I am always sure, and it is always a good idea.' An old man is sleeping fitfully. It's too hot. The air is thick with Spanish Jasmine floating in from his overgrown garden. And he's not sure whether he'll be woken by General Franco sitting on the end of his bed. It's 1975 and Francis McNulty is nearing the end of his life but feeling far from peaceful. A veteran of the Spanish Civil War, he is tormented by grief and guilt about a brief, terrible act of betrayal from that time; and he's started seeing his old nemesis on the street, in the garden and now in his bedroom. Neither he nor his daughter Gillian, who lives with him in Cleaver square, know what to do. When Gillian announces her impending marriage to a senior civil servant, Francis realises that he must adapt to new circumstances - and that the time has come to confront his past once and for all. ___________________________________________ 'McGrath is a conjuror of fine detail . . . a master of the unreliable narrator - the best in the business.' JOHN SELF, The Times 'Wonderful. So atmospheric, engaging and engrossing . . . all the characters and relationships were superb.' CATHY RETZENBRINK 'This is a wonderful, thrilling novel . . . in Last Days in Cleaver Square McGrath has broken through to new depths of insight and emotion.' JOHN BANVILLE 'It has a wonderful otherworldly quality that keeps you turning the pages . . I can't think of anything else quite like it. It weaves a kind of spell.' RACHEL JOYCE

With consummate artistry and profound understanding of the frontiers of human experience, McGrath proves himself once again an unsurpassed craftsman of literary suspense. This is the story of a mysterious doctor, racked by morphine addiction and tormented by memories, living on the English coast during the early years of World War II.

What are the early manifestations of OCD? How many people suffer from OCD? How can you differentiate between OCD and normal fears and worries? What are some common fears and beliefs that people with OCD have? I am a perfectionist-is that OCD?
At any given time, at least five million people in the United States are experiencing the symptoms of obsessive-compulsive disorder (OCD), a mental disorder defined by recurrent, unwelcome thoughts and repetitive behaviors that sufferers feel driven to perform. The OCD Answer Book is a reassuring, authoritative reference for you and your family, providing sound advice and immediate answers to your most pressing questions about this disorder.
Written by a licensed clinical psychologist, The OCD Answer Book will give you answers to all your most important questions, such as:
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Written in an easy-to-read question and answer format, The OCD Answer Book helps you and your loved ones cope with OCD, conquer your fears and seek help when necessary.

From our most celebrated writer of the psychological thriller comes this nerve-wracking yet eerily
beautiful work of erotic obsession and madness.  In the summer of 1959 Stella Raphael joins her
psychiatrist husband, Max, at his new posting--a maximum-security hospital for the criminally
insane.  Beautiful and headstrong, Stella soon falls under the spell of Edgar Stark, a brilliant
and magnetic sculptor who has been confined to the hospital for murdering his wife in a psychotic
rage.  But Stella's knowledge of Edgar's crime is no hindrance to the volcanic attraction that
ensues--a passion that will consume Stella's sanity and destroy her and the lives of those around
her.

This exuberantly spooky novel, in which horror, repressed eroticism, and sulfurous social comedy intertwine like the vines in an overgrown English garden, is now a major motion picture, starring Alan Bates, Sting, and Theresa Russell.

Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion. With echoes of Beckett, Poe, and Paul Bowles, Spider is a tale of horror and madness, storytelling and skepticism, a novel whose dizzying style lays bare the deepest layers of subconscious terror.

FROM THE INTERNATIONAL BESTSELLING AUTHOR OF ASYLUM, TRAUMA AND THE WARDROBE MISTRESS 'Wonderful, thrilling' JOHN BANVILLE 'Has pleasure on every page' TIMES It's 1975 and Francis McNulty, ageing poet, retired, is living in his childhood home in Cleaver Square with his daughter Gilly. Haunted by memories of the Spanish Civil War, in which he drove an ambulance, he sees awful visions of his old nemesis, General Franco, and is powerfully reminded of a terrible act of betrayal he committed in Spain. When Gilly announces her upcoming marriage, Francis is forced to confront his past, once and for all. 'Impressive' GUARDIAN 'A very moving portrayal of a complicated father-daughter relationship, neither of them fully able to break away' RACHEL JOYCE

***SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION***

January 1947. London is in ruins, there’s nothing to eat, and it’s the coldest winter in living memory. To make matters worse, Charlie Grice, one of the great stage actors of the day, has suddenly died. His widow Joan, the wardrobe mistress, is beside herself with grief.

Then one night she discovers Gricey’s secret. Plunged into a dark new world, Joan realises that though fascism might hide, it never dies. Her war isn’t over after all.