Scientific progress is usually seen as a precondition of modern utopias, but science and utopia are frequently at odds. Ranging from Galileo's observations with the telescope to current ideas of the post-human and the human-animal boundary, this study brings a fresh perspective to the paradoxes of utopian thinking since Plato.

The Reception of British Authors in Europe series includes literary and political figures, as well as philosophers, historians and scientists. Each volume provides new research on the ways in which selected authors have been translated, published, distributed, read, reviewed A pioneering scholarly collection of essays outlining the breadth and significance of H. G. Wells's literary and political impact throughout 20th-century Europe H.G. Wells was described by one of his European critics as a 'seismograph of his age'. He is one of the founding fathers of modern science fiction, and as a novelist, essayist, educationalist and political propagandist his influence has been felt in every European country. This collection of essays by scholarly experts shows the varied and dramatic nature of Wells's reception, including translations, critical appraisals, novels and films on Wellsian themes, and responses to his own well-publicized visits to Russia and elsewhere. The authors chart the intense ideological debate that his writings occasioned, particularly in the inter-war years, and the censorship of his books in Nazi Germany and Francoist Spain. This book offers pioneering insights into Wells's contribution to 20th century European literature and to modern political ideas, including the idea of European union.

First Published in 2002. This volume is about Science Fiction, its criticisms and teaching and covers the rise of science-fiction as a study and genre, looking at the work of H.G Wells, and the themes of epic, fable, language, cultures, its sociology, as a romance, and of a working daydream.

This book, first published in 1980, examines issues such as the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook. In order to work towards a more comprehensive view of the genre, the author analyses science fiction by turns as a mode of popular literature, as a socially responsible and quasi-realistic form of writing, and as a home for a fantastic and parodic use of language. How much are 'future histories', to name but one type of SF, the answer to a frustration of the epic impulse? These questions and more are closely examined in this lively and informative book.

This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable. The material ranges from the earliest imaginative journeys to the moon, to later developments of British, American and European science fiction.

This book, first published in 1980, examines issues such as the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook. In order to work towards a more comprehensive view of the genre, the author analyses science fiction by turns as a mode of popular literature, as a socially responsible and quasi-realistic form of writing, and as a home for a fantastic and parodic use of language. How much are 'future histories', to name but one type of SF, the answer to a frustration of the epic impulse? These questions and more are closely examined in this lively and informative book.

This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable. The material ranges from the earliest imaginative journeys to the moon, to later developments of British, American and European science fiction.

An impressive joint project, this outstanding new anthology brings the best of Chinese and English science fiction in a mediation on the theme of Exploration in Space. New, emerging, established and much-lauded writers from both cultures are brought together to demonstrate that technology and humanity when they work together bring challenges, joy and benefits to all of humankind. From Bao Shu comes 'A Trip to the End', from Allen Stroud 'The First', from He Xi 'Never Meet Again in Life', from Amdi Silvestri 'A Minuet of Corpses' and under the guiding eye of Patrick Parrinder (President of the H.G. Wells society) and Yao Haijun (celebrated editor of Science Fiction World in China) thirteen authors create a series of worlds which will enthral and entertain.

H.G. Wells, one of the founding fathers of science fiction created a rich universe of short stories, many of which are collected here in this special deluxe edition. The Star, The Time Machine, The Land Ironclads and A Dream of Armageddon are amongst the many gems which have inspired generations of writers (including those who contribute to our own Gothic Fantasy short story editions) to explore the world around us, its pasts, its complicated present, and its many futures.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers English writer H.G. Wells.

First published in 1979. What do we mean by Science Fiction? What does it do, and why do so many people read it? What are its characteristic values, attitudes and procedures? Is it a creative force in our society, or merely a pathological symptom? How much of it is worth the attention of the ordinary 'non-scientific' or 'non-addicted' reader? That these questions are frequently asked is a consequence of Science Fiction's current status as a highly popular and fashionable art-form. They are not easy to answer because SF is a confused concept and a confused field, varying from formula-repetition and institutionalized self-congratulation on the one hand to the most profound imaginative achievements on the other. This Critical Guide attempts a composite portrait of science fiction as a form of creative literature: not, that is, as a disembodied current of notions and ideas (e.g. about technological progress), nor as a 'sub-literature' which may only one day hope to aspire to literary status.

First published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2002. This volume is about Science Fiction, its criticisms and teaching and covers the rise of science-fiction as a study and genre, looking at the work of H.G Wells, and the themes of epic, fable, language, cultures, its sociology, as a romance, and of a working daydream.

Visitors from other planets have long obsessed us. H.G. Wells' War of Worlds spawned a huge wave of speculative fiction but the roots of such fears run deep in our literature, where the mysteries of other cultures have long threatened the familiar and the comfortable. Did aliens build the ancient pyramids? do they live amongst us today? what happens when they invade? And are they just the people from the next valley? or country? or planet? Would it be an inevitable act of aggression, one of assistance and care, or simply a reminder of our paltry existence in a crowded universe? Flame Tree's successful Gothic Fantasy series brings a brilliant new mix of classic and new writing, in this beautiful edition. These new authors appear alongside the following classic and essential writers: George Tomkyns Chesney, George Allan England, Austin Hall, H.P. Lovecraft, A. Merritt, Robert Potter, Garrett P. Serviss, Jonathan Swift, Voltaire, H.G. Wells; along with text from The Taking of Ireland (retold tales from The Book of Invasions).

This collection of H.G. Wells's correspondence draws on over 50 archives and libraries worldwide, including the papers of Wells's daughter by Amber Reeves. The book contains over 2000 letters, both business and personal. Wells's private correspondence includes letters to Winston Churchill.

This collection of H.G. Wells's correspondence draws on over 50 archives and libraries worldwide, including the papers of Wells's daughter by Amber Reeves. The book contains over 2000 letters, both business and personal. Wells's private correspondence includes letters to Winston Churchill.

This collection of H.G. Wells's correspondence draws on over 50 archives and libraries worldwide, including the papers of Wells's daughter by Amber Reeves. The book contains over 2000 letters, both business and personal. Wells's private correspondence includes letters to Winston Churchill.

This collection of H.G. Wells's correspondence draws on over 50 archives and libraries worldwide, including the papers of Wells's daughter by Amber Reeves. The book contains over 2000 letters, both business and personal. Wells's private correspondence includes letters to Winston Churchill.

James Joyce holds a unique position in literature. No writer has a higher reputation, none attracts more ardent devotees, and none poses so many difficulties for the first-time reader. This book is an original and well-informed survey of the whole of Joyce's work. It offers close readings of his early writings such as Dubliners and A Portrait of the Artist as a Young Man, and an extended examination of his masterpiece, Ulysses, as well as a stimulating introduction to that notoriously difficult work Finnegans Wake. Dr Parrinder stresses Joyce's ambivalent relationship to the Ireland of his youth, and his ability to incorporate the most banal and profane levels of experience and language into profound celebration of the human capacity for survival and regeneration. The Joyce who emerges is a writer of innocence and gusto as well as immense artistic cunning.

'The father of science fiction' Guardian The Time Machine is the first and greatest modern portrayal of time-travel. It sees a Victorian scientist propel himself into the year 802,701 AD, when he is initially delighted to find that suffering has been replaced by beauty, contentment and peace. Entranced at first by the Eloi, an elfin species descended from humans, he soon realizes that they are simply remnants of a once-great culture - now weak and childishly afraid of the dark. They have every reason to be afraid: in deep tunnels beneath their paradise lurks another race - the sinister Morlocks. Edited by PATRIC K PARRINDER with an Introduction by MARINA WARNER and notes by STEVEN MCLEAN

A parable on Darwinian theory, and a biting social satire, H.G. Wells's science fiction classic The Island of Dr Moreau is a fascinating exploration of what it is to be human. This Penguin Classics edition is edited by Patrick Parrinder with notes by Steven McLean and an introduction by Margaret Atwood, author of The Handmaid's Tale. Adrift in a dinghy, Edward Prendick, the single survivor from the good ship Lady Vain, is rescued by a vessel carrying a profoundly unusual cargo - a menagerie of savage animals. Tended to recovery by their keeper Montgomery, who gives him dark medicine that tastes of blood, Prendick soon finds himself stranded upon an uncharted island in the Pacific with his rescuer and the beasts. Here, he meets Montgomery's master, the sinister Dr. Moreau - a brilliant scientist whose notorious experiments in vivisection have caused him to abandon the civilised world. It soon becomes clear he has been developing these experiments - with truly horrific results. This edition includes a full biographical essay on Wells, a further reading list and detailed notes. Margaret Atwood's introduction explores the social and scientific relevance of this influential work. H.G. Wells (1866-1946) was a professional writer and journalist. Wells's prophetic imagination was first displayed in pioneering works of science fiction, but later he became an apostle of socialism, science and progress. Among his most popular works are The Time Machine (1895); The Island of Doctor Moreau (1896), filmed with Bela Lugosi in 1932, and again in 1996 with Marlon Brando; The Invisible Man (1897); The War of the Worlds (1898), which was the subject of an Orson Welles radio adaptation that caused mass panic when it was broadcast, and a 2005 film directed by Stephen Spielberg; and The First Men in the Moon (1901), which predicted the first lunar landings. If you enjoyed The Island of Doctor Moreau, you might like Wells's The Time Machine, also available in Penguin Classics.

Herbert George Wells was perhaps best known as the author of such classic works of science fiction as The Time Machine and War of the Worlds. But it was in his short stories, written when he was a young man embarking on a literary career, that he first explored the enormous potential of the scientific discoveries of the day. He described his stories as "a miscellany of inventions," yet his enthusiasm for science was tempered by an awareness of its horrifying destructive powers and the threat it could pose to the human race. A consummate storyteller, he made fantastic creatures and machines entirely believable; and, by placing ordinary men and women in extraordinary situations, he explored, with humor, what it means to be alive in a century of rapid scientific progress.

What is "English" about the English novel, and how has the idea of the English nation been shaped by the writers of fiction? How do the novel's profound differences from poetry and drama affect its representation of national consciousness?
Nation and Novel sets out to answer these questions by tracing English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the present-day novels of immigration. Major novelists from Daniel Defoe to the late twentieth century have drawn on national history and mythology in novels which have pitted Cavalier against Puritan, Tory against Whig, region against nation, and domesticity against empire. The novel is deeply concerned with the fate of the nation, but almost always at variance with official and ruling-class perspectives on English society.
Patrick Parrinder's groundbreaking new literary history outlines the English novel's distinctive, sometimes paradoxical, and often subversive view of national character and identity. This sophisticated yet accessible assessment of the relationship between fiction and nation will set the agenda for future research and debate.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.
The 36 expert contributors to Volume 4 trace the dramatic changes in British and Irish fiction from the cumbersome 3-volume novels of the 1880s to the 'paperback revolution' in the late 1930s. It looks at the intense debates over the nature and purpose of the novel in the period, the development of new popular sub-genres, and the stratification of the readership of fiction. In a period characterized by huge political and economic upheavals and wholesale revisions of personal morality and sexual and linguistic taboos, the volume traces both the process of modernist experimentation and the work of novelists who registered the social and cultural impact of modernity. The topics covered include national (Irish, Scottish, and Welsh), regional, and women's fiction; the influence of the European novel, of the cinema, and the growth of the modern city; the impact of the Empire, class-consciousness, and the First World War; and such specialized forms as the children's novel, detective stories, and thriller, science fiction and fantasy, and the short story.