Written for both a general and academic audience, this full-length biography of Feargus O'Connor (1795-1855) provides an overview of a turbulent and active political career, from positions in journalism and the House of Commons to mass demonstrations for the People's Charter and working for the Chartist Land company. At the height of his popularity as a leader of the Chartists' campaign for democratic reform, O'Connor enjoyed the support of millions of working people. But more than any other popular leader of his generation, he sought to bring the "working Saxon and Celt" together in a common struggle, an aspiration that had its roots deep in the Irish past. Uniquely, this account restores the Irish dimension of O'Connor's career to its proper place by offering, for the first time, an evaluation of his heritage, his ideas, and his public life on both sides of the Irish Sea.

Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened. -- .

The second half of the nineteenth century witnessed a new phenomenon in public monuments and civic ornamentation. Whereas in former times public statuary had customarily been reserved for 'warriors and statesmen, kings and rulers of men', a new trend was emerging for towns to commemorate their own citizens. As the subjects immortalised in stone and bronze broadened beyond the traditional ruling classes to include radicals and reformers, it necessitated a corresponding widening of the language and understanding of public statuary. Contested Sites explores the role of these commemorations in radical public life in Britain. Despite recent advances in the understanding of the importance of symbols in public discourse, political monuments have received little attention from historians. This is to be regretted, for commemorations are statements of public identity and memory that have their politics; they are 'embedded in complex class, gender and power relations that determine what is remembered (or forgotten)'. Examining monuments, plaques and tombstones commemorating a variety of popular movements and reforming individuals, the contributions in Contested Sites reveal the relations that went into the making of public memory in modern Britain and its radical tradition.

In 1988, Iain McCalman's seminal work, The Radical Underworld, unravelled the complex and clandestine revolutionary networks of democrats that operated in London between 1790 and the beginnings of Chartism, to reveal an urban underworld of prophets, infidels, pornographers and rogue preachers where powerful satirical and subversive subcultures were developed. This present volume reflects and builds upon the diversity of McCalman's discoveries, to present fresh insights into the culture and operation of popular politics in the 'age of reform'. It is a coherent and integrated treatment of the subject that offers a window into this 'unrespectable' underworld and questions, whether it was a blackguard subculture or a more complex and rich counter-culture with powerful literary, legal and political implications.This book brings together an international team of experienced scholars to explore the concepts and subjects pioneered by McCalman. The volume presents a focused and coherent review of popular politics, from the meeting rooms of a reform society and the theatre stage, to the forum of the courtroom and the depths of prison.

The second half of the nineteenth century witnessed a new phenomenon in public monuments and civic ornamentation. Whereas in former times public statuary had customarily been reserved for 'warriors and statesmen, kings and rulers of men', a new trend was emerging for towns to commemorate their own citizens. As the subjects immortalised in stone and bronze broadened beyond the traditional ruling classes to include radicals and reformers, it necessitated a corresponding widening of the language and understanding of public statuary. Contested Sites explores the role of these commemorations in radical public life in Britain. Despite recent advances in the understanding of the importance of symbols in public discourse, political monuments have received little attention from historians. This is to be regretted, for commemorations are statements of public identity and memory that have their politics; they are 'embedded in complex class, gender and power relations that determine what is remembered (or forgotten)'. Examining monuments, plaques and tombstones commemorating a variety of popular movements and reforming individuals, the contributions in Contested Sites reveal the relations that went into the making of public memory in modern Britain and its radical tradition.

Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened. -- .