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This book examines the most popular American television shows of
the nineties-a decade at the last gasp of network television's
cultural dominance. At a time when American culture seemed
increasingly fragmented, television still offered something close
to a site of national consensus. The Lonely Nineties focuses on a
different set of popular nineties television shows in each chapter
and provides an in-depth reading of scenes, characters or episodes
that articulate the overarching "ideology" of each series. It
ultimately argues that television shows such as Seinfeld, Friends,
Law & Order and The Simpsons helped to shape the ways Americans
thought about themselves in relation to their friends, families,
localities, and nation. It demonstrates how these shows engaged
with a variety of problems in American civic life, responded to the
social isolation of the age, and occasionally imagined improvements
for community in America.
This book traces the history of Seinfeld's path onto NBC's schedule
and rise up the Nielsen ratings, offering a fresh look at the
episodes themselves. It pays close attention to the writers and
writing of the show, carefully analyzing individual episodes to
articulate exactly what was so groundbreaking and assessing its
broader cultural impact. Since coming to an end at the pinnacle of
its popularity, Seinfeld's story continues. The show's enduring
appeal has helped earn its creators billions of dollars and
counting. Many of the most popular and acclaimed comedy series of
the twenty-first century are direct descendants of Seinfeld's
style. And the show's ideas are now woven into the ways people
think and behave. Seinfeld remains a living part of American
culture. Yet, by all the traditional rules of television, Seinfeld
never should have made it to the air. The greatest sitcom of the
final years of the broadcast era, Seinfeld broke the rules,
sustained another decade of NBC's dominance, and changed both
television and America forever. Seinfeld: A Cultural History
explores the show's past with an engaging look at the show's
legendary co-creators, its supporters (and skeptics) at NBC, and
its award-winning cast. It includes an extensive discussion of both
the very first and very last episodes of the series, as well as
many memorable moments in between. This book also dissects the
show's main quartet and the other memorable characters that
foursome interacted with over the show's eight seasons. With deep
perception and good humor, this book considers what the adventures
of Jerry, George, Kramer, and Elaine reveal about the nineties and
what messages they pass along to twenty-first century viewers.
Seinfeld: A Cultural History will lead any fan of the show back to
the series to re-watch old episodes with new insights and
observations. Readable and illuminating, the book's well-researched
discussion of the show's background and legacy is an essential
handbook for Seinfeld viewers and scholars alike. Most of all,
Seinfeld: A Cultural History is an enjoyable way to engage (or
reengage) with one of the funniest shows of all time.
This book examines the most popular American television shows of
the nineties-a decade at the last gasp of network television's
cultural dominance. At a time when American culture seemed
increasingly fragmented, television still offered something close
to a site of national consensus. The Lonely Nineties focuses on a
different set of popular nineties television shows in each chapter
and provides an in-depth reading of scenes, characters or episodes
that articulate the overarching "ideology" of each series. It
ultimately argues that television shows such as Seinfeld, Friends,
Law & Order and The Simpsons helped to shape the ways Americans
thought about themselves in relation to their friends, families,
localities, and nation. It demonstrates how these shows engaged
with a variety of problems in American civic life, responded to the
social isolation of the age, and occasionally imagined improvements
for community in America.
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