Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore. Through Tom and his charismatic boss, Harry, Nathan's world gradually broadens to include a new set of acquaintances, which leads him to a reckoning with his past.

The New York Trilogy is perhaps the most astonishing work by one of America's most consistently astonishing writers. The Trilogy is three cleverly interconnected novels that exploit the elements of standard detective fiction and achieve a new genre that is all the more gripping for its starkness. It is a riveting work of detective fiction worthy of Raymond Chandler, and at the same time a profound and unsettling existentialist enquiry in the tradition of Kafka or Borges. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human. The New York Trilogy is the modern novel at its finest: a truly bold and arresting work of fiction with something to transfix and astound every reader. 'Marks a new departure for the American novel.' Observer 'A shatteringly clever piece of work . . . Utterly gripping, written with an acid sharpness that leaves an indelible dent in the back of the mind.' Sunday Telegraph 'The New York Trilogy established him as the only author one could compare to Samuel Beckett.' Guardian

Mr. Bones, the canine hero of Paul Auster's astonishing book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy's body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high-school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts Paul Auster has spun one of the richest, most compelling tales in recent American fiction.

Several months into his recovery from a near-fatal illness, thirty-four-year-old novelist Sidney Orr enters a stationery shop in the Cobble Hill section of Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.

A novel that expands to fill volumes in the reader's mind, "Oracle Night" is a beautifully constructed meditation on time, love, storytelling, and the imagination by "one of the great writers of our time" ("San Francisco Chronicle").

Baumgartner's life has been defined by his deep, abiding love for his wife, Anna. But now Anna is gone, and Baumgartner is embarking on his seventies whilst trying to live with her absence. Rich with compassion, wit and Auster's keen eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is a tender late masterpiece of the ache of memory. It asks: why do we find such meaning in certain moments, and forget others?

INTRODUCTION BY JO NESBO AFTERWORD BY PAUL AUSTER Nineteenth-century Kristiania is an unforgiving place, and work is thin on the ground. Roaming the streets of Norway's capital, a penniless young writer searches for inspiration whilst trying desperately to make ends meet. Driven to extraordinary lengths, sleeping under the stars with his stomach growling, the writer's behaviour becomes increasingly irrational and his world spirals into chaos. Hunger was Knut Hamsun's first novel and earned him the Nobel Prize for Literature in 1920. A disturbing and darkly humorous masterpiece of existential fiction, Hunger anticipated and influenced some of the twentieth century's most acclaimed writers including Camus, Kafka and Fante.

'I was looking for a quiet place to die. Someone recommended Brooklyn, and so the next morning I travelled down there from Westchester to scope out the terrain . . .' So begins Paul Auster's remarkable new novel, The Brooklyn Follies. Set against the backdrop of the contested US election of 2000, it tells the story of Nathan and Tom, an uncle and nephew double-act. One in remission from lung cancer, divorced, and estranged from his only daughter, the other hiding away from his once-promising academic career, and, indeed, from life in general. Having accidentally ended up in the same Brooklyn neighbourhood, they discover a community teeming with life and passion. When Lucy, a little girl who refuses to speak, comes into their lives, there is suddenly a bridge from their pasts that offers them the possibility of redemption. Infused with character, mystery and humour, these lives intertwine and become bound together as Auster brilliantly explores the wider terrain of contemporary America - a crucible of broken dreams and of human folly. 'Auster at the top of his game. This superb novel about human folly turns out to be tremendously wise.' New Statesman

Meet Mr Bones, the canine hero of Paul Auster's remarkable novel. Bones is the sidekick of Willy G. Christmas, a brilliant but troubled poet-saint from Brooklyn. Together they sally forth across America to Baltimore, Maryland, on one last great adventure, searching for Willy's old teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who used to know him as William Gurevitch, son of Polish war refugees. But is Mrs Swanson still alive? And if not, what will prevent Willy from vanishing into that other world known as Timbuktu? 'In this brilliant novel, Auster writes with economy, precision and the quirky pathos of noir, addressing the pernicious ubiquity of American consumerism, the nature of love and the core riddles of ontology. Above all, though, this is the affecting tale of a special dog's place in the universe of humans and in the fleeting life of a special man.' Publishers Weekly

'I was twelve years old the first time I walked on water . . .' So begins Mr Vertigo, the story of Walt, an irrepressible orphan from the Mid-West. Under the tutelage of the mesmerising Master Yehudi, Walt is taken back to the mysterious house on the plains to prepare not only for the ability to fly, but also for the stardom that will accompany it. At the same time a delighted race through 1920s Americana and a richly allusive parable, Mr Vertigo is a compelling, magical novel - a work of true originality by a writer at the height of his powers. 'A virtuoso piece of storytelling by a master of the modern American fable.' The Independent

A career retrospective of poetry and prose works by one of the under-recognized giants of French literature Andre du Bouchet, a great innovator of twentieth-century letters, has yet to be fully recognized by a wide circle of international readers. This inviting volume sets out to remedy the oversight, introducing a selection of du Bouchet's poetry and prose to English-language readers through the brilliant translations of Paul Auster and Hoyt Rogers. Openwork showcases pieces from the author's entire trajectory, beginning with little-known pieces from the 1950s, followed by major poems from the 1960s, and concluding with works written or rewritten in the poet's later decades. Throughout his life, du Bouchet devoted himself to long walks in his beloved French countryside, jotting down entries in notebooks as he rambled. These notebooks-more than one hundred all together-have emerged as signal works in their own right, and their musings are well represented in this anthology.

The Book of Illusions, written with breath-taking urgency and precision, plunges the reader into a universe in which the comic and the tragic, the real and the imagined, and the violent and the tender dissolve into one another. One man's obsession with the mysterious life of a silent film star takes him on a journey into a shadow-world of lies, illusions, and unexpected love. After losing his wife and young sons in a plane crash, Vermont professor David Zimmer spends his waking hours mired in grief. Then, watching television one night, he stumbles upon a lost film by silent comedian Hector Mann, and remembers how to laugh . . . Mann was a comic genius, in trademark white suit and fluttering black moustache. But one morning in 1929 he walked out of his house and was never heard from again. Zimmer's obsession with Mann drives him to publish a study of his work; whereupon he receives a letter postmarked New Mexico, supposedly written by Mann's wife, and inviting him to visit the great Mann himself. Can Hector Mann be alive? Zimmer cannot decide - until a strange woman appears on his doorstep and makes the decision for him, changing his life forever. 'A nearly flawless work . . . Auster will be remembered as one of the great writers of our time.' San Francisco Chronicle 'Auster's elegant, finely calibrated The Book of Illusions is a haunting feat of intellectual gamesmanship.' TheNew York Times

** WINNER OF THE L.A. TIMES BOOK PRIZE FOR BIOGRAPHY ** 'Exhilarating.' Joyce Carol Oates, Times Literary Supplement Books of the Year 'Sharp-eyed and revealing.' The New Yorker 'Brilliant . . . Remarkable.' New York Journal of Books Stephen Crane produced an avalanche of sublime literature before he succumbed to tuberculosis at the age of twenty-eight. Yet his short life was an eventful one: from crushing poverty as a newcomer to Manhattan and his near-drowning in a shipwreck, to his stint as a war correspondent in Cuba and international fame at twenty-five, to his final years in England and friendships with Joseph Conrad and Henry James. In Burning Boy, celebrated novelist Paul Auster delves deeply into the story of Crane's tumultuous and dramatic life.

LONGLISTED FOR THE MAN BOOKER PRIZE 2017On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous paths. Four Fergusons will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and passions contrast. Each version of Ferguson's story rushes across the fractured terrain of mid-twentieth century America, in this sweeping story of birthright and possibility, of love and the fullness of life itself.

Here and Now is a collection of letters between Paul Auster and Nobel laureate J. M. Coetzee, two of the greatest writers of our time. 'Uniquely insightful.' Independent 'Extraordinary.' Times Literary Supplement Although Paul Auster and J. M. Coetzee had been reading each other's books for years, the two writers did not meet until February 2008. Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, 'God willing, strike sparks off each other'. Here and Now is the result of that proposal: an epistolary dialogue between two great writers who became great friends. Over three years their letters touched on nearly every subject, from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, eroticism, marriage, friendship, and love.

A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925-1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist's sketchbooks, and photographs of Mitchell's life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell's admirers and those just discovering her work. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (September 4, 2021-January 17, 2022) Baltimore Museum of Art (March 6-August 14, 2022) Fondation Louis Vuitton (October 5, 2022-February 27, 2023)

'Six days ago, a man blew himself up by the side of a road in northern Wisconsin . . .' The explosion that detonates the narrative of Paul Auster's remarkable novel also ends the life of its hero, Benjamin Sachs, and brings two FBI agents to the home of one of Sachs's oldest friends, the writer Peter Aaron. What follows is Aaron's story, an intricate, subtle and gripping investigation of another man's life in all its richness and complexity. Combining an investigation of freedom and terrorism with all the tension, mystery and allusive richness familiar from Auster's The New York Trilogy or Sunset Park, Leviathan is an unmissable addition to the canon of 'one of America's most spectacularly inventive writers.' (Times Literary Supplement) '[A] Brownian motion experiment of a plot - chock-a-block with identity-swaps, sideways sweeps and lateral leaps.' Observer

'One day there is life . . . And then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood, The Invention of Solitude. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A.', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling. With all the keen literary intelligence familiar from The New York Trilogy or Sunset Park, Paul Auster crafts an intensely intimate work from a ground-breaking combination of introspection, meditation and biography.

Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life. Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice. With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.

Paul Auster's Sunset Park is set in the sprawling flatlands of Florida, where twenty-eight-year-old Miles is photographing the last lingering traces of families who have abandoned their houses due to debt or foreclosure. Miles is haunted by guilt for having inadvertently caused the death of his step-brother, a situation that caused him to flee his father and step-mother in New York seven years ago. What keeps him in Florida is his relationship with a teenage high-school girl, Pilar, but when her family threatens to expose their relationship, Miles decides to protect Pilar by going back to Brooklyn, where he settles in a squat to prepare himself to face the inevitable confrontation with his father - a confrontation he has been avoiding for years. Set against the backdrop of the devastating global recession, and pulsing with the energy of Auster's previous novel Invisible, Sunset Park is as mythic as it is contemporary, as in love with baseball as it is with literature. It is above all, a story about love and forgiveness - not only among men and women, but also between fathers and sons.

The figure of the young American poet living in Paris is familiar from Paul Auster's celebrated novels; here that character is realised in Auster's own stunningly accomplished verse. His penetrating and charged poetry resembles little else in recent American literature. This collection of his poems, translations, and composition notes from early in his career furnish yet further evidence of his literary mastery.

Taut, densely lyrical and everywhere informed by a powerful and subtle music, this selection begins with the compact verse fragments of Spokes (written when Auster was in his early twenties) and Unearth, continues on through the more ample meditations of Wall Writing, Disappearances, Effigies, Fragments From the Cold, Facing the Music, and White Spaces, then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing - including Paul Eluard, André Breton, Tristan Tzara, Philippe Soupault, Robert Desnos and René Char - as well as the provocative and previously unpublished 'Notes From A Composition Book' (1967). An introduction by Norman Finkelstein connects biographical elements to a consideration of the work, and takes in Auster's early literary and philosophical influences. For those interested in Paul Auster's novels - the now-classic New York Trilogy or The Brooklyn Follies - this book is an invaluable opportunity to witness his early development.

Powerful, sometimes haunting, cool, precise and limpid, this view from the past to the present will appeal to those unfamiliar with this aspect of Auster's work, as well as those already acquainted with his poetry. Readers will agree that Auster's grasp on language and the world around him is not only questioning, but mysterious and very human, perceptive, and deeply compelling

Discover the works of Joe Brainard, whose quirky style earned him a reputation as a "recognizable American phenomenon" and "oddball classicist"-with a foreword by 4321 author Paul Auster (John Ashbery) An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. "Brainard disarms us with the seemingly tossed-off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance," writes Paul Auster in the introduction to this collection. "These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits." Assembled by the author's longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

This volume of Paul Auster's collected novels includes Travels in the Scriptorium, Man in the Dark, Invisible and Sunset Park.