The first complete English translation of a compendium of classical material by the 13th-century teacher of Dante. The genre, popular for nearly a millennium, was dying out by then, but the popularity of Brunetto's work lies in its being in vernacular French (rather than in Latin), and its skillful

'Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like.Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit. Novelist, short-story writer, poet, and essayist, Clarke was born in Barbados, moved to Canada in 1995 and went on to establish Black Studies programs at a number of universities in America. He returned to Canada and became one of Canadian literature's most prolific authors and a public voice for Black people in Canada. Among his best-known works are the Giller Award-winning The Polished Hoe (2002) and his memoir 'Membering (2015). This collection of essays from colleagues, scholars, friends, and fellow writers addresses Clarke's work in all its richness and complexity in order to understand how Clarke's legacy continues to transform Canadian writing. It includes previously unpublished poems and short stories from Clarke's archives as well as personal reflections from friends, histories of the publication of his works, essays, interviews, and short stories and poems inspired by Clarke.

Focusing on the work of black, diasporic writers in Canada, particularly Dionne Brand, Austin Clarke, and Tessa McWatt, Blackening Canada investigates the manner in which literature can transform conceptions of nation and diaspora. Through a consideration of literary representation, public discourse, and the language of political protest, Paul Barrett argues that Canadian multiculturalism uniquely enables black diasporic writers to transform national literature and identity. These writers seize upon the ambiguities and tensions within Canadian discourses of nation to rewrite the nation from a black, diasporic perspective, converting exclusion from the national discourse into the impetus for their creative endeavours. Within this context, Barrett suggests, debates over who counts as Canadian, the limits of tolerance, and the breaking points of Canadian multiculturalism serve not as signs of multiculturalism's failure but as proof of both its vitality and of the unique challenges that black writing in Canada poses to multicultural politics and the nation itself.

The circus comes to town and leaves with an order from the strange ringmaster for a converted bus that will change the lives of his daughter and a local boy for ever. A boat that has been lying unused on the banks of the River Wye for years and which two boys from the village travel downriver in with two gypsy girls. The last public concert given by the Beatles that brings with it the prospect of romance with a rich man's daughter. A young boy's ride in a motorbike side-car that his grandfather is driving that leads to a profitable meeting with some of London's most notorious gangsters. You will discover something in the themes that make up The Magic Bus and other stories from Wales, which will show that magic, innocent love and ghosts are still an important part of the small country on the edge of the Atlantic that is Wales.

There are as many as six million Muslims living in the United States, and in "American Islam," Paul M. Barrett takes us into their homes, mosques, and private gatherings, from West Virginia to Los Angeles, depicting a population of striking variety. In vivid, subtle, artful prose, Barrett tells seven stories of American Muslims in all their stereotype-defying complexity. Theirs is a dramatic new chapter in the American story, and "American Islam "is an intimate and vibrant group portrait of American Muslims today.

The 26-metre-long Diplodocus skeleton that dominates the Central Hall of the Natural History Museum in London is one of the world's most famous dinosaur models. Known affectionately as 'Dippy', it has fascinated and enthralled visitors since it was first revealed to an astonished public in 1905. Dippy's tale begins some 150 million years ago in the late part of the Jurassic period - the time from which the original fossil dates. Dippy is an exact plaster replica of the fossilized bones found in the badlands of Wyoming, USA. The story of how Dippy came to the Museum is one that involves danger and adventure in the harsh environment of the American Wild West, the generosity of an eccentric millionaire and the involvement of the British royal family. The book combines an engaging narrative with details of dinosaur discoveries and the latest research on Diplodocus anatomy and behaviour. It also reveals the emergence of Dippy's importance to scientists, as studies on Diplodocus kick-started a renaissance in the understanding of the biology of the group it belongs to, the sauropods.Featuring delightful artworks and photographs throughout, this is both an engaging tale of discovery and a guide to one of the longest land animals ever to walk the Earth.

Focusing on the work of black, diasporic writers in Canada, particularly Dionne Brand, Austin Clarke, and Tessa McWatt, Blackening Canada investigates the manner in which literature can transform conceptions of nation and diaspora. Through a consideration of literary representation, public discourse, and the language of political protest, Paul Barrett argues that Canadian multiculturalism uniquely enables black diasporic writers to transform national literature and identity. These writers seize upon the ambiguities and tensions within Canadian discourses of nation to rewrite the nation from a black, diasporic perspective, converting exclusion from the national discourse into the impetus for their creative endeavours. Within this context, Barrett suggests, debates over who counts as Canadian, the limits of tolerance, and the breaking points of Canadian multiculturalism serve not as signs of multiculturalism's failure but as proof of both its vitality and of the unique challenges that black writing in Canada poses to multicultural politics and the nation itself.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.