There is no greater symbol of the American presidency than Abraham Lincoln. Lincoln himself, his personality, the sources of his dedication and his idealism, remain very much a mystery. The sudden rise to world stature of a hard-traveling lawyer from the frontier, with no prominent family or social connections to back him, was a wonder of the age.

Well over a thousand books about Lincoln have been written and still the enigma remains, perhaps because it is the enigma of a young country finding its footing and its destiny. Yet, no part is deeper, more perplexing, than Lincoln's own beliefs about god and destiny.

Featuring a foreword by Pulitzer prize-winning author Eric Foner, "Lincoln For Beginners" sets to demystify the man behind the legend.

A profusely illustrated, popularly-written volume with original comic art, "FDR and the New Deal For Beginners" will shed new light upon a story now regaining visibility thanks to the recent economic crisis and prominent reformer, President Obama, in the White House.

The history of the precedent-making FDR administration through the bitter economic depression, with expansive programs empowering artists and working people, comes alive as the grandest social experiment in the history of American democracy. For the first time, the lives of the president, the first lady and the ordinary people of the time will be seen through an inventive comic narrative accompanying historic illustrations and a sympathetic but not uncritical text.

Series Information:
American Radicals

"The American Radical" tells the story of American democracy from the late 18th century to the present, through the lives of the women and men who have fought to advance it. The original biographical portraits presented in this collection show how, in every period of history, Americans from various backgrounds have stood as activists, authors and artists to challenge the powerful. The editors have assembled a group of writers on the radical tradition, who introduce the movements, ideas and struggles of the revolutionaries, rebels and reformers important to the American national experience; they include independence fighters, Labourists, suffragists, socialists, feminists, pacifists, environmentalists, and campaigners for social justice and the civil rights of the oppressed.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

A graphic history featuring the true story of three friends from Brooklyn who join in the global fight against fascism In this exhilarating graphic novel about the Spanish Civil War, three American friends set off from Brooklyn to join in the fight--determined to make Spain "the tomb of fascism" for the sake of us all. Together they defy the U.S. government and join the legendary Abraham Lincoln Brigade, throw themselves into battle, and conduct sabotage missions behind enemy lines. As Spain is shattered by the savagery of combat during the Spanish Civil War (1936-1939), readers see the darkening clouds of the World War to come. Artist Anne Timmons has created a thrilling graphic novel in the spirit of the "war comic" genre that appeared after the attack on Pearl Harbor and the United States' entry into World War II. Drawing upon the real-life experiences of Lincoln Brigade veteran Abe Osheroff, writer Miguel Ferguson offers a lively, accessible resource based on actual events during the Great Depression and the Spanish Civil War. ¡Brigadistas! will stir the memories of older audiences who remember the Spanish Civil War as a time of unparalleled international solidarity and heartbreak, and it will expose young audiences to the passions, politics, and conflicts of a bygone era with striking contemporary relevance.

The massive size of the original six-volume History of Woman Suffrage has likely limited its impact on the lives of the women who benefited from the efforts of the pioneering suffragists. By collecting miscellanies like state suffrage reports and speeches of every sort without interpretation or restraint, the set was often neglected as impenetrable. In their Concise History of Woman Suffrage, Mari Jo Buhle and Paul Buhle have revitalized this classic text by carefully selecting from among its best material. The eighty-two chosen documents now include interpretative introductory material by the editors, giving researchers easy access to material that the original work's arrangement often caused readers to ignore or to overlook. The volume contains the work of many reform agitators, among them Angelina Grimke, Lucy Stone, Carrie Chapman Catt, Charlotte Perkins Gilman, Anna Howard Shaw, Jane Addams, Sojourner Truth, and Victoria Woodhull, as well as Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and Ida Husted Harper. Mari Jo Buhle is William R. Kenan Jr. author of Feminism and Psychoanalysis. Paul Buhle, Senior Lecturer in history and American civilization at Brown, is the author of The Wobblies: A Graphic History and many other books.

Madison, Wisconsin has long been known as a dynamic cultural center and focus of political-intellectual ferment in the middle of America. This collection of essays and interviews traces the rise of an intellectual New Left from 1950 to 1970 as experienced by activists and scholars with ties to the University of Wisconsin. Its thirty-two contributors, including prominent historians, journalist-scholars, and veteran political activists, re-examine their own personal histories in different eras and draw fresh, often surprising conclusions. The city and campus of Madison provide a veritable laboratory for the study of deep continuities in American dissenting thought. Photographs and cultural documents accompany these poignant, candid oral histories. The volume explores a crucial period of Madison's intellectual life as a crossroad of history and culture. Interviews with the scholars and former students who politicized historical analysis in light of the Cold War, McCarthyism, nuclear and environmental holocaust, civil rights, and the Vietnam War, recall the debates and alliances that kept Madison in a state of ferment. Author note: Paul Buhle is Director of the Oral History of the American Left Project at the Tamiment Library of New York University and teachers U.S. History at the Rhode Island School of Design.

In this history of "business unionism", Paul Buhle and Julius Jacobson explain how trade union leaders in the USA became remote from the workers they claimed to represent, as they allied with the very corporate executives and government officials who persistently opposed labour's interests. At the centre of the tale are three of the most powerful labour leaders of the last century: Samuel Gompers, George Meany and Lane Kirkland, successive presidents of the Federation of Labor and its descendent, the AFL-CIO. Many other labour leaders, from John L. Lewis to Walter Reuther receive in-depth treatment. This work demonstrates how a union hierarchy heavily populated by former radicals thwarted women and people of colour from joining unions, suppressed shop floor militance, and colluded with business and government at home and abroad. Buhle and Jacobson show how these leaders defeated generations of radical union members who sought a more democratic, class-based approach for the movement. The book explains why policies and practices at the highest levels of labour came to be counter-productive to workers' interests - a pattern the authors speculate may have been disrupted by the 1995 election of John Sweeney's "New Slate" in the AFL-CIO.

In "The Beats: A Graphic History," those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the "Mad" magazine artist Peter Kuper, "The Beats" takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations--from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of--and tribute to--a generation, in a form and style that is as original as its subject. Harvey Pekar is best known for his graphic autobiography, "American Splendor," based on his long-running comic-book series that was turned into a 2003 film of the same name.
Paul Buhle is a senior lecturer at Brown University. In "The Beats: A Graphic History," those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the "Mad" magazine artist Peter Kuper, "The Beats" takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations--from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of--and tribute to--a generation, in a form and style that is as original as its subject. "This revelatory and exhilarating and funny book not only tells us of the Beat generation, but of a time when we as individuals felt truly free. It is as fresh and pertinent as the latest scholarly history only far more entertaining."--Studs Terkel "This revelatory and exhilarating and funny book not only tells us of the Beat generation, but of a time when we as individuals felt truly free. It is as fresh and pertinent as the latest scholarly history only far more entertaining."--Studs Terkel
"History with a deeper perspective is the province of "The Beats," a multifaceted effort led by writer Harvey Pekar, his frequent collaborator Paul Buhle and artist Ed Piskor. It delivers the texture of a movement easy to underestimate in brief biographies of touchstones like poet Lawrence Ferlinghetti, novelists William S. Burroughs and Jack Kerouac and lesser-known lights like poet d.a. levy (an underground Cleveland icon) and mythopoeic poetess Diane di Prima . . . This fearless, substantial history entertains as it uncovers."--Carlo Wolff, "The Boston Globe
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"Pekar's history of the post-war literary, cultural and spiritual awakening is well researched and intended . . . Piskor is joined by such stellar artists as Kuper, Tooks, Gary Dumm and Fleener . . . More writers pitch in, too, and the diversity of images and narrative voices add texture and resonance to the proceedings . . . The absorbing graphic presentation may elicit interest from unexpected quarters."--Richard Pachter, "The Miami Herald"

"Jack Kerouac, Allen Ginsberg, and William Burroughs need no introduction, but here they are introducing "The Beats: A Graphic History"--in the section written by Harvey Pekar and illustrated by Ed Piskor. It's warts and all: the alcohol-fueled writings, the drug-fueled globe-trotting, not to mention the rampant sexuality and jaw-dropping misogyny . . . But there's humor here too by Joyce Brabner and Summer McClinton on a topic ripe for latter-day ridicule: 'Beatnik Chicks.' Good thing too that Pekar et al. salute some lesser lights in this primer on the birth of the cool: City Lights bookstore founder and poet Lawrence Ferlinghetti, in addition to poets Philip Whalen, Kenneth Patchen, and D.A. Levy, plus former hobo Slim Brundage."--Leonard Gill, "The Memphis Flyer "
"Graphic novels don't just have to be about dystopian alternative universes, no matter if "Watchmen" might indicate otherwise. Just peruse the eye-catching "The Beats: A Graphic History" (in stores as of Tuesday), from Harvey Pekar, Ed Piskor and Paul Buhle, which takes an illustrated look back at a very real part of American pop-culture history, when beat culture of the '40s and '50s--sandwiched between the improvisational nature of jazz and the recklessness of rock 'n' roll--began to speak to a part of a generation at odds with mainstream society. One word sums it up: Cool."--Cary Darling, "Star-Telegram
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"Do we really need another bio on the lives of Kerouac, Ginsberg, et. al.? Yes, especially should it be one like "The Beats." I expected "The Beats" to be dry, regurgitated history presented in graphic novel form simply because graphic novels are so 2009. So much for first impressions. "American Splendor"'s Pekar leads a troop of writers who bring these influential--and often seriously flawed--writers to life . . . "The Beats" is strong, dramatic storytelling that is executed and illustrated by major leaguers."--Randy Myers, "Contra Costa Times"
"Written by Harvey Pekar and four other authors, with art by eleven cartoonists and illustrators, "The Beats" covers all the major writers of the generation--Kerouac, William S. Burroughs, Allen Ginsberg, Philip Whalen, Robert Duncan, Lawrence Ferlinghetti, Charles Olson, Diane DiPrima, and many more. 'No one claims this treatment to be definitive, ' Buhle and Pekar write in their introduction to the book. 'But it is new and it is vital.' And, perhaps more important, it's fun."--"Poets & Writers"

"If you're a fan of Harvey Pekar, author of the successful graphic novel-turned-film "American Splendor," then you can imagine how his voice sounds on a weekday morning, discussing topics including homophobia, Yiddish, and moves about Joseph McCarthy. In his latest project, "The Beats: A Graphic History," Pekar conjures an imagined, often hilarious d

The countercultures that came to define bohemia spanned the Atlantic, encompassing Walt Whitman's Brooklyn and the Folies Bergere of Josephine Baker, Gertrude Stein's salons and the Manhattan clubs where Dizzy Gillespie made his name. Edited by Paul Buhle and David Berger, Bohemians is the graphic history of this movement and its illustrious figures. The stories collected here revisit the utopian ideas behind millennial communities, the rise of Greenwich Village and Harlem, the multiracial and radical jazz and dance worlds, and the West Coast, Southern, and Midwest bohemias of America, among other radical scenes. Drawn by an all-star cast of comic artists, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. Featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper, Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and more. The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

First published in 1994. Routledge is an imprint of Taylor and Francis, an informa company.

"Mike Alewitz's art has given eloquent voice to the aspirations of working people throughout the world."
--Martin Sheen

The most prolific U.S. labor muralist since the 1940s, Alewitz illuminates the hidden spaces where connections between the U.S. workforce and its extended relatives across the planet are to be found.

Insurgent Images contains murals for the Teamsters, the Oil Chemical and Atomic Workers, the Communications Workers, United Electrical Workers, the United Farm Workers, as well as the Highlander Folk School and other labor institutions. Other works respond to dramatic events such as the 1984 strike of P-9 workers in Austin, Minnesota, the 1991 rebellion in Los Angeles, and the tragedy at Chernobyl. Altogether, this collection presents an inspiring artistic reading of our epoch.

“The problem of the twentieth century is the problem of the color line.� These were the prescient words of W. E. B. Du Bois’s influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era’s promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois’s seminal work.   Peart-Smith’s graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois’s words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.  

C.L.R. James is one of the twentieth century's most remarkable individuals. As the author of the influential book The Black Jacobins, he is widely recognized as the premier scholar of slave revolt; the publication of his acute and sensitive volume Beyond a Boundary established an equal reputation as a historian of sport; and his tireless political and intellectual interventions have become the hallmark of a highly creative Marxist thinker, a brilliant dialectician and the last surviving pioneer of Pan-African liberation.
James's work has never previously been studied in its entirety. Now Paul Buhle, a longtime editorial collaborator with James, has produced a rich and informed analysis of his accomplishments. Drawing upon extensive interviews with James, his critics and his erstwhile supporters, together with many previously unpublished documents, Buhle's book offers an appreciative and enlightening portrait of the man and his times. The author also sheds new light on subjects ranging across Pan-Africanism, West Indian literature, British and American Marxism and the rise of third world nationalism.

Under the Banner of King Death is a tale of mutiny, bloody battle, and social revolution, bringing to life an itinerant community of outsiders behind today's legends. This graphic novel breaks new ground in our understanding of piracy and pirate culture, giving us real reasons to love the rebellious and stouthearted marauders of the seas. At the pinnacle of the Golden Age of Atlantic piracy, three unlikely companions are sold into servitude on a merchant ship and thrust into a voyage of rebellion. They are John Gwin, an African American fugitive from bondage in South Carolina; Ruben Dekker, a common seaman from Amsterdam; and Mark (a.k.a. Mary) Reed, an American woman who dresses as a man. When the crew turn to mutiny, they and the freed slaves establish democracy aboard The Night Rambler. This new dispensation provides radical social benefits, all based on the documented practices of real pirate ships of the era: democratic decision-making, a social security net, health and disability insurance, and an equal distribution of spoils taken from prize ships. But before long the London elites enlist a war-hungry captain to take down The Night Rambler in a war that pitches high society against high-seas freebooters. Adapted from the scholarship and research of celebrated historian Marcus Rediker, Under the Banner of King Death is an inspiring story of the oppressed steering a course against adversity and injustice.

Since his murder 50 years ago in Bolivia, Ernesto "Che" Guevara has become a universally known revolutionary icon and political figure whose image is among the most recognizable in the world. This dramatic and extensively researched book breathes new life into his story, portraying his struggle through the medium of the underground political comic - one of the most prominent countercultural art forms since the 1960s. Spain Rodriguez's powerful artwork illuminates Che's life and the experiences that shaped him, from his motorcycle journey through Latin America, his rise to prominence as a leader in Fidel Castro's revolutionary movement, his travels in Africa, his involvement in the insurgency that led to his death in Bolivia, and his extraordinary legacy.

By the late 1960s, America felt like it was teetering on the edge of a vast transformation. Helping push it over that edge was a brigade of young radicals, the Students for a Democratic Society, who were fighting the establishment for peace abroad and equality at home. In "Students for a Democratic Society: A Graphic History," the famed graphic novelist Harvey Pekar, the gifted artist Gary Dumm, the renowned historian Paul Buhle, and a marvelous cast of they-were-there contributors illustrate their struggle, bringing to life the tumultuous decade that first defined and then was defined by the men and women who gathered under the SDS banner.
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Students for a Democratic Society "captures the idealism and activism that drove a generation of young Americans to believe that even one person's actions can help transform the world.

"Hide in Plain Sight" offers a powerful examination of the effects of Hollywood's blacklist era, taking up the question of how blacklistees fared after they were driven out of the mainstream. A good number entered careers in television, with many finding work in children's and family programs, writing for shows like "Rocky and Bullwinkle, Lassie," and "Flipper," Many also wrote adult sitcoms such as "Hogan's Heroes, The Donna Reed Show, The Dick Van Dyke Show, M*A*S*H, Maude," and A"ll in the Family," Ultimately, many returned to Hollywood in the sixties and seventies to work creatively on films that contained a dose of radical politics and influenced the creative outburst of that decade. The list of impressive films from the survivors of HUAC includes "Bridge on the River Kwai, Lawrence of Arabia," and "Midnight Cowboy. Hide in Plain Sight" completes Paul Buhle and Dave Wagner's trilogy, which includes "Tender Comrades" (1998) and "Radical Hollywood" (2002). Together these books provide a thorough and disturbing portrait of the McCarthy era's impact on an important aspect of American culture and society.

A graphic history featuring the true story of three friends from Brooklyn who join in the global fight against fascism In this exhilarating graphic novel about the Spanish Civil War, three American friends set off from Brooklyn to join in the fight--determined to make Spain "the tomb of fascism" for the sake of us all. Together they defy the U.S. government and join the legendary Abraham Lincoln Brigade, throw themselves into battle, and conduct sabotage missions behind enemy lines. As Spain is shattered by the savagery of combat during the Spanish Civil War (1936-1939), readers see the darkening clouds of the World War to come. Artist Anne Timmons has created a thrilling graphic novel in the spirit of the "war comic" genre that appeared after the attack on Pearl Harbor and the United States' entry into World War II. Drawing upon the real-life experiences of Lincoln Brigade veteran Abe Osheroff, writer Miguel Ferguson offers a lively, accessible resource based on actual events during the Great Depression and the Spanish Civil War. ¡Brigadistas! will stir the memories of older audiences who remember the Spanish Civil War as a time of unparalleled international solidarity and heartbreak, and it will expose young audiences to the passions, politics, and conflicts of a bygone era with striking contemporary relevance.

For more than half a century, C. L. R. James (1901-1989)-"the Black Plato," as coined by the London Times-has been an internationally renowned revolutionary thinker, writer, and activist. Born in Trinidad, his lifelong work was devoted to understanding and transforming race and class exploitation in his native West Indies, as well as in Britain and the United States. In C. L. R. James's Caribbean, noted scholars examine the roots of both James's life and oeuvre in connection with the economic, social, and political environment of the West Indies. Drawing upon James's observations of his own life as revealed to interviewers and close friends, this volume provides an examination of James's childhood and early years as colonial literatteur and his massive contribution to West Indian political-cultural understanding. Moving beyond previous biographical interpretations, the contributors here take up the problem of reading James's texts in light of poststructuralist criticism, the implications of his texts for Marxist discourse, and for problems of Caribbean development.