Power may be globalized, but Westphalian notions of sovereignty continue to determine political and legal arrangements domestically and internationally: global issues - the legacy of colonialism expressed in continuing human displacement and environmental destruction - are thus treated 'parochially' and ineffectually. Not designed for dealing with situations of interdependence, democratic institutions find themselves in crisis. Reform in this case is not simply operational but conceptual: political relationships need to be drawn differently; the cultural illiteracy that prevents the local knowledge invested in places made after their stories needs to be recognised as a major obstacle to decolonising governance. Archipelagic thinking refers to neglected dimensions of the earth's human geography but also to a geo-politics of relationality, where governance is understood performatively as the continuous establishment of exchange rates. Insisting on the poetic literacy that must inform a decolonising politics, Carter suggests a way out of the incommensurability impasse that dogs assertions of indigenous sovereignty. Discussing bicultural areal management strategies located in south-west Victoria, Maluco (Indonesia) and inter-regionally across the Arafura and Timor Seas, Carter argues for the existence of creative regions constituted archipelagically that can intervene to rewrite the theory and practice of decolonisation. A book of great stylistic elegance and deftness of analysis, Decolonising Governance is an important intervention in the related fields of ecological, ecocritical and environmental humanities. Methodologically innovative in its foregrounding of relationality as the nexus between poetics and politics, it will also be of great interest to scholars in a range of areas, including communicational praxis, land/sea biodiversity design, bicultural resource management, and the constitution of post-Westphalian regional jurisdictions.

Translations is a personal history written at the intersection of colonial anthropology, creative practice and migrant ethnography. Renowned postcolonial scholar, public artist and radio maker, UK-born Paul Carter documents and discusses a prodigiously varied and original trajectory of writing, sound installation and public space dramaturgy produced in Australia to present the phenomenon of contemporary migration in an entirely new light. Migrant space-time, Carter argues, is not linear, but turbulent, vortical and opportunistic. Before-and-after narratives fail to capture the work of self-becoming and serve merely to perpetuate colonialist fantasies. The 'mirror state' relationship between England and Australia, its structurally symmetrical histories of land theft and internal colonisation, repress the appearance of new subjects and subject relations. Reflecting on collaborations with Aboriginal artists, Carter argues for a new definition of the stranger-host relationship predicated on recognition of Aboriginal sovereignty. Carter calls the creative practice that breaks the cycle of repeated invasion 'dirty art'. Translations is a passionately eloquent argument for reframing borders as crossing-places: framing less murderous exchange rates, symbolic literacy, creative courage and, above all, the emergence of a resilient migrant poetics will be essential. -- .

Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of history, creative practice, and sound studies, recounting this narrative through a series of themes (rattles, echoes, recordings, etc.). Carter offers a unique perspective on migratory poetics, bringing together his own compositions and life's works while using his personal narrative to frame larger theoretical questions about sound and migration.

History, Art politics, African, African American, Performance

Power may be globalized, but Westphalian notions of sovereignty continue to determine political and legal arrangements domestically and internationally: global issues - the legacy of colonialism expressed in continuing human displacement and environmental destruction - are thus treated 'parochially' and ineffectually. Not designed for dealing with situations of interdependence, democratic institutions find themselves in crisis. Reform in this case is not simply operational but conceptual: political relationships need to be drawn differently; the cultural illiteracy that prevents the local knowledge invested in places made after their stories needs to be recognised as a major obstacle to decolonising governance. Archipelagic thinking refers to neglected dimensions of the earth's human geography but also to a geo-politics of relationality, where governance is understood performatively as the continuous establishment of exchange rates. Insisting on the poetic literacy that must inform a decolonising politics, Carter suggests a way out of the incommensurability impasse that dogs assertions of indigenous sovereignty. Discussing bicultural areal management strategies located in south-west Victoria, Maluco (Indonesia) and inter-regionally across the Arafura and Timor Seas, Carter argues for the existence of creative regions constituted archipelagically that can intervene to rewrite the theory and practice of decolonisation. A book of great stylistic elegance and deftness of analysis, Decolonising Governance is an important intervention in the related fields of ecological, ecocritical and environmental humanities. Methodologically innovative in its foregrounding of relationality as the nexus between poetics and politics, it will also be of great interest to scholars in a range of areas, including communicational praxis, land/sea biodiversity design, bicultural resource management, and the constitution of post-Westphalian regional jurisdictions.

Few subjects in European welfare history attract as much attention as the nineteenth-century English and Welsh New Poor Law. Its founding statute was considered the single most important piece of social legislation ever enacted, and at the same time, the coming of its institutions - from penny-pinching Boards of Guardians to the dreaded workhouse - has generally been viewed as a catastrophe for ordinary working people. Until now it has been impossible to know how the poor themselves felt about the New Poor Law and its measures, how they negotiated its terms, and how their interactions with the local and national state shifted and changed across the nineteenth century. In Their Own Write exposes this hidden history. Based on an unparalleled collection of first-hand testimony - pauper letters and witness statements interwoven with letters to newspapers and correspondence from poor law officials and advocates - the book reveals lives marked by hardship, deprivation, bureaucratic intransigence, parsimonious officialdom, and sometimes institutional cruelty, while also challenging the dominant view that the poor were powerless and lacked agency in these interactions. The testimonies collected in these pages clearly demonstrate that both the poor and their advocates were adept at navigating the new bureaucracy, holding local and national officials to account, and influencing the outcomes of relief negotiations for themselves and their communities. Fascinating and compelling, the stories presented in In Their Own Write amount to nothing less than a new history of welfare from below.

Modern biographies of Richard Nixon have been consumed with Watergate. All have missed arguably the most important perspective on Nixon as California’s native son, the only U.S. president born and raised in California. In addition, Nixon was also a son, brother, friend, husband, father, uncle, and grandfather. By shifting the focus from Watergate and Washington to Nixon’s deep, defining roots in California, Paul Carter boldly challenges common conceptions of the thirty-seventh president of the United States. More biographies have been written on Nixon than any other U.S. politician. Yet the territory traversed by Carter is unexplored, revealing for the first time the people, places, and experiences that shaped Richard Nixon and the qualities that garnered him respect from those who knew him well. Born in Yorba Linda and raised in Whittier, California, Nixon succeeded early in life, excelling in academics while enjoying athletics through high school. At Whittier College he graduated at the top of his class and was voted Best Man on Campus. During his career at Whittier’s oldest law firm, he was respected professionally and became a chief trial attorney. As a military man in the South Pacific during World War II, he was admired by his fellow servicemen. Returning to his Quaker roots after the war, he was elected to the U.S. House of Representatives, the Senate, and the vice presidency, all within six short years. After losing to John Kennedy in the 1960 presidential campaign, Nixon returned to Southern California to practice law. After losing his gubernatorial race he reinvented himself: he moved to New York and was elected president of the United States in 1968. He returned to Southern California after Watergate and his resignation to heal before once again taking a place on the world stage. Richard Nixon: California’s Native Son is the story of Nixon’s Southern California journey from his birth in Yorba Linda to his final resting place just a few yards from the home in which he was born.  

A take-no-prisoners approach to life has seen Paul Carter heading to some of the world's most remote, wild and dangerous places as a contractor in the oil business. Amazingly, he's survived (so far) to tell these stories from the edge of civilization. He has been shot at, hijacked and held hostage; almost died of dysentery in Asia and toothache in Russia; watched a Texan lose his mind in the jungles of Asia; lost a lot of money backing a scorpion against a mouse in a fight to the death, and been served cocktails by an orangutan on an ocean freighter. And that's just his day job. Taking postings in some of the world's wildest and most remote regions, not to mention some of the roughest rigs on the planet, Paul has worked, got into trouble, and been given serious talkings to, in locations as far-flung as the North Sea, Middle East, Borneo and Tunisia, as exotic as Sumatra, Vietnam and Thailand, and as flat-out dangerous as Columbia, Nigeria and Russia, with some of the maddest, baddest and strangest people you could ever hope not to meet.

Carter writes as if he has ADD, careering through his life on oil rigs in exotic locations. He won't win the Booker, but his yarns burn with anarchic energy . in a word, irrepressible.' - Herald SunHe's back on the rigs and back in trouble.Picking up right where he left off, Paul Carter pulls out more tall tales of a mad, bad and dangerous life in the international oil trade. Starting with action and mayhem galore This Is Not A Drill sets an unrelenting pace that just doesn't let up, as Paul almost drowns when the Russian rig he's working on begins to capsize; is reunited with his Dad - another adrenaline junkie; gets married; hangs out with his rig pig buddies in exotic locations; gets hammered on vodka in Sakhalin; and spends a couple of interesting weeks in Afghanistan with some mates who run an outfit that just happens to contract out mercenaries for hire .This is the next fast, furious and very funny book from Paul Carter, the author of the bestselling Don't Tell Mum I Work on the Rigs, She Thinks I'm a Piano Player in a Whorehouse.

Oi, mate, is that monstrosity diesel? From the author of the bestsellers Don't Tell Mum I Work on the Rigs, She Thinks I'm a Piano Player in a Whorehouse and This Is Not a Drill, this is the eagerly awaited next installment of Paul Carter's rollicking life. Take one mad adventurer and a motorbike that runs on bio fuel (cooking oil i.e. chip fat to you and me) and send them with one filmmaker on a road trip around Australia just to see what happens. What you get is a story full of outback characters, implausible (but true) situations, unlikely events and unfortunate breakdowns, all at a break neck pace. Never one to sit still for long, this is what Paul Carter did next. Whether you've been shocked, delighted, entertained, horrified - or all of the above - by Paul's stories whether from oil rigs or the road one thing is for sure, they are always high octane adventures.