This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today's global challenges in the film industry such as industry change, digital transformation, and shifting audience tastes. Based on insights from fields such as cultural economics, media economics, media management and media governance studies, the authors illustrate how public spending shapes the financial fitness of national and international film industries. This highly informative book will help both scholars and practitioners in the film industry to understand the complexity of issues and the requirements necessary to preserve the social benefits of film as an important cultural good.

This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today's global challenges in the film industry such as industry change, digital transformation, and shifting audience tastes. Based on insights from fields such as cultural economics, media economics, media management and media governance studies, the authors illustrate how public spending shapes the financial fitness of national and international film industries. This highly informative book will help both scholars and practitioners in the film industry to understand the complexity of issues and the requirements necessary to preserve the social benefits of film as an important cultural good.

Dieses Buch stellt vielfaltige Aspekte und Grundlagen digitaler Medientransformationen vor. Erhebliche technologische Fortschritte und makromediale Transformationen oeffnen den Markt fur neue Teilnehmer und disruptive Geschaftsmodelle. Technologiegiganten destabilisieren die traditionelle Medienlandschaft und ziehen die Aufmerksamkeit des Publikums auf sich.Renommierte Beitragsautoren zeigen, wie traditionelle Medienunternehmen weiterhin marktfahig bleiben und uberleben koennen. Sie machen den Wandel von Medien, Medienindustrien, Medienorganisationen und Mediennutzungen aus heterogenen Perspektiven verstehbar und erlautern Gestaltungsoptionen in der digitalen Transformation der Medien. Im Zentrum stehen theoriebildende und praxisfoerdernde UEberlegungen zur Medienfinanzierung und Erloesmodellierung von klassischen, aber auch neuen Medien sowie die Rolle des Journalismus unter veranderten Rahmenbedingungen des Medienwandels. Der Inhalt* Strukturelle Grundlagen digitaler Medientransformationen* Auswirkungen der digitalen Transformation auf Journalismus und Medienindustrie* Der oeffentlich-rechtliche Rundfunk im digitalen Medienwandel* Frauen in der digitalen Transformation der Medien* Probleme in der Finanzierung von Medienangeboten* Digitale Plattformoekonomie* Handlungsoptionen und neue Loesungskonzepte fur Werbung* Die digitale Transformation der Medien unter oekosozialen, alternativen Aspekten* Identitat in der Netzwerkgesellschaft* Desinformations-Kampagnen* Unterhaltungsindustrie und Museen in der digitalen Transformation

Paul Clemens Murschetz befasst sich mit ausgewahlten Phanomenen der digitalen Transformation in der Medienbranche und stutzt sich vor allem auf Erkenntnisse aus der Medienoekonomie und der Medienmanagementforschung. Sein erkenntnisleitendes Interesse ist es, einen entscheidenden Beitrag zur Beantwortung der gegenwartig stattfindenden Transformationsprozesse der am meisten entwickelten Mediengesellschaften vor dem Hintergrund der Problematiken der "digitalen Mediamorphose" zu leisten und damit Einblick zu geben in die radikalen Veranderungen, die Mediensysteme in den letzten Jahren in westlichen Demokratien erfahren haben.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Katalog Paul Clemen Dr. V.L. Schwann, 1904 Painting, European

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Exhibition Of Contemporary German Art. 1909 Art Institute of Chicago, Paul Clemen G. E. Maberly-Oppler G. Stilke, 1909 Art; Art, German; Artists; Artists, German

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Exhibition Of Contemporary German Art, Metropolitan Museum Of Art, New York, Jan. 1909 Metropolitan Museum of Art (New York, N.Y.), Paul Clemen G. Stilke, 1909 Art; History; General; Art; Art / European; Art / History / General; Art, German

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Die ausseren Kiemen Der Wirbeltiere ...; Volume 17 Of Anatomy Dissertations Paul Clemens J.F. Bergmann, 1894 Gills

An elegy--angry, funny, and powerfully detailed--about the slow death of a Detroit auto plant and an American way of life.
How does a country dismantle a century's worth of its industrial heritage? To answer that question, Paul Clemens investigates the 2006 closing of one of America's most potent symbols: a Detroit auto plant. Prior to its closing, the Budd Company stamping plant on Detroit's East Side, built in 1919, was one of the oldest active auto plants in America's foremost industrial city--one whose history includes the nation's proudest moments and those of its working class. Its closing also reflects the character of the country in a new era--the sad, brutal process of picking it apart and sending it, piece by piece, to the countries that now have use for its machines.
"Punching Out "is an up-close report, at once tender and angry, from the meanest, sharpest edge of America's deindustrializa-tion, and a lament for a working-class culture that once defined a prosperous America--and that is now on the verge of eco-nomic extinction.

"From the Hardcover edition."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

As I see it all around me, the trees are dying out, our water is contaminated, and our air is not good to breathe. Those are the reasons why today I'm trying my best to come back to our ways of thousands of years ago.

We have to come back to the Native way of life. The Native way is to pray for everything, to take care of everything. Our Mother Earth is very important. We can't just misuse her and think she's going to continue. We can see what's taking place: the animal life, the tree life, even the water is telling us, but we're not paying attention to it.

We've been told to take care of what we've got so that we can leave something for the younger generation. We've tried to practice that from the beginning of our life, but we forgot our way.

"I never have spoken out until lately here, the Spirit coming to me and telling me, "Well, you are going to have to give us a hand here." In a vision, not too many years ago, the water came to me and told me, "I'm going to look like water, but pretty soon nobody's going to use me." These words came from the water, the Spirit. Now I see that the water has been polluted everywhere you go, and pretty soon we're not going to be able to use it.

All living things like to enjoy clean water. The rocks right here, they want clean water. The tree life has to have clean water. We are all one life, and clean water is something we have to rely on.

We, the people, are going to have to put our thoughts together to save our planet here. We only have One Water... One Air... One Mother Earth.