(Berklee Labs). Create more expressive solos with this book/CD pack, which presents a unique improvisation strategy based on ear training and a linear interpretation of note relationships. Comprehensive, step-by-step instruction will guide you as you: develop an expectation of sound; master the movement of notes over modes and harmonies; become comfortable improvising over jazz standards; create your own chord pads to use as you practice recognizing the tendencies of pitches within chord progressions.

In contrast to other traditions, cultic laments in Mesopotamia were not performed in response to a tragic event, such as a death or a disaster, but instead as a preemptive ritual to avert possible catastrophes. Mesopotamian laments provide a unique insight into the relationship between humankind and the gods, and their study sheds light on the nature of collective rituals within a crosscultural context. Cultic laments were performed in Mesopotamia for nearly 3000 years. This book provides a comprehensive overview of this important ritual practice in the early 2nd millennium BCE, the period during which Sumerian laments were first put in writing. It also includes a new translation and critical edition of Uruamairabi ('That city, which has been plundered'), one of the most widely performed compositions of its genre.

This volume assembles scholars working on cuneiform texts from different periods, genres, and areas to examine the range of social, cultural, and historical contexts in which specific types of texts circulated. Using different methodologies and sources of evidence, these articles reconstruct the contexts in which various cuneiform texts circulated, providing a critical framework to determine how they functioned.