for SSA and organ or piano Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SSA choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available. Also available in a version for mixed voices.

for violin and mixed choir This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless vocal lines and vocal solos, preserving the texture and timeless effect of the original. Commissioned and premiered by the Swedish Chamber Choir, the work has also been recorded by the choir under the direction of Simon Phipps.

for SATB and organ/piano with optional congregation Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SATB choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available.

Acts as a bridge between Tunes for Ten Fingers and More Tunes for Ten Fingers, and consists of 21 pieces in five-finger position. This work is accompanied by verses and illustrations and there are lots of puzzles and games interspersed amongst the pieces.

for SATB and organ The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Chesterton, it is highly original yet approachable, and develops the opening melodic motif to provide a sense of cohesion throughout the piece.

An entertaining mix of dinosaur pieces, games, and puzzles at about the level of Piano Time 2. Lively full colour illustrations introduce you to each of the friendly (or not-so-friendly) monsters, and all the material has a solid musical and tutorial basis as well as being tremendous fun.

Unheard Melodies presents a straightforward but unusual guide to musical appreciation, and is of particular help to the non-specialist in coming to terms with the complexities of classical music. The raw materials, styles and processes of music are introduced and explained, together with inside information about instruments and the lives of composers, not to mention the many hidden puzzles and ciphers accessible to those with the necessary key. A must for anyone interested in understanding the real substance of music. There is a world of unheard melodies out there for the hearing, so why not make a fascinating journey into less familiar musical byways and discover new ways of listening to the music you thought you knew.