Examining the history and intellectual activity of the medieval Svetambara Jain renunciant order, the Tapa Gaccha, this book focuses on the consolidation by the Tapa Gaccha from the thirteenth century of its identity as the leading Svetambara order. The author argues that this was variously effected by negotiating the primacy of lineage, the posthumous divinity of one of its leaders, the validity of styles of scriptural exegesis and customary practice and the status of non-Jains through the medium of chronicles and poetry and polemical engagement with other Jain orders and dissident elements within its own ranks. Drawing on largely unstudied primary sources, the author demonstrates how Tapa Gaccha writers created a sophisticated intellectual culture which was a vehicle for the maintenance of sectarian identity in the early modern period. The book explores issues which have been central to our understanding of many of the questions currently being asked about the development not just of Jainism but of South Asian religions in general, such as the manner in which authority is established in relation to texts, the relationship between scripture, commentary and tradition and tensions both between and within sects.

Examining the history and intellectual activity of the medieval Svetambara Jain renunciant order, the Tapa Gaccha, this book focuses on the consolidation by the Tapa Gaccha from the thirteenth century of its identity as the leading Svetambara order. The author argues that this was variously effected by negotiating the primacy of lineage, the posthumous divinity of one of its leaders, the validity of styles of scriptural exegesis and customary practice and the status of non-Jains through the medium of chronicles and poetry and polemical engagement with other Jain orders and dissident elements within its own ranks. Drawing on largely unstudied primary sources, the author demonstrates how Tapa Gaccha writers created a sophisticated intellectual culture which was a vehicle for the maintenance of sectarian identity in the early modern period. The book explores issues which have been central to our understanding of many of the questions currently being asked about the development not just of Jainism but of South Asian religions in general, such as the manner in which authority is established in relation to texts, the relationship between scripture, commentary and tradition and tensions both between and within sects.

Series Information:
Library of Religious Beliefs and Practices

The Indian religion of Jainism, whose central tenet involves non-violence to all creatures, is one of the world's oldest and least-understood faiths. Dundas looks at Jainism in its social and doctrinal context, explaining its history, sects, scriptures and ritual, and describing how the Jains have, over 2500 years, defined themselves as a unique religious community. This revised and expanded edition takes account of new research into Jainism.

A canonical great poem, or mahakavya, of the Sanskrit canon, depicting a well-known episode from the Mahabharata. Magha's The Killing of Shishupala, written in the seventh century, is a celebrated example of the Sanskrit genre known as mahakavya, or great poem. This adaptation from the epic Mahabharata tells the story of Shishupala, who disrupts Yudhishthira's coronation by refusing to honor Krishna, the king's principal ally and a manifestation of divinity. When Shishupala challenges Krishna to combat, he is immediately beheaded. Magha, who was likely a court poet in western India, draws on the rich stylistic resources of Sanskrit poetry to imbue his work with unparalleled sophistication. He expands the narrative's cosmic implications through elaborate depictions of the natural world and intense erotic sensuality, mixing myth and classical erudition with scenes of political debate and battlefield slaughter. Krishna is variously portrayed as refined prince, formidable warrior, and incarnation of the god Vishnu protecting the world from demonic threat. With this translation of The Killing of Shishupala, presented alongside the original text in the Devanagari script, English readers for the first time gain access to a masterwork that has dazzled Indian audiences for a thousand years.

Examining the history and intellectual activity of the medieval Svetambara Jain renunciant order, the Tapa Gaccha, this book focuses on the consolidation by the Tapa Gaccha from the thirteenth century of its identity as the leading Svetambara order.