Sonosyntactics introduces the reader to over forty-five years of Paul Dutton's diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most significant and characteristic poetry together with a generous selection of uncollected new work. Sonosyntactics demonstrates Dutton's willingness to (re)invent and stretch language and to listen for new possibilities while at the same time engaging with his perennial concerns - love, sex, music, time, thought, humour, the materiality of language, and poetry itself. Gary Barwin's introduction outlines the major subjects and techniques of Dutton's poetry: an intricate weaving of thought and language, sound and emotion, sound and sense, and the unfolding of a text through the logic of language play such as puns, paradoxes, ambiguity, and sound relations. In an afterword by Dutton himself, the poet insightfully lays out the terms of his engagement with the materiality - both visual and aural - of language, often beyond the purely recountable, representational, or depictive.

This is an autobiographical account of a career in conservation and of an abiding love affair with Spirit of the Wilderness, a Piper Super Cub, two-seater, light aircraft. It tells of a partnership between man and machine, which proved invaluable in countless campaigns to support and conserve wildlife and wilderness areas in southern Africa. A chance encounter in 1953 with the late Dr Ian Player, South Africa's greatest name in conservation led to a career in that field which still continues after nearly sixty years. There are detailed and absorbing accounts of stewardship during the 1960s and 1970s of some of South Africa's best loved and most beautiful reserves; Lake St Lucia, iMfolozi, Ndumo, and later the Gorongosa National Park, Zinave and the Bazaruto Archipelago in Mozambique. There are tales of hair-raising episodes and some serious mishaps at the wheel of Spirit of the Wilderness, and on the ground, the author records what he was privileged to learn from the knowledge, experience and wisdom of indigenous game guards and local communities in South Africa and Mozambique. We encounter a huge diversity of flora and fauna, both terrestrial and marine, some of it now perilously endangered, and also a remarkable cast of fellow eminent conservationists, filmmakers, writers, sangomas, soldiers and bandits from two wars in Mozambique, and we are introduced to that country's then president Samora Machel, with whom Paul came to have an intriguingly cordial relationship.