Paul Edwards is a beautiful writer. He can express the moods and emotions of a day as well as anyone. And his love for the game - and those involved in it - pours off every page of this book. But because he has interests far beyond the boundary - in politics and people, in music and history - he is as likely to quote Mott the Hoople as Herman Melville; as likely to cite the repeal of the corn laws as regulations regarding Kolpak registrations. His work is all the richer and more satisfying for it. He knows that not everything that counts can be counted. He knows you can't define love or loyalty or a million things in between. So he tells us how a day's play feels. He tells us about the people and places. He tells us why it matters but knows it doesn't matter too much.

Oh no, not another self-help book! But wait, USC alumnus and celebrity life coach Paul Edward dubs this work an "others-help" book and insists that one of the keys to moving forward in life is connecting with the right people. In the first volume of his new Life-Changing Coaching Series, Edward shares the five strategies he uses to help his influential clients solve problems, make better decisions, achieve goals, and get connected. Drawing on his rich experiences as a US Marine Corps officer, corporate executive, and professional life coach, Edward's book leads the reader on a journey that begins with self-discovery and culminates in the development and implementation of a plan for real change and sustained growth. The book does not just offer theory, but it tackles some of life's thornier practical issues, like how to successfully deal with challenging friends and family members, how to increase job satisfaction, and how to make more time for the people and activities you love. This is a guide for those who find themselves stuck in one or more areas of their lives. Its pages brim with help and hope for anyone willing to follow the roadmap that Edward lays out for them.

This title was first published in 2000. Founded in 1914 by Wyndham Lewis and christened by Ezra Pound, the Vorticism movement was a sustained act of aggression against the moribund Victorianism seen as stifling to artistic energies. Inspired by the example of F.T.Marinetti and the Futurists, the Vorticists were nevertheless harshly critical of the Futurists' naive enthusiasm for modernity. They created their own style of geometric abstraction to celebrate the new consciousness of humanity in a mechanized urban environment. But their splintered and discordant style also measured the cost of the psychic disruption that modernity caused. This illustrated guide to the movement covers topics including sculpture, painting, literary Vorticism, women in Vorticism and Vorticist aesthetics.

This title was first published in 2000. Founded in 1914 by Wyndham Lewis and christened by Ezra Pound, the Vorticism movement was a sustained act of aggression against the moribund Victorianism seen as stifling to artistic energies. Inspired by the example of F.T.Marinetti and the Futurists, the Vorticists were nevertheless harshly critical of the Futurists' naive enthusiasm for modernity. They created their own style of geometric abstraction to celebrate the new consciousness of humanity in a mechanized urban environment. But their splintered and discordant style also measured the cost of the psychic disruption that modernity caused. This illustrated guide to the movement covers topics including sculpture, painting, literary Vorticism, women in Vorticism and Vorticist aesthetics.

This volume in Religion and Public Life, a series on religion and public affairs, provides a wide-ranging forum for differing views on religious and ethical considerations. The contributions address the decline of social capital-those patterns of behavior which are conducive to self-governance and the spirit of self-reliance-and its relation to the demise of the civic-humanist tradition in American education. The unifying theme, is that classical studies do not merely result in individual mastery over a particular technique or body of knowledge, but also link the individual to the polity and even to the whole of the cosmic order. At the same time, American republicanism, in its exaltation of the common man from the Jeffersonian agrarian soldier to the apotheosis of Lincoln tempers the classical ideal into something less exalted, if more democratic. The effects on the contemporary state of the liberal arts curriculum are demonstrated in articles critical of the market-model university. Two essays explore the historical and philosophical significance of the discipline of rhetoric, that has suffered under the hegemony of rationalistic philosophy. A concluding contribution, invokes Giambattista Vico as an eloquent defender of the humanities. Humanities and Civic Life includes: "Rome, Florence, and Philadelphia: Using the History of the Humanities to Renew Our Civic Life" by Robert E. Proctor; "The Dark Fields of the Republic: The Persistence of Republican Thought in American History" by David Brown; "Unleashing the Humanities" by Robert Weisbuch; "Liberal Arts: Listening to Faculty" by Dennis O'Brien; "Historical Consciousness in Antiquity" by Paul Gottfried; "Taking the Measure of Relativism and the Civic Virtue of Rhetoric" by Gabriel R. Ricci; "The River: A Vichian Dialogue on Humanistic Education" by Randall E. Auxier.

The implications of globalization for labour are more often asserted than analyzed. This collection, and its companion volume "Globalization and Patterns of Labour Resistance" edited by Jeremy Waddington, seek to remedy this deficiency by presenting contemporary research on the relationship between the globalization of production and the regulation of labour. It considers the ways in which national and supra-national regimes of labour regulation are being actively reconstructed in the context of the internationalization of production. The contributors analyze the implications of changes in different national labour regimes for relations between state, capital and labour, and for class and gender segmentation, and discuss the scope and limits of recent initiatives in the implementation of international labour standards.

Micro Middle Ages brings together five microhistorical case studies focusing on small or seemingly inconsequential evidence that leads to broader conclusions about  medieval history and the way we do and understand history in general. Paul Dutton provides an overview of microhistorical approaches and theorizes about its use in pre-modern history. As opposed to studying history “from above� or history “from below,� Dutton shows the advantages for historians of doing history “from the inside out,� starting from some single, overlooked, but potentially knowable thing, delving deep inside, and then reattaching it to its time and place. Such an approach has one abiding advantage: its insistence on being grounded in the particularity of the evidence. The book highlights what the microhistorical is, its conceptual and practical challenges. Dutton argues that the attention to the micro has always been with us and is a constitutive, cognitive part of who we are as human beings.

This sequel to How to Rap breaks down and examines techniques that have not previously been explained—such as triplets, flams, lazy tails, and breaking rhyme patterns. Based on interviews with hip-hop’s most innovative artists and groups, including Tech N9ne, Crooked I, Pharcyde, Das EFX, Del the Funky Homosapien, and Big Daddy Kane, this book takes you through the intricacies of rhythm, rhyme, and vocal delivery, delving into the art form in unprecedented detail. It is a must-read for MCs looking to take their craft to the next level, as well as anyone fascinated by rapping and its complexity.

Clipse, Cypress Hill, Nelly, Public Enemy, Remy Ma, Schoolly D, A Tribe Called Quest, will.i.am--these are just some of the acclaimed artists offering tips and advice in this compelling how-to. Delivering countless candid and exclusive first-person insights from interviews with more than one hundred of the most innovative artists, author Paul Edwards examines the dynamics of rap from every region and in every form--mainstream and underground, current and classic--and covers everything from content and flow to rhythm and delivery. A first-of-its-kind guide, "How to Rap "provides a wealth of insight and rapping lore that will benefit beginners and pros alike.

A debut collection of flash fiction from one of the most prominent young Canadian writers of this genre.

"This monograph is written with admirable lucidity and delightful wit. In using humor as a weapon in philosophical argument it is beautifully in the Russellian tradition. The arguments appear to be devastating. Defenders of Heidegger will have a hard time trying to answer it." --J.C.C. Smart, Professor of Philosophy, The Australian National University

Eyrbyggja Saga is prominent in the great group of medieval Icelandic sagas that Magnus Magnusson has called 'historical novels – the first novels to be written in Europe'.

Mixing realism with wild Gothic imagination, history with eerie tales of hauntings, it dramatizes a thirteenth-century view of the past, from the pagan anarchy of the Viking Age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society. Its central figure is Snorri, a man so perplexingly ambiguous that the narrator himself is drawn to speculate on his motives and a character who brilliantly epitomizes the violent stresses of his times.

Published in the shadow of the Spanish Civil War, The Revenge for Love is a political thriller attacking the fraudulence and feeble-mindedness of life in the Britain of the 1930s. A brilliant satire on a world that has lost its sense of self and been seduced by the appeal of Communism, it is one of a handful of books (it could be compared to Orwell's Coming Up for Air or Koestler's Darkness at Noon) which defined a particular mood and to today's audience gives an unparalleled sense of how Europe turned toxic on the eve of the Second World War. A major statement by a great artist and writer The Revenge for Love now deserves a new generation of readers and is the perfect introduction to Lewis's work.

These medieval Viking romances, including Arrow-Odd and King Gautrek, inhabit some of the most enjoyable and exotic regions of the Icelandic imagination.

They tell of famous kings, difficult gods and women of great beauty, goodness or cunning; but although they paint the traditional colourful picture of the Viking warrior making raids in his dragon-headed longboat, these stories are not concerned, like Hrafnkel’s Saga or Njal’s Saga, for example, to point a moral or to set down the glories of Icelandic history or geography. Instead the narrators, witty and well-read, plundered sources from Homer to French romance, and incorporated local myths, legends and heroic tales in a bid to entertain us, capture our imagination and make us laugh.

A fresh and vital fusion of myth and legend, lively anecdote and poetry

Written around AD 1200 by an unnamed Icelandic author, the Orkneyinga Saga is the only medieval chronicle to have Orkney as the central place of action, and from it we derive much of our knowledge of the Northern Isles and Caithness. The Saga describes the conquest of the islands by the kings of Norway during the Viking expansion of the ninth century and goes on to narrate the subsequent history of the Earldom of Orkney. Dominated by the great figures of the times – Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy – the Saga is a powerful account of warfare and the struggle for supremacy.

This modern translation captures the force of the Orkneyinga Saga, which retains a special significance for the people of Orkney, sharpening their awareness of their dual cultural heritage, both Norse and Scottish.

In this trenchant challenge to social engineering, Paul Gottfried analyzes a patricide: the slaying of nineteenth-century liberalism by the managerial state. Many people, of course, realize that liberalism no longer connotes distributed powers and bourgeois moral standards, the need to protect civil society from an encroaching state, or the virtues of vigorous self-government. Many also know that today's "liberals" have far different goals from those of their predecessors, aiming as they do largely to combat prejudice, to provide social services and welfare benefits, and to defend expressive and "lifestyle" freedoms. Paul Gottfried does more than analyze these historical facts, however. He builds on them to show why it matters that the managerial state has replaced traditional liberalism: the new regimes of social engineers, he maintains, are elitists, and their rule is consensual only in the sense that it is unopposed by any widespread organized opposition.

Throughout the western world, increasingly uprooted populations unthinkingly accept centralized controls in exchange for a variety of entitlements. In their frightening passivity, Gottfried locates the quandary for traditionalist and populist adversaries of the welfare state. How can opponents of administrative elites show the public that those who provide, however ineptly, for their material needs are the enemies of democratic self-rule and of independent decision making in family life? If we do not wake up, Gottfried warns, the political debate may soon be over, despite sporadic and ideologically confused populist rumblings in both Europe and the United States.