A vacant lot, rat-infested and filled with garbage, looked like no place for a garden. Especially to a neighborhood of strangers where no one seems to care. Until one day, a young girl clears a small space and digs into the hard-packed soil to plant her precious bean seeds. Suddenly, the soil holds promise: To Curtis, who believes he can win back Lateesha's heart with a harvest of tomatoes; to Virgil's dad, who seems a fortune to be made from growing lettuce; and even to Mariclea, sixteen and pregnant, wishing she were dead.

Thirteen very different voices--old, young, Haitian, Hispanic, tough, haunted, and hopeful tell one amazing story about a garden that transforms a neighborhood.

00-01 Utah Book Award (Gr. 7-12)

A breathtaking immigration tale with appeal across generations. When a little girl visits her great-grandfather at his curio-filled home, she chooses an unusual object to learn about: an old cigar box. What she finds inside surprises her: a collection of matchboxes making up her great-grandfather’s diary, containing objects she can hold in her hand, each one evoking a memory. Together they tell of his journey from Italy to a new country, before he could read and write – the olive stone his mother gave him to suck on when there wasn’t enough food; a hairpin he found on the boat; a ticket still retaining the thrill of his first baseball game. With a narrative entirely in dialogue, Paul Fleischman makes immediate the two characters’ foray into the past. With warmth and an uncanny eye for detail, Bagram Ibatoulline gives expressive life to their journey through time – and towards each other.

At first light the finches
are flitting about the trees

In this companion volume to JOYFUL NOISE: POEMS FOR TWO VOICES, the winner of the 1989 Newbery Medal, Paul Fleischman celebrates the sound, the sense, the essence of birds. Written to be spoken aloud by two voices, sometimes alternating, sometimes simultaneous, these poems perfectly capture the beauty of birds in their singing, soaring, and rejoicing.

A twelve-year-old mute boy sets off to find his mother in a blizzard, and becomes the captive of an evil woman in the Half-a-Moon Inn. ‘A suspenseful tale with archetypal characters and a haunting atmosphere. . . . The brisk pace and steady accumulation of events build tension, while Fleischman's fine writing begs to be read aloud." —BL.

1980 Children's Reviewers' Choices (BL)
Notable Books of the Year 1980 (NYT)
1980 Golden Kite Award Honor Book for Fiction (SCBW)
Children's Books of 1980 (Library of Congress)
1980 Silver Medal for Literature (Commonwealth Club of California)

A vacant lot, rat-infested and filled with garbage, looked like no place for a garden. Especially to a neighborhood of strangers where no one seems to care. Until one day, a young girl clears a small space and digs into the hard-packed soil to plant her precious bean seeds. Suddenly, the soil holds promise: To Curtis, who believes he can win back Lateesha's heart with a harvest of tomatoes; to Virgil's dad, who seems a fortune to be made from growing lettuce; and even to Mariclea, sixteen and pregnant, wishing she were dead.

Thirteen very different voices--old, young, Haitian, Hispanic, tough, haunted, and hopeful tell one amazing story about a garden that transforms a neighborhood.

00-01 Utah Book Award (Gr. 7-12)

In this remarkable volume of poetry for two voices, a companion to "I Am Pheonix," Paul Fleischman verbally re-creates the "Booming / boisterous / joyful noise" of insects. The poems resound with the pulse of the cicada and the drone of the honeybee. Eric Beddow's vibrant drawings send each insect soaring, spinning, or creeping off the page in its own unique way.Paul Fleischman has created not only a clear and fascinating guide to the insect world - from chrysalid butterflies to whirligig beetles - but and exultant celebration of life.

WESLANDIA honors the misfits--and the creators--among us.
Enter the witty, intriguing world of Weslandia Now that school is over, Wesley needs a summer project. He's learned that each civilization needs a staple food crop, so he decides to sow a garden and start his own - civilization, that is. He turns over a plot of earth, and plants begin to grow. They soon tower above him and bear a curious-looking fruit. As Wesley experiments, he finds that the plant will provide food, clothing, shelter, and even recreation. It isn't long before his neighbors and classmates develop more than an idle curiosity about Wesley - and exactly how he is spending his summer vacation.

Once upon a time, in Mexico . . . in Ireland . . . in Zimbabwe . . . there lived a girl who worked all day in the rice fields . . . then spent the night by the hearth, sleeping among the cinders.
Her name is Ashpet, Sootface, Cendrillon . . . Cinderella. Her story has been passed down the centuries and across continents. Now Paul Fleischman and Julie Paschkis craft its many versions into one hymn to the rich variety and the enduring constants of our cultures.
A Junior Library Guild Selection

Aimed at a generation of short attention spans and a taste for razor-sharp comedy, the rapid-fire ZAP is a smart, farcical new play for high-school students that's ready to bring the house down.
When they're not dusting off the old classics -- over and over -- high-school drama departments are constantly in search of new material. But what play could possibly suit the point-and-click attention spans of kids born with remote controls in their cribs? Cue the lights for ZAP, a nonstop farce that juxtaposes seven different plays -- performed simultaneously -- with a comic genius reminiscent of masters from Monty Python to the Marx Brothers. Combining spot-on parodies of Anton Chekhov, Agatha Christie, Tennessee Williams, Samuel Beckett, Neil Simon and performance art and throwing in scenes from RICHARD III for good measure, ZAP flicks rapidly back and forth from play to play, with hilarious results. As characters from one play end up on the set of another, their befuddlement, exasperation, and brave attempts at improvisation are truly priceless. A hoot to read, ZAP is a dream to perform -- as high schools in California, New York, and Florida have already discovered.

The story of a child confronting a man-eating giant or witch is told the world over. These heroes go by many names and might be normal in size or no bigger than a thumb. Though they're often scorned for being the youngest and smallest, they're well-armed with cleverness and courage. In this companion to Glass Slipper, Gold Sandal, Paul Fleischman and Julie Paschkis combine elements of this story from different traditions - Jack and the Beanstalk, Tom Thumb, Kihuo, Vasilisa - to create one narrative, one complete picture of a small boy's triumph.

The country has been swallowed by the Great Depression 2.0, complete with apple-sellers and Bruce Springsteen singing Buddy, Can You Spare a Dime on the radio. The Republican incumbent-battling his high-living wife, a populist opponent, and the accurate perception that he's rich and removed-has no choice but to follow his handlers' advice: cross the country incognito, living and working among his people for twelve days in a desperate bid to seem attuned to their plight. With secret cameras rolling and his bickering speechwriters composing his diary, he sets off on a trip that will defy the best-laid plans of K Street's finest. Repackaging a candidate and his family has never been so challenging-or painfully funny. From hobo jungles filled with middle management to sidewalks crowded with panhandling schtik-savants, He Walked Among Us is a wickedly gleeful romp across the country and its political landscape.

Eighty-eight-year old Elva and Courtney, an attractive sixteen-year-old with a severed spinal chord, lie in adjacent beds in a grim Bismarck, North Dakota convalescent home. Ignored by the world, the only resource they have left is their imagination.
As Elva and Courtney go on a fantasy trip to Italy (accompanied by Elva's long dead husband and guided by a 1910 travel book), Elva shows Courtney a new way to envision love. But to accept it, and the gift of the imagination, Courtney must make the trip her own--even if she destroys the art Elva holds most dear.
Written entirely in dialogue, "Mind's Eye "can be performed as reader's theater, but it is a fully satisfying novel. In this extraordinarily innovative, profound, and yet readable book Paul Fleischman makes us all feel what a powerful--and dangerous--tool the imagination can be.