Matter, Materiality and Modern Culture offers a new approach to the study of contemporary objects, to give the reader a new understanding of the relationship between people and their material world. It asks how the very stuff of our world has shaped our societies by addressing a broad array of questions including:
* why do Berliners have such strange door keys?
* should the Isle of Wight pop festival be preserved?
* could aliens tell a snail shell from a waste paper basket
* why did Victorian England make so much of death and burial?

The modern world around us is more mysterious than we think. This book looks beneath the surface of modern material culture to ask how the very stuff of our world has shaped our societies, and how and why it is that we have made the material culture that surrounds us. It offers a new approach to the study of contemporary objects, from academics prominent in disciplines ranging from archaeology to philosophy and psychology. All have diverse perspectives on what material culture is, but all are equally concerned with how the very material nature of artefacts comes to form human life. The questions they address include: why did the electric car fail? Why do Berliners have such strange door keys? Should the Isle of Wight pop festival be preserved? Why do autistic children have problems with objects? Could aliens tell a snail shell from a waste paper basket? Why did Victorian England make so much of death and burial? Taken together, the eight contributions in this book lead the reader to a new understanding of the relationship between people and their material world. They should be of great interest to everyone studying modern material culture.

It has been clear for many years that the ways in which archaeology is practised have been a direct product of a particular set of social, cultural, and historical circumstances - archaeology is always carried out in the present. More recently, however, many have begun to consider how archaeological techniques might be used to reflect more directly on the contemporary world itself: how we might undertake archaeologies of, as well as in the present. This Handbook is the first comprehensive survey of an exciting and rapidly expanding sub-field and provides an authoritative overview of the newly emerging focus on the archaeology of the present and recent past. In addition to detailed archaeological case studies, it includes essays by scholars working on the relationships of different disciplines to the archaeology of the contemporary world, including anthropology, psychology, philosophy, historical geography, science and technology studies, communications and media, ethnoarchaeology, forensic archaeology, sociology, film, performance, and contemporary art. This volume seeks to explore the boundaries of an emerging sub-discipline, to develop a tool-kit of concepts and methods which are applicable to this new field, and to suggest important future trajectories for research. It makes a significant intervention by drawing together scholars working on a broad range of themes, approaches, methods, and case studies from diverse contexts in different parts of the world, which have not previously been considered collectively.