Whiting Award-winning poet Paul Guest was twelve years old, racing down a hill on a too-big, ancient bicycle when he discovered he had no brakes. Trying to steer into anything that would slow him down, he hit a ditch, was thrown over the handlebars, and broke his neck.

"One More Theory About Happiness" follows a boy into manhood, his path marked by a hard-earned acceptance and a biting sense of humor. In incisive and lyrical prose, Guest shows us that a body irrevocably changed can lead to a life fiercely cherished.

Published since 1959, International Review of Neurobiology is a well-known series appealing to neuroscientists, clinicians, psychologists, physiologists, and pharmacologists. Led by an internationally renowned editorial board, this important serial publishes both eclectic volumes made up of timely reviews and thematic volumes that focus on recent progress in a specific area of neurobiology research. This volume reviews existing theories and current research surrounding the movement disorder Dyskinesia.

Leading authors review state-of-the-art in their field of investigation and provide their views and perspectives for future research Chapters are extensively referenced to provide readers with a comprehensive list of resources on the topics covered All chapters include comprehensive background information and are written in a clear form that is also accessible to the non-specialist

"My Index of Slightly Horrifying Knowledge" is a fierce and original collection--its generosity of voice and emotional range announce the arrival of a major new poet.

At the age of twelve, Paul Guest suffered a bicycle accident that left him paralyzed for life. But out of sudden disaster evolved a fierce poetic sensibility--one that blossomed into a refuge for all the grief, fury, and wonder at life forever altered. Although its legacy lies in tragedy, the voice of these brilliant poems cuts a broad swath of emotions: whether he is lamenting the potentiality of physical experience or imagining the electric temptations of sexuality, Guest offers us a worldview that is unshakable in its humanity.

Who would guess that Godzilla, the Invisible Man, Elvis, Donald Duck, Ted Williams, and the Three Stooges might have something to say about the love and loss that shape the way we see the world? And yet these are the pop-culture coordinates that chart the emotional life brilliantly mapped out in Paul Guest's second book of poems. Winner of the Prairie Schooner Prize in Poetry, this collection plumbs the depths of nature and culture (how, for instance, "gar" in Old English means "spear," and an octopus can lose a limb during mating) to give form to the darkness and the light that make us human. In poetry whose tone is largely one of lament tempered by a wry and intelligent humor, Paul Guest does what a poet does best: he gives us the moments of his life refashioned to reflect the larger arc and meaning of our own--of life, that is, writ large.