Paul Hedley Jones presents a coherent reading of 1 Kings 13 that is attentive to literary, historical and theological concerns. Beginning with a summary and evaluation of Karl Barth's overtly theological exposition of the chapter - as set out in his Church Dogmatics - Jones explores how this analysis was received and critiqued by Barth's academic peers, who focused on very different questions, priorities and methods. By highlighting substantive material in the text for further investigation, Jones sheds light on a range of hermeneutical issues that support exegetical work unseen, and additionally provides a wider scope of opinion into the conversation by reviewing the work of other scholars whose methods and priorities also diverge from those of Barth and his contemporaries. After evaluating four additional in-depth readings of 1 Kings 13, Jones presents a more theoretical discussion about perceived dichotomies in biblical studies that tend to surface regularly in methodological debates. This volume culminates with Jones' original exposition of the chapter, which offers an interpretation that reads 1 Kings 13 as a narrative analogy, where the figure of Josiah functions as a hermeneutical key to understanding the dynamics of the story.

Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015. Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015. Rotating each summer between the English cathedral cities of Hereford, Gloucester and Worcester, the Festival is a week-long programme of choral and orchestral concerts, cathedral services, solo and chamber music recitals, master classes, talks, theatre and exhibitions. At the heart of the modern festival are the daily services of Choral Evensong, representing the tradition of Anglican music and liturgy, and the large-scale evening concerts featuring established favourites of the British classical choral tradition with works drawn from a broader, more international musical canvas. Many special commissions and other works, including compositions by British composers such as Jonathan Harvey, James Macmillan, Judith Bingham and John McCabe, and composers from abroad, such as Gerard Schurmann, Jackson Hill and Torsten Rasch, have received their first performances at Three Choirs. Originally published in 1992, this revised edition bringsthe history of the oldest surviving non-competitive music festival in Britain thoroughly up to date. It traces the development of the Festival from its origins in the early eighteenth century to its tercentenary in 2015, along the way touching on many musical milestones - premieres by Parry, Elgar, Vaughan Williams, Saint-Saëns, Holst, and Howells, among others - and luminaries - Sullivan, Stanford, Dvorák, Delius, Bax, and Britten, to name but a few - associated with it. British music enthusiasts especially will find this new edition invaluable. ANTHONY BODEN is a writer with particular interests in music and literature. In 1989 he was appointed as Administrator of theGloucester Three Choirs Festival, a post he held until his retirement in 1999. In 1995 he became the founding Chairman of the Ivor Gurney Society, of which he was elected President in 2015. His other books include Thomas Tomkins: The Last Elizabethan (2004) and The Parrys of the Golden Vale (1998). PAUL HEDLEY is a partner in Exart Performances, an Associate Fellow at the Saïd Business School, University of Oxford, has a PhD in theoretical linguistics, and spent five years as Chief Executive of the Three Choirs Festival.

Paul Hedley Jones presents a coherent reading of 1 Kings 13 that is attentive to literary, historical and theological concerns. Beginning with a summary and evaluation of Karl Barth's overtly theological exposition of the chapter - as set out in his Church Dogmatics - Jones explores how this analysis was received and critiqued by Barth's academic peers, who focused on very different questions, priorities and methods. By highlighting substantive material in the text for further investigation, Jones sheds light on a range of hermeneutical issues that support exegetical work unseen, and additionally provides a wider scope of opinion into the conversation by reviewing the work of other scholars whose methods and priorities also diverge from those of Barth and his contemporaries. After evaluating four additional in-depth readings of 1 Kings 13, Jones presents a more theoretical discussion about perceived dichotomies in biblical studies that tend to surface regularly in methodological debates. This volume culminates with Jones' original exposition of the chapter, which offers an interpretation that reads 1 Kings 13 as a narrative analogy, where the figure of Josiah functions as a hermeneutical key to understanding the dynamics of the story.