A New York Times Notable Book of the Year

Finalist for the Helen Bernstein Award for Excellence in Journalism

"Meticulous in detail, epic in scope, psychologically sophisticated and spiritually rich, it ranks with The Best and the Brightest and All the President's Men."
--San Francisco Chronicle

More than the two presidents he served or the 58,000 soldiers who died for his policies, Robert McNamara was the official face of Vietnam, the technocrat with steel-rimmed glasses and an ironclad faith in numbers who kept insisting that the war was winnable long after he had ceased to believe it was. This brilliantly insightful, morally devastating book tells us why he believed, how he lost faith, and what his deceptions cost five of the war's witnesses and McNamara himself.

In The Living and the Dead, Paul Hendrickson juxtaposes McNamara's story with those of a wounded Marine, an Army nurse, a Vietnamese refugee, a Quaker who burned himself to death to protest the war, and an enraged artist who tried to kill the man he saw as the war's architect. The result is a book whose exhaustive research and imaginative power turn history into an act of reckoning, damning and profoundly sympathetic, impossible to put down and impossible to forget.

"A masterpiece. . . . [Hendrickson] has a gift with language that most writers can only dream about. "
--Philadelphia Inquirer

"Approaches Shakespearian tragedy."
--The New York Times Book Review

From the award-winning and best-selling author of Hemingway's Boat - a ground-breaking biography that illuminates the life, mind and work of one of the icons of twentieth-century America. Frank Lloyd Wright has long been known as both a supreme artist and an insufferable egotist who held in contempt almost everything aside from his own genius as an architect. But in this masterly work we discover a man dogged by traumas, racked by lies, and stifled by the myths he wove around himself: a man aware of the choices he made, and of their costs. This is the Wright who was haunted by his father, about whom he told the greatest lie of his life. And this is the Wright of many other overlooked aspects of his story: his close, and perhaps romantic, relationship with friend and early mentor Cecil Corwin; the connection between the Tulsa Race Riot of 1921 and the murder of his mistress, her two children and four others at his beloved Wisconsin home by a servant gone mad; and the eerie, unmistakable role of fires in his eventful life. Showing us Wright's facades along with their cracks, Hendrickson helps us form a deep and more human understanding of the man, and a fresh appreciation of his monumental artistic achievements. With prodigious research, unique vision and his ability to make sense of a life in ways at once unexpected, poetic and brilliant, he has given us the defining book on one of the greatest creative talents of twentieth-century America.

They stand as unselfconscious as if the photograph were being taken at a church picnic and not during one of the pitched battles of the civil rights struggle. None of them knows that the image will appear in "Life "magazine""or that it will become an icon of its era. The year is 1962, and these seven white Mississippi lawmen have gathered to stop James Meredith from integrating the University of Mississippi. One of them is swinging a billy club.
More than thirty years later, award-winning journalist and author Paul Hendrickson sets out to discover who these men were, what happened to them after the photograph was taken, and how racist attitudes shaped the way they lived their lives. But his ultimate focus is on their children and grandchildren, and how the prejudice bequeathed by the fathers was transformed, or remained untouched, in the sons. Sons of Mississippi is a scalding yet redemptive work of social history, a book of eloquence and subtlely that tracks the movement of racism across three generations and bears witness to its ravages among both black and white Americans.