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A New York Times Notable Book of the Year
Finalist for the Helen Bernstein Award for Excellence in Journalism
"Meticulous in detail, epic in scope, psychologically sophisticated and spiritually rich, it ranks with The Best and the Brightest and All the President's Men." --San Francisco Chronicle
More than the two presidents he served or the 58,000 soldiers who died for his policies, Robert McNamara was the official face of Vietnam, the technocrat with steel-rimmed glasses and an ironclad faith in numbers who kept insisting that the war was winnable long after he had ceased to believe it was. This brilliantly insightful, morally devastating book tells us why he believed, how he lost faith, and what his deceptions cost five of the war's witnesses and McNamara himself.
In The Living and the Dead, Paul Hendrickson juxtaposes McNamara's story with those of a wounded Marine, an Army nurse, a Vietnamese refugee, a Quaker who burned himself to death to protest the war, and an enraged artist who tried to kill the man he saw as the war's architect. The result is a book whose exhaustive research and imaginative power turn history into an act of reckoning, damning and profoundly sympathetic, impossible to put down and impossible to forget.
"A masterpiece. . . . [Hendrickson] has a gift with language that most writers can only dream about. " --Philadelphia Inquirer
"Approaches Shakespearian tragedy." --The New York Times Book Review
From National Book Critics Circle Award winner Paul Hendrickson,
a brilliantly conceived and illuminating reconsideration of a key
period in the life of Ernest Hemingway that will forever change the
way he is perceived
and understood.
Focusing on the years 1934 to 1961--from Hemingway's pinnacle as
the reigning monarch of American letters until his suicide--Paul
Hendrickson traces the writer's exultations and despair around the
one constant in his life during this time: his beloved boat,
"Pilar.
"Drawing on previously unpublished material, including interviews
with Hemingway's sons, Hendrickson shows that for all the writer's
boorishness, depression and alcoholism, and despite his choleric
anger, he was capable of remarkable generosity--to struggling
writers, to lost souls, to the dying son of a friend. Hemingway's
Boat is both stunningly original and deeply gripping, an invaluable
contribution to our understanding of this great American writer,
published fifty years after his death.
They stand as unselfconscious as if the photograph were being taken
at a church picnic and not during one of the pitched battles of the
civil rights struggle. None of them knows that the image will
appear in "Life "magazine""or that it will become an icon of its
era. The year is 1962, and these seven white Mississippi lawmen
have gathered to stop James Meredith from integrating the
University of Mississippi. One of them is swinging a billy club.
More than thirty years later, award-winning journalist and author
Paul Hendrickson sets out to discover who these men were, what
happened to them after the photograph was taken, and how racist
attitudes shaped the way they lived their lives. But his ultimate
focus is on their children and grandchildren, and how the prejudice
bequeathed by the fathers was transformed, or remained untouched,
in the sons. Sons of Mississippi is a scalding yet redemptive work
of social history, a book of eloquence and subtlely that tracks the
movement of racism across three generations and bears witness to
its ravages among both black and white Americans.
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