A LETHAL STORM. THE MOST DEADLY PRISON. WHO WILL SURVIVE THE NIGHT? 'This is a stylish, heart-pounding thriller that would make one hell of a good film.' CRIME REVIEW Jack Constantine - a former cop who killed one of his wife's murderers in an act of vengeance - is serving his time in Ravenhill penitentiary, a notorious 'supermax' home to the most dangerous convicts in the country. When an apocalyptic superstorm wreaks havoc across the USA, the correctional officers flee the prison...but not before opening every cell door. The inmates must fend for themselves as lethal floodwaters rise and violent anarchy is unleashed. Teaming up with Kiera Sawyer, a Correctional Officer left behind on her first day of work, Constantine has one chance of survival - he must break out of a maximum security prison. But with the building on the verge of collapse, and deadly chaos around him, time is running out... Breathless, exhilarating and brilliantly original, this high-octane thriller is perfect for fans of Gregg Hurwitz, Lee Child and David Baldacci - and blockbuster action movies like John Wick.

A LETHAL STORM. A DEADLY PRISON. WHO WILL SURVIVE THE NIGHT? 'From page one, BREAKOUT slams the cell door on the reader and refuses to release them' LINCOLN CHILD, New York Times bestselling author. Jack Constantine - a former cop who killed one of his wife's murderers in an act of vengeance - is serving his time in Ravenhill penitentiary, a notorious 'supermax' home to the most dangerous convicts in the country. When an apocalyptic superstorm wreaks havoc across the USA, the correctional officers flee the prison...but not before opening every cell door. The inmates must fend for themselves as lethal floodwaters rise and violent anarchy is unleashed. Teaming up with Kiera Sawyer, a Correctional Officer left behind on her first day of work, Constantine has one chance of survival - he must break out of a maximum security prison. But with the building on the verge of collapse, and deadly chaos around him, time is running out... 'From page one, BREAKOUT slams the cell door on the reader and refuses to release them' LINCOLN CHILD, bestselling author. 'Brutal, blood-boltered, and insistently cinematic; a pulp triumph' DOMINIC NOLAN Breathless, exhilarating and brilliantly original, this high-octane thriller is perfect for fans of Gregg Hurwitz, Lee Child and David Baldacci - and blockbuster action movies like John Wick. Readers are gripped by BREAKOUT: 'On the edge of my seat and read it in a day...can see it being made into a movie' ***** Goodreads Reviewer 'Gripping, action-packed, and intense... The fast-paced plot made me want to speed through this book' ***** Goodreads Reviewer 'Fast, furious and nerve jangling adventure' ***** Goodreads Reviewer

The incestuous affair between the writer Anaïs Nin and her father, the pianist-composer Joaquín Nin, is well documented in the volume of her unexpurgated diary published under the title Incest. What has been missing from that account is Joaquín's point of view. Reunited: The Correspondence of Anaïs and Joaquín Nin, 1933-1940 presents more than one hundred intimate communications between these two artistic geniuses, revealing not only the dynamics of their complex relationship but also why Anaïs spent her life in a never-ending battle to feel loved, appreciated, and understood. Reunited collects the correspondence between Anaïs and Joaquín just before, during, and after the affair, which commenced in 1933, twenty years after he had abandoned his ten-year-old daughter and the rest of his family. These letters were long believed to have been destroyed and lost to history. In 2006, however, a folder containing Joaquín's original letters to his daughter was discovered in Anaïs's Los Angeles home, along with a second folder of her letters to him. Together, these letters tell the story of an absent father's attempt to reconnect with his adult daughter and how that rapprochement quickly turned into an illicit sexual relationship.

Mirages opens at the dawn of World War II, when Anais Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be "the One," the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as "hell," during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anais wrote, "Close your eyes to the ugly things," and, against a horrifying backdrop of war and death, Nin combats the world's darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin's other published diaries, particularly volumes 3 and 4 of The Diary of Anais Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin's love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin's "children," the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.

Anais Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin's fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America. Trapeze begins where the previous volume, Mirages, left off: when Nin met Rupert Pole, the young man who became not only her lover but later her husband in a bigamous marriage. It marks the start of what Nin came to call her "trapeze life," swinging between her longtime husband, Hugh Guiler, in New York and her lover, Pole, in California, a perilous lifestyle she continued until her death in 1977. Today what Nin did seems impossible, and what she sought perhaps was impossible: to find harmony and completeness within a split existence. It is a story of daring and genius, love and pain, largely unknown until now.

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,� the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,� during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,� and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,� the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.