The current volume is comparative and inter-disciplinary, and it provides a reflection on what thinking might become after Heidegger's philosophy. Its aim is to critically expand the current field of research by presenting unfamiliar and unchartered avenues that will guide and carry the Heidegger scholarship into the twenty-first century. By doing so, it addresses fundamental questions in the Heideggerian scholarship, including its problems, restraints, and future direction. It also engages and broadens the increasingly disparate approaches to Heidegger's work, whether those approaches are traditional in their employment of phenomenology and hermeneutics or whether they apply to Heidegger's thinking in new and surprising ways. The first section of the volume emphasizes the importance of methodology for the future of Heidegger studies while the second section examines the historical, ethical and vocal-poetical in Heidegger's thought and draws conclusions relevant to the Heidegger scholar of today. The final section demonstrates Heidegger's appeal to a variety of other discourses besides philosophy and the way his thinking could be creatively approached, utilized and implemented in our century. Contributions come from cutting-edge scholars such as Babette E. Babich, Dermot Moran, Francois Raffoul and Trish Glazebrook.

The current volume is comparative and inter-disciplinary, and it provides a reflection on what thinking might become after Heidegger’s philosophy. Its aim is to critically expand the current field of research by presenting unfamiliar and unchartered avenues that will guide and carry the Heidegger scholarship into the twenty-first century. By doing so, it addresses fundamental questions in the Heideggerian scholarship, including its problems, restraints, and future direction. It also engages and broadens the increasingly disparate approaches to Heidegger’s work, whether those approaches are traditional in their employment of phenomenology and hermeneutics or whether they apply to Heidegger’s thinking in new and surprising ways. The first section of the volume emphasizes the importance of methodology for the future of Heidegger studies while the second section examines the historical, ethical and vocal-poetical in Heidegger’s thought and draws conclusions relevant to the Heidegger scholar of today. The final section demonstrates Heidegger’s appeal to a variety of other discourses besides philosophy and the way his thinking could be creatively approached, utilized and implemented in our century. Contributions come from cutting-edge scholars such as Babette E. Babich, Dermot Moran, François Raffoul and Trish Glazebrook.  

This is the first dictionary dedicated to Quentin Meillassoux and the controversies surrounding his thought. Quentin Meillassoux - described as the fastest-rising French philosopher since Derrida - is one of the most exciting philosophers writing today. Perfect for philosophers just starting with Meillassoux, this dictionary defines all of the major terms of his work, prefaced by an introduction that argues for the importance of this new figure on the Continental philosophy scene. A-Z entries explain the influence of key figures, from Derrida to Heidegger to Kant, and define the complex terms that Meillassoux uses. The entries are written by the top scholars in the field of speculative realism, often highlighting their own disagreements with him. This is not just a dictionary, but an opening onto one of the most lively debates in recent philosophy. It defines Meillassoux's 75 most important concepts and themes, plus the figures he cites, fully cross-referenced. It sets out key criticisms of Meillassoux's work by prominent authors in the field, such as Adrian Johnston and Christopher Norris. It provides clear definitions for readers new to Meillassoux's work.It offers avenues for further specialist research.

"The story of the monster man whose horrible deformities cause fear and terror, his search for love and acceptance, and his haunting of the opera house in Paris is told in very simple language. Beautifully adapted, the story flows along so easily that readers will be immediately caught up in the tangle of events and emotions. McMullan conveys all of the anger, grief, joy, and love that make the phantom a truly believable character. Will attract reluctant readers."--School Library Journal.