The GAttinger Hain is generally considered to have been the most close-knit circle of poets in the Sturm und Drang (Storm and Stress) period. Its collection of poetry called the ABundesbuchA (1772/73) has only come down to us in manuscript form. This volume combines the first complete edition of the poems with a full-scale study of its significance and an extensive commentary section. The collection encompasses most of the poetic genres familiar at the time, and the poems address almost all the significant topics and currents prevalent in the period of upheaval around 1770. It is the last major document in the history of 18th century German poetry that has not yet been accorded the attention it merits.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Very few examples of medieval Arabic drama have survived, a fact which constitutes a serious loss to our knowledge of Arab literary history. However, we can form some idea of the kind of work of which we have been deprived by examining the three shadow plays preserved for us, those of Ibn Daniyal, the thirteenth century poet and wit. These three plays display in all their vitality, directness and even coarseness the kind of entertainment popular in medieval Egypt. They are literary, social and historical documents, unique of their kind, presenting a veritable gallery of characters, high and low, from all sides of Egyptian life. This edition offers for the first time the complete text, edited over a long period by a number of scholars and provided with a critical apparatus. The language used entails great textual problems yet it rewards study, combining wit, dramatic entertainment and sophisticated poetry. These shadow plays cannot be ignored in any history of Arabic literature.

Paul Kahle publishes here a German translation, with critical notations, of twelve Aramaic Marka hymns, which are an important piece in the early Samaritan liturgy. Kahle's work supplements other works that contain the Aramaic texts by providing a modern translation.