Modern Orthodox theology represents a continuity of the Eastern Christian theological tradition stretching back to the early Church and especially to the Ancient Fathers of the Church. This volume considers the full range of modern Orthodox theology. The first chapters of the book offer a chronological study of the development of modern Orthodox theology, beginning with a survey of Orthodox theology from the fall of Constantinople in 1453 until the early 19th century. Ladouceur then focuses on theology in imperial Russia, the Russian religious renaissance at the beginning of the 20th century, and the origins and nature of neopatristic theology, as well as the new theology in Greece and Romania, and tradition and the restoration of patristic thought. Subsequent chapters examine specific major themes: - God and Creation - Divine-humanity, personhood and human rights - The Church of Christ - Ecumenical theology and religious diversity - The 'Christification' of life - Social and Political Theology - The 'Name-of-God' conflict - The ordination of women The volume concludes with assessments of major approaches of modern Orthodox theology and reflections on the current status and future of Orthodox theology. Designed for classroom use, the book features: - case studies - a detailed index - a list of recommended readings for each chapter

Georges Florovsky (1893-1979) was one of the most prominent Orthodox theologians and ecumenists of the twentieth century. His call for a return to patristic writings as a source of modern theological reflection had a powerful impact not only on Orthodox theology in the second half of the twentieth century, but on Christian theology in general. Florovsky was also a major Orthodox voice in the ecumenical movement for four decades and he is one of the founders of the World Council of Churches. This book is a collection of major theological writings by George Florovsky. It includes representative and widely influential but now largely inaccessible texts, many newly translated for this book, divided into four thematic sections: Creation, Incarnation and Redemption, The Nature of Theology, Ecclesiology and Ecumenism, and Scripture, Worship and Eschatology. A foreword by Metropolitan Kallistos Ware presents the theological vision of Georges Florovsky and discusses the continuing relevance of his work both for Orthodox theology and for modern theology in general. The introduction by the Editors provides a theological and historical overview of Florovsky theology in teh context of his biography. The book includes explanatory notes, translation of patrisitc citations and an index.

In a manner completely acceptable to the professional film maker, yet thoroughly understandable and of great value to the amateur cinematographer, Spottiswoode presents the essential, unwritten lore of documentary film making. The book deals first with the ideas for a documentary film, and shows how they are embodied ina script. It explains how the production unit is assembled, and goes on to describe the mechanism of the camera, the primary instrument of film making. The chapters which follow discuss the important creative process of editing, optical printing, the film library, and negative cutting. A special section deals with the physics of sound, the technical methods of recording it, and the creative uses to which sound can be put in film. A long chapter describes current color processes and 16-mm. techniques. Successive chapters take the reader through all the steps of the production from script to screen and give him clues to what practices he should adopt and what he should avoid. A number of simplified procedures in animation are described here for the first time. The book ends with an annotated bibliography of technical works on film, and an extensive, 1000-word glossary of film terms defined with the needs of the amateur in mind. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1951.

In a manner completely acceptable to the professional film maker, yet thoroughly understandable and of great value to the amateur cinematographer, Spottiswoode presents the essential, unwritten lore of documentary film making. The book deals first with the ideas for a documentary film, and shows how they are embodied ina script. It explains how the production unit is assembled, and goes on to describe the mechanism of the camera, the primary instrument of film making. The chapters which follow discuss the important creative process of editing, optical printing, the film library, and negative cutting. A special section deals with the physics of sound, the technical methods of recording it, and the creative uses to which sound can be put in film. A long chapter describes current color processes and 16-mm. techniques. Successive chapters take the reader through all the steps of the production from script to screen and give him clues to what practices he should adopt and what he should avoid. A number of simplified procedures in animation are described here for the first time. The book ends with an annotated bibliography of technical works on film, and an extensive, 1000-word glossary of film terms defined with the needs of the amateur in mind. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1951.

Georges Florovsky (1893-1979) was one of the most prominent Orthodox theologians and ecumenists of the twentieth century. His call for a return to patristic writings as a source of modern theological reflection had a powerful impact not only on Orthodox theology in the second half of the twentieth century, but on Christian theology in general. Florovsky was also a major Orthodox voice in the ecumenical movement for four decades and he is one of the founders of the World Council of Churches. This book is a collection of major theological writings by George Florovsky. It includes representative and widely influential but now largely inaccessible texts, many newly translated for this book, divided into four thematic sections: Creation, Incarnation and Redemption, The Nature of Theology, Ecclesiology and Ecumenism, and Scripture, Worship and Eschatology. A foreword by Metropolitan Kallistos Ware presents the theological vision of Georges Florovsky and discusses the continuing relevance of his work both for Orthodox theology and for modern theology in general. The introduction by the Editors provides a theological and historical overview of Florovsky theology in teh context of his biography. The book includes explanatory notes, translation of patrisitc citations and an index.