The best of Pushkin Press on Venice, the iconic city. Beautifully designed by David Pearson and Clare Skeats and exclusive to Pushkin Press, this box set contains the Venice literature must-reads: the contrasting voices of Paul Morand, Regis Debray, Henry James, Arthur Schnitzler and Petr Kral on the city which leaves no-one indifferent. Contains: Venices by Paul Morand, Loving Venice, by Petr Kral, Against Venice by Regis Debray, Letters from the Palazzo Barbaro by Henry James, Casanova's Return to Venice by Arthur Schnitzler. EXCLUSIVE TO THIS BOXSET: The first ever translation from Antal Szerb's The Third Tower, the travelogue which gave birth to Journey by Moonlight. Szerb's notes on Venice are translated by award-winning Len Rix. 'I cannot imagine a happier Christmas present for any lover, or loather, of Venice' - Jan Morris 'All lovers of Venice who also love good writing should have the Pushkin Press's In Search of Venice, a handsome boxed set of six books on the city, including Henry James's Letters From the Palazzo Barbaro, a delightful pamphlet by Antal Szerb, as well as Regis Debray's contrarian Against Venice' -John Banville, Wall Street Journal

The story of Coco Chanel in her own words, as told by her to Paul Morand - in a Deluxe special edition, illustrated by Karl Lagerfeld and authorised by Chanel Told in her own words, Coco Chanel's memories offer a rare glimpse into the mind of one of the most influential women in fashion history. During a visit to St. Moritz at the end of World War II, Chanel shared intimate details of her life, loves and fashion philosophy with her life-long friend, Paul Morand. Only coming to light after Chanel's death, her intimate recollections reveal the secrets behind her success and the captivating charm that made her a true icon The Allure of Chanel attracted the attention of Karl Lagerfeld, who embellished it with seventy-three drawings, sketched for this special illustrated edition.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A feverish classic from one of the modern masters of French prose No one can keep up with Pierre Niox, the speediest antiques dealer in Paris - although not necessarily the most competent. As he dashes about at a dizzying pace, his impatience becomes too much to bear for those around him: his manservant, his only friend and even his cat abandon him. He begins to find that while he is racing through life, it is passing him by. But when Pierre falls in love with the languid, unpunctual Hedwige, the man in a hurry has to learn how to slow down. This feverish classic by one of the modern masters of French prose is a witty and touching parable for our busy times.

The story of Coco Chanel in her own words, as told by her to Paul Morand Told in her own words, Coco Chanel's memories offer a rare glimpse into the mind of one of the most influential women in fashion history. During a visit to St. Moritz at the end of World War II, Chanel shared intimate details of her life, loves and fashion philosophy with her life-long friend, Paul Morand. Only coming to light after Chanel's death, her intimate recollections reveal the secrets behind her success and the captivating charm that made her a true icon

In 1927, Paul Morand -- a French diplomat and noted European author -- made two extended trips to the Caribbean, Latin America and the American South. Published in 1929, his travel account begins as a diary about his experience of Venezuela, Curacao, Guadeloupe, Martinique, Haiti, Trinidad, Jamaica and Cuba and ends with a lengthy essay on Mexico. Morand was already a prolific, cosmopolitan writer but he had not yet acquired his controversial post-war reputation. The stylish writing of 'Caribbean Winter' fizzes with an acute intelligence and a rich -- though sometimes elliptical -- allusiveness (which is why this translation includes explanatory notes). It maps not just Morand's vivid impressions but also his main preoccupations, particularly with the shifting place of Europe in the new world order. Although he avoids all direct mention of the ethnocidal clearing of the 'New World' or the African American slave-trade, he is obsessed by the perceived threats posed to Europe's own future by mass migration and miscegenation. Morand was, above all, an uber-European and his work betrays the pseudo-scientific racialism of his time and background. Yet despite this blindness he was, at least, glimpsing the right questions to ask about the future of his world. And he knew that the Caribbean held most of the answers. He seems to have even intuited some of those answers and so parts of his commentary are startlingly modern and prescient. Much of Morand's pre-war non-fiction seems to have warranted about seven decades of political quarantine. But the twenty-first century is gradually re-discovering its significance, both in French and in translation. Interestingly, while almost all of his work has by now made its way into English, this is the first translation -- into any language -- of 'Hiver Caraibe'.

The present volume contains the complete text of Pound's translations, consisting of Morand's two best-known collections: Fancy Goods (Tendres Stocks, 1921) and Open All Night (Ouvert la Nuti, 1922), as well as the preface to the earlier of the two books by Marcel Proust, which set a seal of approval upon the younger generation of French writers.

The reputation of Paul Morand (1888-1976) rests squarely upon his short stories from the 1920's, which introduced a fresh and exuberant style into postwar French letters. Yet in spite of his immense popularity and later prestige, he has remained largely unknown to English-speaking readers.