This is the first full and detailed commentary on the second book of Tibullus' elegies since K.F. Smith's edition of 1913. It takes into account every significant advance in scholarship since then on Tibullus, elegy in general. The book provides an authoritative Latin text, based on the definitive Oxford Classical Text, an Introduction covering such topics as the chronology of Book II, its completeness and construction, and the main characters of the poems; and a comprehensive Commentary discussing all aspects of linguistic and literary interest in the poems: the problems of reference and the interpretation for instance, as well as notes on diction, style, themes, and metre. There are also introductory essays on each poem, discussing the background situation, genre, and main models. A critical appendix looks at all the textual points that substantially affect the understanding and appreciation of the elegies, a structural appendix explores the structure of the individual poems, and there are full indices.

This is not a commentary on Juvenal Satire 10 but a critical appreciation of the poem which examines it on its own and in context and tries to make it come alive as a piece of literature, offering one man's close reading of Satire 10 as poetry, and concerned with literary criticism rather than philological minutiae. In line with the recent broadening of insight into Juvenal's writing this book often addresses the issues of distortion and problematizing and covers style, sound and diction as well. Much time is also devoted to intertextuality and to humour, wit and irony. Building on the work of scholars like Martyn, Jenkyns and Schmitz, who see in Juvenal a consistently skilful and sophisticated author, this is a whole book demonstrating a high level of expertise on Juvenal's part sustained throughout; a long poem (rather than intermittent flashes). This investigation of 10 leads to the conclusion that Juvenal is an accomplished poet and provocative satirist, a writer with real focus, who makes every word count, and a final chapter exploring Satires 11 and 12 confirms that assessment. Translation of the Latin and explanation of references are included so that Classics students will find the book easier to use and it will also be accessible to scholars and students interested in satire outside of Classics departments.

This reader contains selections from Tacitus, Suetonius and Seneca on the first five Roman emperors. They present a dark world of murder, mayhem, debauchery and palace intrigue: Augustus with his firm moral policies and secret adulterous affairs; the sour and depraved Tiberius; the extravagance and madness of Caligula; the slobbering and ineffective Claudius; and Nero with his absurd artistic pretensions. Exciting, horrific and moving, the selections are also valuable for studying style and rhetoric, human nature and the roles of women, imperialism and corruption. The book is aimed at students moving on to genuine, unsimplified Latin prose after completing an introductory Latin course. It contains a useful introduction, detailed notes providing a lot of help with grammar, expression and translation, a full vocabulary, and an appreciation offering historical comment for context and analysis and literary criticism to make the passages come alive as literature and enhance students' perception and enjoyment.

This volume offers up-to-date translations of all 21 epistles of Ovid's Heroides. Each letter is accompanied by a preface explaining the mythological background, an essay offering critical remarks on the poem, and discussion of the heroine and her treatment elsewhere in Classical literature. Where relevant, reception in later literature, film, music and art, and feminist aspects of the myth are also covered. The book also contains an introduction covering Ovid's life and works, the Augustan background, the originality of the Heroides, dating, authenticity and reception. A useful glossary of characters mentioned in the Heroides concludes the book. This is a vital new resource for anyone studying the poetry of Ovid, Classical mythology or women in the ancient world.

Apuleius' famous novel, The Metamorphoses, tells the story of a man who was magically changed into an ass, and who had various (humorous, sad, exciting, disturbing, erotic, horrific) adventures before he regained his human form. As well as being genuinely interesting and great fun to read, The Metamorphoses is of great value for the study of narrative technique, literary style, religious practices, contemporary culture in a Roman province and much more. This book contains selections from the novel and is aimed at students moving on to genuine, unsimplified Latin prose after completing an introductory Latin course. It contains a useful introduction, detailed notes providing a lot of help with grammar, expression and translation, a full vocabulary, and passages of appreciation to make the selections come alive as literature and to enhance students' perception and enjoyment of the stories.

Apuleius' famous novel, The Metamorphoses, tells the story of a man who was magically changed into an ass, and who had various (humorous, sad, exciting, disturbing, erotic, horrific) adventures before he regained his human form. As well as being genuinely interesting and great fun to read, The Metamorphoses is of great value for the study of narrative technique, literary style, religious practices, contemporary culture in a Roman province and much more. This book contains selections from the novel and is aimed at students moving on to genuine, unsimplified Latin prose after completing an introductory Latin course. It contains a useful introduction, detailed notes providing a lot of help with grammar, expression and translation, a full vocabulary, and passages of appreciation to make the selections come alive as literature and to enhance students' perception and enjoyment of the stories.

This reader contains selections from Tacitus, Suetonius and Seneca on the first five Roman emperors. They present a dark world of murder, mayhem, debauchery and palace intrigue: Augustus with his firm moral policies and secret adulterous affairs; the sour and depraved Tiberius; the extravagance and madness of Caligula; the slobbering and ineffective Claudius; and Nero with his absurd artistic pretensions. Exciting, horrific and moving, the selections are also valuable for studying style and rhetoric, human nature and the roles of women, imperialism and corruption. The book is aimed at students moving on to genuine, unsimplified Latin prose after completing an introductory Latin course. It contains a useful introduction, detailed notes providing a lot of help with grammar, expression and translation, a full vocabulary, and an appreciation offering historical comment for context and analysis and literary criticism to make the passages come alive as literature and enhance students' perception and enjoyment.

This engaging, readable yet impeccably scholarly investigation of monsters in Classical literature will entertain and stimulate as well as inform. It covers all the major mythical monsters mentioned by Greek and Roman authors (Medusa, Hydra, Polyphemus, the Minotaur, Sphinx, Harpies, Sirens, Cerberus, Chimaera, Centaurs, and many more) along with Classical precursors of vampires, werewolves and the living dead. Versions of these creatures that appear in later literature and film are also discussed. Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.

This edition of Book I of Tibullus' Elegies (first century BC) includes introduction, the Latin text and notes on the text. The editor gives particular attention to philological matters and questions of nuance in Tibullus' language.