Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered 'the war memorials of today' to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films - covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq - and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.

Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered 'the war memorials of today' to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films - covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq - and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.

Northern Canada's distinctive landscapes, its complex social relations and the contested place of the North in contemporary political, military, scientific and economic affairs have fueled recent scholarly discussion. At the same time, both the media and the wider public have shown increasing interest in the region. This timely volume extends our understanding of the environmental history of northern Canada - clarifying both its practice and promise, and providing critical perspectives on current public debates. Ice Blink provides opportunities to consider critical issues in other disciplines and geographic contexts. Contributors also examine whether distinctive approaches to environmental history are required when studying the Canadian North, and consider a range of broader questions. What, if anything, sets the study of environmental history in particular regions apart from its study elsewhere? Do environmental historians require regionally-specific research practices? How can the study of environmental history take into consideration the relations between Indigenous peoples, the environment, and the state? How can the history of regions be placed most effectively within transnational and circumpolar contexts? How relevant are historical approaches to contemporary environmental issues? Scholars from universities in Canada, the United States and Britain contribute to this examination of the relevance of historical study for contemporary arctic and sub-arctic issues, especially environmental challenges, security and sovereignty, indigenous politics and the place of science in northern affairs. By asking such questions, the volume offers lessons about the general practice of environmental history and engages an international body of scholarship that addresses the value of regional and interdisciplinary approaches. Crucially, however, it makes a distinctive contribution to the field of Canadian environmental history by identifying new areas of research and exploring how international scholarly developments might play out in the Canadian context. With contributions by: Tina Adcock, Stephen Bocking, Emilie Cameron, Hans M. Carlson, Marionne Cronin, Matthew Farish, Arn Keeling, P. Whitney Lackenbauer, Tina Loo, Paul Nadasdy, Jonathan Peyton, Liza Piper, John Sandlos, Andrew Stuhl

This book challenges this conventional wisdom that land claims and co-management - two of the most visible and celebrated elements of this restructuring the relationship between Aboriginal peoples and the Canadian state - will help reverse centuries of inequity. Based on three years of ethnographic research in the Yukon, the author examines the complex relationship between the people of Kluane First Nation, the land and animals, and the state. This book moves beyond conventional models of colonialism, in which the state is treated as a monolithic entity, and instead explores how "state power" is reproduced through everyday bureaucratic practices - including struggles over the production and use of knowledge.