"I would like to declare Diana Wynne Jones an international treasure," proclaimed Neil Gaiman, Newbery Medalist and best-selling author. In this enchanting introduction to Diana Wynne Jones's magical and funny work, Earwig is a fearless young orphan. When she finds herself in a house of dark magic, she does whatever she can to adapt--especially if it means that she'll learn a little magic herself A young middle grade novel by World Fantasy Award for Lifetime Achievement‒winner Diana Wynne Jones, beautifully illustrated in black and white by Caldecott Medalist Paul O. Zelinsky.

Not every orphan would love living at St. Morwald's Home for Children, but Earwig does. She gets whatever she wants, whenever she wants it, and it's been that way since she was dropped on the orphanage doorstep as a baby. But all that changes the day Bella Yaga and the Mandrake come to St. Morwald's, disguised as foster parents. Earwig is whisked off to their mysterious house full of invisible rooms, potions, and spell books, with magic around every corner. Most children would run in terror from a house like that . . . but not Earwig. Using her own cleverness--with a lot of help from a talking cat--she decides to show the witch who's boss.

Caldecott Medalist Paul O. Zelinsky illustrates Kelly Bingham's outrageously funny, critically acclaimed, and boundary-breaking story about a moose, a zebra, and the alphabet Zebra wants to put on a show as simple as ABC, but Zebra's friend Moose has other (unexpected and hilarious) ideas

Zebra thinks the alphabet should be simple. A is for Apple. B is for Ball. Easy But his friend Moose is too excited to wait his turn, and when M isn't for Moose (Mouse gets the honor), the rest of the letters better run for cover. Exuberant and zany storytelling brings to life two friends and one laugh-out-loud comedy of errors that's about friendship, sharing, and compromise. The incomparable Paul O. Zelinsky's artwork is bursting at the seams--literally--with child appeal. Breaking the borders of the page, and creating the art both digitally and traditionally, Zelinsky turns convention on its head. The result is a picture book that is innovative, hilarious, and begging to be read over and over again.

Named a Notable Book for Children by the American Library Association

Supports the Common Core State Standards

Dear Mr. Henshaw,

I wish somebody would stop stealing the good stuff out of my lunchbag. I guess I wish a lot of other things, too. I wish someday Dad and Bandit would pull up in front in the rig ... Dad would yell out of the cab, "Come on, Leigh. Hop in and I'll give you a lift to school."

Leigh Botts has been author Boyd Henshaw's number one fan ever since he was in second grade. Now in sixth grade, Leigh lives with his mother and is the new kid at school. He's lonely, troubled by the absence of his father, a cross-country trucker, and angry because a mysterious thief steals from his lunchbag. Then Leigh's teacher assigns a letter-writing project. Naturally Leigh chooses to write to Mr. Henshaw, whose surprising answer changes Leigh's life.

Winner of the Newbery Medal
An ALA Notable Book 

Dear Mr. Henshaw,

I wish somebody would stop stealing the good stuff out of my lunchbag. I guess I wish a lot of other things, too. I wish someday Dad and Bandit would pull up in front in the rig ... Dad would yell out of the cab, "Come on, Leigh. Hop in and I'll give you a lift to school."

Leigh Botts has been author Boyd Henshaw's number one fan ever since he was in second grade. Now in sixth grade, Leigh lives with his mother and is the new kid at school. He's lonely, troubled by the absence of his father, a cross-country trucker, and angry because a mysterious thief steals from his lunchbag. Then Leigh's teacher assigns a letter-writing project. Naturally Leigh chooses to write to Mr. Henshaw, whose surprising answer changes Leigh's life.

Winner of the Newbery Medal
An ALA Notable Book 

In his letters to his favorite author, ten-year-old Leigh reveals his problems in coping with his parents' divorce, being the new boy in school, and generally finding his own place in the world.

Strider has a new habit. Whenever we stop, he places his paw on my foot. It isn't an accident because he always does it. I like to think he doesn't want to leave me.

Can a stray dog change the life of a teenage boy? It looks as if Strider can. He's a dog that loves to run; because of Strider, Leigh Botts finds himself running--well enough to join the school track team. Strider changes Leigh on the inside, too, as he finally begins to accept his parents' divorce and gets to know a redheaded girl he's been admiring. With Strider's help, Leigh finds that the future he once hated to be asked about now holds something he never expected: hope.

Richly hued oil paintings complement a story simply and gracefully told. "Children...love the story for its mystery, and its familiarity. Adults will find that, like most classic fairy tales, this one rewards periodic rethinking." --New York Times Book Review "Zelinsky's smooth retelling and glowing pictures cast the story in a new and beautiful light." -- School Library Journal

Surely among the most original and gifted of children's book illustrators, Paul O. Zelinsky has once again with unmatched emotional authority, control of space, and narrative capability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold. Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness,confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture, interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginning of their adulthood. As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

Trapped in a tower with no door, Rapunzel is allowed to see no one but the sorceress who has imprisoned her-until the day a young prince hears her singing to the forest birds. . . . The timeless tale of Rapunzel is vividly and magnificently brought to life through Paul O. Zelinsky's powerful sense of narrative and his stunning oil paintings.

"Simply put, this is a gorgeous book; it demonstrates respect for the traditions of painting and the fairy tale while at the same time adhering to a singular, wholly original, artistic vision." (The Horn Book, starred review)

Fans of acclaimed author Jenkins's and Caldecott Award---winner Zelinsky's "Toys Go Out "and "Toy Dance Party, "as well as newcomers, will happily discover how Lumphy, StingRay, and Plastic came to live with the Girl. In six linked adventures, readers will also learn how the one-eared Sheep became one-eared; watch a cranky toy meet an unfortunate end; and best of all, learn why it's okay for someone you truly love to puke on you. Here is perhaps the most charming of three inimitably charming books destined to become classics.

"Look, Ryan," he said. "I'm in trouble and I don't have time to tell you about it. Just take me and my motorcycle with you, and don't ask questions."

"To school?" Ryan was surprised.

Ralph's pesky cousins are wrecking his motorcycle, and his janitor friend, Matt, is in trouble because there seem to be mice in the hotel. All in all things are not going well at the Mountain View Inn. So Ralph persuades his young pal Ryan to take him to school. Ralph is an instant hit with Ryan's classmates. But he doesn't like being forced to run through a maze or the threat of an exterminator coming to the school. Worst of all, Ryan gets into a fight with a classmate, and Ralph's precious motorcycle is broken. Is Ralph S. Mouse smart enough to steer this sad situation to a happy ending?

Here is the second book in the highly acclaimed Toys Trilogy, which includes the companion books "Toys Go Out" and "Toys Come Home."
Lumphy, Stingray, and Plastic are back And this time the lovable trio finds that their little girl has left for winter vacation and taken a box of dominoes, a stegosaurus puzzle, and two Barbie dolls--but not them. Could she have forgotten them?
As the girl starts to grow up, the three best friends must join together to brave a blizzard, save the toy mice from the vacuum, and make sure that they'll always have the little girl's love. (And they still have time to throw an all-out dance party with the washing machine )

"From the Hardcover edition."