Ranging from early medieval times to the present, this diverse collection explores the myriad ways in which literary texts are informed by their historical contexts. The thirty-one chapters draw on varied themes and perspectives to present stimulating new readings of both canonical and non-canonical texts and authors. Written in a lively and engaging style, by an international team of experts, these specially commissioned essays collectively represent an incisive contribution to literary studies; they will appeal to scholars, teachers and graduate and undergraduate students. The book is designed to complement Paul Poplawski's previous volume, English Literature in Context, and incorporates additional study elements designed specifically with undergraduates in mind. With an extensive chronology, a glossary of critical terms, and a study guide suggesting how students might learn from the essays in their own writing practices, this volume provides a rich and flexible resource for teaching and learning.

This is the second edition of English Literature in Context, a popular textbook which provides an essential resource and reference tool for all English literature students. Designed to accompany students throughout their degree course, it offers a detailed narrative survey of the diverse historical and cultural contexts that have shaped the development of English literature, from the Anglo-Saxon period to the present day. Carefully structured for undergraduate use, the eight chronological chapters are written by a team of expert contributors who are also highly experienced teachers. Each chapter includes a detailed chronology, contextual readings of selected literary texts, annotated suggestions for further reading, a rich range of illustrations and textboxes, and thorough historical and literary overviews. This second edition has been comprehensively revised, with a new chapter on postcolonial literature, a substantially expanded chapter on contemporary literature, and the addition of over two hundred new critical references. Online resources include textboxes, chapter samples, study questions, and chronologies.

Warren Roberts' Bibliography has long been established as the pre-eminent research tool for students and scholars of Lawrence, and an indispensable reference guide for book collectors and booksellers worldwide. This third edition, initially prepared by Warren Roberts before his death in 1998, was extensively revised and expanded by Paul Poplawski for publication in 2001. It is organised into five main sections, providing full details of Lawrence's publishing career and critical reception; his first editions; first editions of books containing previously unpublished contributions by him; his first periodical publications; translations of his works around the world; and his known manuscripts with their current locations. An important sixth section provides an extensive bibliography of over 600 secondary books and pamphlets. Overall, the volume offers comprehensive coverage of bibliographical information for one of the greatest writers of the twentieth century.

Warren Roberts's Bibliography has long been established as the preeminent research tool for students and scholars of Lawrence, as well as an indispensable reference guide for book collectors and booksellers worldwide. This third edition, initially prepared by Warren Roberts before his death in 1998, has been extensively revised, updated and expanded by Paul Poplawski. Overall the volume, which also includes twelve color pictures of dust-jackets of early Lawrence editions, offers up-to-date and comprehensive coverage of bibliographical information for one of the greatest writers of the twentieth century.

Banned and vindicated, condemned and lauded, Lady Chatterley's Lover is D.H. Lawrence's seminal novel of illicit passion and forbidden desire. Lady Constance Chatterley feels trapped in her sexless marriage to the Sir Clifford. Paralysed in the First World War, Sir Clifford is unable to fulfil his wife emotionally or physically, and encourages her instead to have a liaison with a man of their own class. But Connie is attracted instead to Oliver Mellors, her husband's gamekeeper, with whom she embarks on a passionate affair that brings new life to her stifled existence. Can she find true love with Mellors, despite the vast gulf between their positions in society? One of the most controversial novels in English literature, Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships. In her introduction Doris Lessing discusses the influence of Lawrence's sexual politics, his relationship with his wife Frieda and his attitude towards the First World War. Using the complete and restored text of the Cambridge edition, this volume includes a new chronology and further reading by Paul Poplawski and notes by Michael Squires. Edited with notes by Michael Squires and an introduction by Doris Lessing. 'A brave and important book, passionate and wildly ambitious' Independent on Sunday 'A masterpiece' Guardian

This is the second edition of English Literature in Context, a popular textbook which provides an essential resource and reference tool for all English literature students. Designed to accompany students throughout their degree course, it offers a detailed narrative survey of the diverse historical and cultural contexts that have shaped the development of English literature, from the Anglo-Saxon period to the present day. Carefully structured for undergraduate use, the eight chronological chapters are written by a team of expert contributors who are also highly experienced teachers. Each chapter includes a detailed chronology, contextual readings of selected literary texts, annotated suggestions for further reading, a rich range of illustrations and textboxes, and thorough historical and literary overviews. This second edition has been comprehensively revised, with a new chapter on postcolonial literature, a substantially expanded chapter on contemporary literature, and the addition of over two hundred new critical references. Online resources include textboxes, chapter samples, study questions, and chronologies.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Constance Chatterley feels trapped in her sexless marriage to the invalid Sir Clifford. Unable to fulfil his wife emotionally or physically, Clifford encourages her to have a liaison with a man of their own class. But Connie is attracted instead to her husband's gamekeeper and embarks on a passionate affair that brings new life to her stifled existence. Can she find a true equality with Mellors, despite the vast gulf between their positions in society? One of the most controversial novels in English literature, Lady Chatterley's Lover is an erotically charged and psychologically powerful depiction of adult relationships.

Ranging from early medieval times to the present, this diverse collection explores the myriad ways in which literary texts are informed by their historical contexts. The thirty-one chapters draw on varied themes and perspectives to present stimulating new readings of both canonical and non-canonical texts and authors. Written in a lively and engaging style, by an international team of experts, these specially commissioned essays collectively represent an incisive contribution to literary studies; they will appeal to scholars, teachers and graduate and undergraduate students. The book is designed to complement Paul Poplawski's previous volume, English Literature in Context, and incorporates additional study elements designed specifically with undergraduates in mind. With an extensive chronology, a glossary of critical terms, and a study guide suggesting how students might learn from the essays in their own writing practices, this volume provides a rich and flexible resource for teaching and learning.

Modernism is still widely acknowledged as perhaps the most important and influential artistic and cultural phenomenon of the 20th century. Written by expert scholars from around the world and covering hundreds of different topics in a clear, incisive, and critical manner, this reference maps the complex field of modernism in a fresh and original way. The principal focus of the book is on English-language literary modernism and the period 1890-1939, yet many entries extend beyond those parameters to include important precursors and successors of the movement. The book also covers the crucial European and interdisciplinary dimensions of modernism and provides complementary comparative perspectives from countries and regions not usually included in traditional accounts of the subject. Entries cite works for further reading, and the volume closes with a selected, general bibliography.

The three works collected in this volume, all written in 1924, explore the profound effects on protagonists who embark on psychological voyages of liberation. In St Mawr, Lou Witt buys a beautiful, untamable bay stallion and discovers an intense affinity with the horse that she cannot feel with her husband. This superb novella displays Lawrence's mastery of satirical comedy in a scathing depiction of London's fashionable horse riding set. 'The Princess' portrays the intimacy between an aloof woman and her male guide as she travels through New Mexico in search of new experiences, while in 'The Woman who Rode Away' a woman's religious quest in Mexico brings great danger - and astonishing self-discovery.

One of Lawrence's main concerns in his art was to explore and experiment with new ways of writing about the body. But with one or two notable exceptions, few critics have systematically interrogated the broader ramifications of this concern, especially in terms of contemporary theoretical debates about language, representation, and sexuality. This book remedies that situation by considering some of the social, cultural, and ideological contexts of Lawrence's writings of the body and by engaging closely with his texts from a range of pertinent theoretical positions.

The essays included in this volume are written by experts from around the world. The contributors provide detailed discussions of specific major works by Lawrence and employ theoretical approaches which give special attention to language, representation, and sexuality, including postmodernism, Marxism, structuralism, the sociology of censorship, Freudian and Jungian psychoanalysis, feminism and gender studies, and narrative theory. While Lawrence's major novels and short stories provide the main focus for the volume, the book also examines his lesser-known writings, including unfinished story fragments, introductions and forewords, and literary and journalistic essays.

Perhaps the first modern novelist, Jane Austen (1775-1817) has left an indelible mark on the world of letters. She is best known as the author of penetrating studies of domestic life and manners, and her novels such as Sense and Sensibility (1811), Pride and Prejudice (1813), and Mansfield Park (1814) continue to be read and appreciated today. Yet Austen also wrote numerous other pieces and a substantial body of letters. While her novels have received large amounts of critical attention, scholars have also increasingly studied her other writings, and Austen scholarship continues to grow each year. This reference book is an accurate, comprehensive, and detailed guide to her life and career. A chronology outlines the principal events in her life and places her within larger literary and historical contexts. The several hundred alphabetically arranged entries that follow identify characters and family members, discuss works and themes, and synthesize the large body of criticism that has grown around her works. Every one of her texts, including all of her minor writings, has a separate entry, as have most of her fictional characters. Entries for individual works typically provide details of composition and publication, a plot summary and critical commentary, a list of characters, and bibliographical references. The volume closes with an extensive bibliography of works by and about her.

D.H. Lawrence remains one of the most popular and studied authors of the 20th century. This book is a comprehensive but easy to use reference guide to Lawrence's life, works, and critical reception. The volume has been systematically structured to convey a coherent overall sense of Lawrence's achievement and critical reputation, but it is also designed to enable the reader who may be interested in only one aspect of Lawrence's career, perhaps even in only one of his novels or stories, to find relevant information quickly and easily without having to read other parts of the text. The book begins with an original biography by John Worthen, one of the world's foremost authorities on Lawrence's life and work. The chapters that follow provide separate entries for all of Lawrence's works, except for individual poems and paintings, with critical summaries, discussions of characters, and details of settings. There is also a complete overview of Lawrence and film, with the most complete listing available of film adaptations of his works and of criticism relating to them. Each section of the book provides comprehensive primary and secondary bibliographical data, including citations for the most recent scholarly studies. Maps and chronologies further trace Lawrence's travels and his development over time.

Through his art, D. H. Lawrence exhorted people to recognize their potential for creative change and to energize it toward a more fulfilling mode of existence. Author Paul Poplawski seeks to define Lawrence's concept of creativity and explores its use as a central structuring principle of his ethical, metaphysical, and aesthetic thought. Viewed in relation to his basic religious beliefs, the concept of creativity provides us with an integrated perspective on his art. Poplawski considers biographical elements of Lawrence's religious formation and traces the path of transmittal of these ideas into the early fiction and particularly The Rainbow. He then continues to demonstrate how religious views and aesthetic theory coalesce in the later works. He also engages critical dialogue by investigating counter-creative trends of elitism and sexism in the corpus.