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It seems more urgent than ever before to fend off the rising wave of intolerance and at the same time determine the nature of tolerance and its limits. As Ricoeur says in his Foreword: "Tolerance is a tricky subject: too easy or too difficult. It is indeed too easy to deplore intolerance, without putting oneself into question, oneself and the different allegiances with which each person identifies." In order to explore these complexities, he has gathered together a number of prominent thinkers from various parts of the world and areas of activity and invited them to reflect on the "obstacles and limits to tolerance." The Declaration of Principles on Tolerance, issued by the United Nations in 1995, rounds up this remarkable collection of essays. Contributors: Norberto Bobbio, Vaclav Havel, Jeanne Hersch, Bernard Williams, Octavio Paz, Ghislain Waterlot, Antoine Garapon, Mario Bettati, Yehudi Menuhin, Ramin Jahanbegloo, Abdelwahab Bouhdiba, Hans Kung, Wole Soyinka, Ionna Kucuradi, Monique Canto-Sperber, Paul Ricoeur, Desmond Tutu. DIOGENES LIBRARY
Paul Ricoeur was one of the most important philosophers of the twentieth century. In this short and accessible book, he turns to a topic at the heart of much of his work: What is translation and why is it so important? Reminding us that The Bible, the Koran, the Torah and the works of the great philosophers are often only ever read in translation, Ricoeur reminds us that translation not only spreads knowledge but can change its very meaning. In spite of these risk, he argues that in a climate of ethnic and religious conflict, the art and ethics of translation are invaluable. Drawing on interesting examples such as the translation of early Greek philosophy during the Renaissance, the poetry of Paul Celan and the work of Hannah Arendt, he reflects not only on the challenges of translating one language into another but how one community speaks to another. Throughout, Ricoeur shows how to move through life is to navigate a world that requires translation itself. Paul Ricoeur died in 2005. He was one of the great contemporary French philosophers and a leading figure in hermeneutics, psychoanalytic thought, literary theory and religion.
Ricoeur’s theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur’s most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity’s creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind’s power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.
Paul Ricoeur is described in the "Routledge Encyclopedia of Philosophy "as "one of the leading French philosophers of the second half of the twentieth century." This little book collects his thoughts on the subject of translation, and is vintage Ricoeur. He uses the topic to reflect on some of the perennial problems posed by translation, including the transmission of early Greek philosophy to the Renaissance, interpretations of the Bible amongst diverse religious traditions (no small issue at the moment), and the way translations of the same text reflect important cultural dynamics at work across different periods, leading to quite different meanings springing from the same book. There are also discussions of some contemporary figures, such as Umberto Eco, and the whole underscored by Ricoeur's point that there is a paradox at the hear of translation: impossible in theory but effective in practice.
Dramatic Approaches to Creative Fidelity is a unique study of the work of Gabriel Marcel, a twentieth-century philosopher of international renown. This book brings a fresh perspective to the examination of Marcel's thought, highlighting facets that are sure to interest many different audiences. Dramatic Approaches to Creative Fidelity presents a clear exposition of the nature of creative fidelity, a central theme in Marcel's life and work. The distinctive contribution of this book, however, is its illustration of how theater and philosophy are complementary in Marcel's investigation and reflective clarification of life's existential questions. Each chapter of the book studies a play and a contemporary philosophic essay and examines how they relate to clarify a particular aspect of creative fidelity. Thus, this work communicates Marcel's understanding of the nature of creative fidelity, illustrates the relationship that links theater and philosophy, and demonstrates the important role theater plays in providing a privileged way into personal philosophizing. The principal aim of this book is to introduce English-speaking audiences to Gabriel Marcel's theater. The book also intends to suggest to students, teachers, scholars, and theatrical personnel the heuristic as well as the pedagogical advantages offered by an integrated approach that sees Marcel's theater and philosophy as essentially complementary.
The thought of Paul Ricoeur continues its profound effect on theology, religious studies, and biblical interpretation. Introduced by Mark Wallace, the twenty-one papers collected in this volume-some familiar, many translated here for the first time-constitute the most comprehensive anthology of Ricoeur's writings in religion since 1970. The writings are thematically divided into five parts: the study of religion philosophers of religion the Bible and genre theological overtures practical theology Ricoeur's hermeneutical orientation and his deep sensitivity to the mystery and power of religious language offer fresh insight into the transformative potential of sacred literature, including the Bible.
Paul Ricoeur is widely regarded as one of the most distinguished philosophers of our time. In The Rule of Metaphor he seeks 'to show how language can extend itself to its very limits, forever discovering new resonances within itself'. Recognizing the fundamental power of language in constructing the world we perceive, it is a fruitful and insightful study of how language affects how we understand the world, and is also an indispensable work for all those seeking to retrieve some kind of meaning in uncertain times.
Paul Ricoeur (1913-2005) was one of the outstanding French philosophers of the 20th century and his work is widely read in the English-speaking world. This unique volume comprises the lectures that Ricoeur gave on Plato and Aristotle at the University of Strasbourg in 1953-54. The aim of these lectures is to analyse the metaphysics of Plato and Aristotle and to discern in their work the ontological foundations of Western philosophy. The relation between Plato and Aristotle is commonly portrayed as a contrast between a philosophy of essence and a philosophy of substance, but Ricoeur shows that this opposition is too simple. Aristotelian ontology is not a simple antithesis to Platonism: the radical ontology of Aristotle stands in a far more subtle relation of continuity and opposition to that of Plato and it is this relation we have to reconstruct and understand. Ricoeur’s lectures offer a brilliant analysis of the great works of Plato and Aristotle which has withstood the test of time. They also provide a unique insight into the development of Ricoeur’s thinking in the early 1950s, revealing that, even at this early stage of his work, Ricoeur was focused sharply on issues of language and the text.
Collected and translated by John B. Thompson, this collection of essays by Paul Ricoeur includes many that had never appeared in English before the volume's publication in 1981. As comprehensive as it is illuminating, this lucid introduction to Ricoeur's prolific contributions to sociological theory features his more recent writings on the history of hermeneutics, its central themes and issues, his own constructive position and its implications for sociology, psychoanalysis and history. Presented in a fresh twenty-first-century series livery, and including a specially commissioned preface written by Charles Taylor, illuminating its enduring importance and relevance to philosophical enquiry, this classic work has been revived for a new generation of readers.
In volume 1 of this three-volume work, Paul Ricoeur examined the
relations between time and narrative in historical writing. Now, in
volume 2, he examines these relations in fiction and theories of
literature.
Collected and translated by John B. Thompson, this collection of essays by Paul Ricoeur includes many that had never appeared in English before the volume's publication in 1981. As comprehensive as it is illuminating, this lucid introduction to Ricoeur's prolific contributions to sociological theory features his more recent writings on the history of hermeneutics, its central themes and issues, his own constructive position and its implications for sociology, psychoanalysis and history. Presented in a fresh twenty-first-century series livery, and including a specially commissioned preface written by Charles Taylor, illuminating its enduring importance and relevance to philosophical enquiry, this classic work has been revived for a new generation of readers.
The most accessible of Ricoeur's early texts, Fallible Man offers an introduction to phenomenological method.
The essays in this collection by the noted French philosopher Paul Ricoeur grew out of a series of invited lectures given in France on the question of the nature of justice and the law at the Institut des Hautes Etudes pour a Justice in Paris. Gathered under the title "The Just", the essays represent a sustained reflection on the relation between the concept of the juridical - as embedded in written laws, tribunals, judges and verdicts - and the philosophical concept of right, situated between moral theory and politics. In political philosophy, Ricoeur argues, the question of right is obscured by the haunting presence of historical evil. In a philosophy of right, on the other hand, the leading theme is peace. Building on the framework established in his earlier work, "Oneself as Another", Ricoeur shifts his focus from political considerations to those having to do with the juridical dimension of the problem of justice. Fleshing out this framework, Ricoeur revisits the work of Plato, Aristotle and Kant in his engagements with contemporary thinkers, particularly John Rawls, Michael Walzer, Hannah Arendt and Ronald Dworkin. His thought ranges from conceptual analysis, to the theory of law, and finally to the act of judging, exploring the ideas of sanction, rehabilitation, pardon and the status of conscience in relation to the demands of the law. A valuable work for understanding the development of Ricoeur's hermeneutic philosophy and the literary and religious dimensions of his thought, "The Just" should also be of interest to scholars interested in matters of ethics, law and justice.
Paul Ricoeur has been hailed as one of the most important thinkers
of the century. "Oneself as Another, " the clearest account of his
"philosophical ethics," substantiates this position and lays the
groundwork for a metaphysics of morals.
Why do major historical events such as the Holocaust occupy the
forefront of the collective consciousness, while profound moments
such as the Armenian genocide, the McCarthy era, and France's role
in North Africa stand distantly behind? Is it possible that history
"overly remembers" some events at the expense of others? A landmark
work in philosophy, Paul Ricoeur's "Memory, History, Forgetting"
examines this reciprocal relationship between remembering and
forgetting, showing how it affects both the perception of
historical experience and the production of historical narrative.
Paul Ricoeur is widely regarded as one of the most distinguished philosophers of our time. In "The Rule of Metaphor" he seeks "to show how language can extend itself to its very limits, forever discovering new resonances within itself". Recognizing the fundamental power of language in constructing the world we perceive, Ricoeur reveals the processes by which linguistic imagination creates and recreates meaning through metaphor. Taking further his acclaimed analysis of the power of myth and symbol, Ricoeur invites us to explore the many layers of language in order to rediscover what that meaning might be.
Unparalled in its poetry, richness, and religious and historical
significance, the Hebrew Bible has been the site and center of
countless commentaries, perhaps none as unique as "Thinking
Biblically." This remarkable collaboration sets the words of a
distinguished biblical scholar, Andre LaCocque, and those of a
leading philosopher, Paul Ricoeur, in dialogue around six crucial
passages from the Old Testament: the story of Adam and Eve; the
commandment "thou shalt not kill"; the valley of dry bones passage
from Ezekiel; Psalm 22; the Song of Songs; and the naming of God in
Exodus 3:14. Commenting on these texts, LaCocque and Ricoeur
provide a wealth of new insights into the meaning of the different
genres of the Old Testament as these made their way into and were
transformed by the New Testament.
The most accessible of Ricoeur's early texts, Fallible Man offers an introduction to phenomenological method.
"Criticism and Conviction" offers a rare opportunity to share personally in the intellectual life and journey of the eminent philosopher Paul Ricoeur. Internationally known for his influential works in hermeneutics, theology, psychoanalysis, and aesthetics, until now, Ricoeur has been conspicuously silent on the subject of himself. In this book -- a conversation about his life and work with Fran?ois Azouvi and Marc de Launay -- Ricoeur reflects on a variety of philosophical, social, religious, and cultural topics, from the paradoxes of political power to the relationship between life and art, and life and death. In the first of eight conversations, Ricoeur traces the trajectory of his life, recounting the origins of his convictions and the development of his intellect against the tragic events of the twentieth century. Declaring himself the "son of a victim of the First World War," Ricoeur, an orphan, sketches his early years in the house of stern but loving grandparents, and the molding of his intellect under the tutelage of Roland Dalbiez, Gabriel Marcel, and Andr? Philip. Ricoeur tells the intriguing story of his capture and five-year imprisonment by the Germans during World War II, where he and his compatriots fashioned an intellectual life complete with a library and lectures, and where he, amazingly, was able to continue his dissertation research. Elegantly interweaving anecdotal with philosophical meditations, Ricoeur recounts his relationships with some of the twentieth century's greatest figures, such as Heidegger, Jaspers, and Eliade. He also shares his views on French philosophers and explains his tumultuous relationship with Jacques Lacan. And while expressing his deepest respect for the works of Claude L?vi-Strauss and Michel Foucault, Ricoeur reserves his greatest admiration for the narratologist Algirdas Julien Greimas. Ricoeur also explores the relationship between the philosophical and religious domains, attempting to reconcile the two poles in his thought. And readers who have struggled with Ricoeur's work will be grateful for these illuminating discussions that provide an invaluable key to his writings on language and narrative, especially those on metaphor and time. Spontaneous and lively, "Criticism and Conviction" is a passionate confirmation of Ricoeur's eloquence, lucidity, and intellectual rigor, and affirms his position as one of this century's greatest thinkers. It is an essential book for anyone interested in philosophy and literary criticism. |
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